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Johann Sigismund Kusser
Johann Sigismund Kusser or Cousser (baptized 13 February 1660 – before 17 November 1727) was a composer born in the Kingdom of Hungary who was active in Germany, France, and Ireland. Life The son of Johann Kusser, a Protestant cantor in Pressburg (then in the Kingdom of Hungary), Johann Sigismund and his parents moved to Stuttgart in 1674 because of religious persecution. Two years later he went to spend six years in Paris and the Palace of Versailles. There he met the French court composer Jean-Baptiste Lully and learned from him how to compose in the French style. Kusser was then employed at the princely courts in Baden-Baden and Ansbach, before taking a trip to Germany in October 1683. In 1690 he became the first '' Kapellmeister'' of the in Braunschweig. In the following years, he married Hedwig Melusine von Damm, daughter of a local ''Ratsherr''. Their daughter Auguste Elisabeth married the Braunschweig historian . During his time there, Kusser wrote eight operas, enr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingdom Of Hungary
The Kingdom of Hungary was a monarchy in Central Europe that existed for nearly a millennium, from the Middle Ages into the 20th century. The Principality of Hungary emerged as a Christian kingdom upon the coronation of the first king Stephen I at Esztergom around the year 1000;Kristó Gyula – Barta János – Gergely Jenő: Magyarország története előidőktől 2000-ig (History of Hungary from the prehistory to 2000), Pannonica Kiadó, Budapest, 2002, , p. 687, pp. 37, pp. 113 ("Magyarország a 12. század második felére jelentős európai tényezővé, középhatalommá vált."/"By the 12th century Hungary became an important European factor, became a middle power.", "A Nyugat részévé vált Magyarország.../Hungary became part of the West"), pp. 616–644 his family (the Árpád dynasty) led the monarchy for 300 years. By the 12th century, the kingdom became a European middle power within the Western world. Due to the Ottoman occupation of the central and south ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reinhard Keiser
Reinhard Keiser (9 January 1674 – 12 September 1739) was a German opera composer based in Hamburg. He wrote over a hundred operas. Johann Adolf Scheibe (writing in 1745) considered him an equal to Johann Kuhnau, George Frideric Handel and Georg Philipp Telemann, but his work was largely forgotten for many decades. Biography Keiser was born in Teuchern (in present-day Saxony-Anhalt), son of the organist and teacher Gottfried Keiser (born about 1650), and educated by other organists in the town and then from age eleven at the Thomasschule in Leipzig, where his teachers included Johann Schelle and Johann Kuhnau, direct predecessors of Johann Sebastian Bach. In 1694, he became court-composer to the duke of Brunswick-Wolfenbüttel, though he had probably come to the court already as early as 1692 to study its renowned operas, which had been going on since 1691, when the city had built a 1,200-seat opera house. Keiser put on his first opera ''Procris und Cephalus'' there and, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Etherege
Sir George Etherege (c. 1636, Maidenhead, Berkshire – c. 10 May 1692, Paris) was an English dramatist. He wrote the plays '' The Comical Revenge or, Love in a Tub'' in 1664, ''She Would If She Could'' in 1668, and '' The Man of Mode or, Sir Fopling Flutter'' in 1676. Biography Early life George Etherege was born in Maidenhead, Berkshire, in about 1636, to George Etherege and Mary Powney, as the eldest of their six children. Educated at Lord Williams's School, where a school building was later named after him, he was rumoured to have attended the University of Cambridge,William Oldys, ''Biographia Britannica.'' Vol. III, 1750. p. 1841. although John Dennis states that to his certain knowledge Etherege understood neither Greek nor Latin, thus raising doubts that he could have been there. Etherege served as an apprentice to a lawyer and later studied law at Clement's Inn, London, one of the Inns of Chancery. He probably travelled abroad to France with his father, who staye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Man Of Mode
''The Man of Mode, or, Sir Fopling Flutter'' is a Restoration comedy by George Etherege, written in 1676. The play is set in Restoration London and follows the womanizer Dorimant as he tries to win over the young heiress Harriet and to disengage himself from his affair with Mrs. Loveit. Despite the subtitle, the fop Sir Fopling is only one of several minor characters; the rake Dorimant is the protagonist. The character of Dorimant may have been based on John Wilmot, 2nd Earl of Rochester, though there is no evidence of this. The part was first played by Thomas Betterton and Sir Fopling, the flamboyant fop of the hour, by William Smith. In 2007, the National Theatre produced a modern dress production of the play, directed by Nicholas Hytner and starring Tom Hardy as Dorimant. Rory Kinnear received a Laurence Olivier Award for his performance as Fopling. Characters *Mr. Dorimant *Mr. Medley *Old Bellair *Young Bellair, ''in love with Emilia'' *Sir Fopling Flutter *Lady Townley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Georg Conradi
Johann Georg Conradi (1645 in Oettingen – 22 May 1699) was a German composer. He was, with Johann Theile, Nicolaus Adam Strungk, Johann Philipp Fortsch, Johann Wolfgang Franck and Johann Sigismund Kusser one of the main composers of the early Oper am Gänsemarkt The Oper am Gänsemarkt was a theatre in Hamburg, Germany, built in 1678 after plans of Girolamo Sartorio at the Gänsemarkt square. It was the first public opera house to be established in Germany: not a court opera, as in many other towns. E ....Dieterich Buxtehude: organist in Lübeck - Page 116 Kerala J. Snyder 1987 Several composers besides Theile were active in the early years of the Hamburg opera: Nicolaus Adam Strungk (1640-1700), Johann Wolfgang Franck (1644-ca. 1710) Johann Philipp Fortsch (1652-1732), and Johann Georg Conradi (ca. 1645-99) References {{DEFAULTSORT:Conradi, Johann 1645 births 1699 deaths 17th-century classical composers German Baroque composers German male classical compos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolò Minato
Count Nicolò Minato (b. Bergamo, ca. 1627; d. Vienna, 28 February 1698) was an Italian poet, librettist and impresario. His career can be divided into two parts: the years he spent at Venice, from 1650 to 1669, and the years at Vienna, from 1669 until his death. Minato is best remembered for his vast output as a librettist for opera. In total, he wrote over 200 librettos. His career began with '' Orimonte'', written in 1650 for Francesco Cavalli. At this time he worked primarily as a lawyer, and it was only over a decade later that he abandoned this, his first profession, and turned fully to the composition of librettos and theatre management (as did his contemporary, Giovanni Faustini. Minato was also a member of several literary academies, including, along with Busenello, the ''Accademia degli Imperfetti'', a group that devoted itself to studying the classics and contemporary jurisprudence. He wrote 11 librettos for Venice, most of them for Cavalli, though a few were first set by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schäferspiel
A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, and music (pastorale) that depicts such life in an idealized manner, typically for urban audiences. A ''pastoral'' is a work of this genre, also known as bucolic, from the Greek , from , meaning a cowherd. Literature Pastoral literature in general Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy). Terry Gifford, a prominent literary theorist, define ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Heinrich Postel
Christian Heinrich Postel (11 October 1658 – 22 March 1705) was a German jurist, epic poet and opera libretto, librettist, who wrote 28 libretti for the Oper am Gänsemarkt in Hamburg: set by composers such as Johann Philipp Förtsch, Reinhard Keiser and Georg Philipp Telemann. His texts for a ''St John Passion'' were set by composers Christian Ritter, Johann Mattheson and Johann Sebastian Bach in their respective ''St John Passion structure, St John Passion''. Career Postel was born in , the son of the theologian Lorenz Postel and his wife Dorothea, née Isentrut. His father was a minister at the ' in Hamburg. Christian Heinrich Postel attended the . He studied law at the University of Leipzig from 1680 with Christian Thomasius. When the Plague (disease), plague threatened Leipzig, he continued his studies at the University of Rostock, where he graduated as a Licentiate (degree), licentiate on 10 May 1683. He travelled for six months with , a historian and theologian, in the N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Racine
Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western tradition and world literature. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as ''Phèdre'', ''Andromaque'', and ''Athalie''. He did write one comedy, '' Les Plaideurs'', and a muted tragedy, ''Esther'' for the young. Racine's plays displayed his mastery of the dodecasyllabic (12 syllable) French alexandrine. His writing is renowned for its elegance, purity, speed, and fury, and for what American poet Robert Lowell described as a "diamond-edge", and the "glory of its hard, electric rage". Racine's dramaturgy is marked by his psychological insight, the prevailing passion of his characters, and the nakedness of both plot and stage. Biography Racine was born on 21 December 1639 in La Ferté-Milon ( Aisne) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the ballad op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Caspar Schürmann
Georg Caspar Schürmann (1672 (or early 1673), in Idensen bei Neustadt am Rübenberge – 25 February 1751, in Wolfenbüttel) was a German Baroque composer. His name also appears as Schurmann and in Hochdeutsch as Scheuermann. Life Schürmann studied music, including voice, in his native Lower Saxony. By 1693, he was singing at the Oper am Gänsemarkt as a young alto. In 1694 he composed a cantata for the inauguration of the Castle Salzdahlum in Wolfenbüttel. In 1697, he went to Lüneburg (about 50 km southeast of Hamburg) for a guest performance. His singing there so impressed Duke Anton Ulrich of Brunswick-Wolfenbüttel that the Duke hired him on the spot. From 1702 to 1707 he was principal conductor and composer for the Meiningen Court Orchestra. In 1707 Schürmann officially succeeded Reinhard Keiser as ''Cammer-Componist'' (court composer). He served the court of Brunswick, with but a few brief interruptions, for 54 years until he died at the age of 79. Work Schürma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
