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Christian Heinrich Postel
Christian Heinrich Postel (11 October 1658 – 22 March 1705) was a German jurist, epic poet and opera libretto, librettist, who wrote 28 libretti for the Oper am Gänsemarkt in Hamburg: set by composers such as Johann Philipp Förtsch, Reinhard Keiser and Georg Philipp Telemann. His texts for a ''St John Passion'' were set by composers Christian Ritter, Johann Mattheson and Johann Sebastian Bach in their respective ''St John Passion structure, St John Passion''. Career Postel was born in , the son of the theologian Lorenz Postel and his wife Dorothea, née Isentrut. His father was a minister at the ' in Hamburg. Christian Heinrich Postel attended the . He studied law at the University of Leipzig from 1680 with Christian Thomasius. When the Plague (disease), plague threatened Leipzig, he continued his studies at the University of Rostock, where he graduated as a Licentiate (degree), licentiate on 10 May 1683. He travelled for six months with , a historian and theologian, in the N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brackets
A bracket is either of two tall fore- or back-facing punctuation marks commonly used to isolate a segment of text or data from its surroundings. Typically deployed in symmetric pairs, an individual bracket may be identified as a 'left' or 'right' bracket or, alternatively, an "opening bracket" or "closing bracket", respectively, depending on the Writing system#Directionality, directionality of the context. Specific forms of the mark include parentheses (also called "rounded brackets"), square brackets, curly brackets (also called 'braces'), and angle brackets (also called 'chevrons'), as well as various less common pairs of symbols. As well as signifying the overall class of punctuation, the word "bracket" is commonly used to refer to a specific form of bracket, which varies from region to region. In most English-speaking countries, an unqualified word "bracket" refers to the parenthesis (round bracket); in the United States, the square bracket. Glossary of mathematical sym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Licentiate (degree)
A licentiate (abbreviated Lic.) is an academic degree present in many countries, representing different educational levels. It may be similar to a master's degree when issued by pontifical universities and other universities in Europe, Latin America, and Syria. The term is also used for a person who holds this degree. Etymology The term derives from Latin ''licentia'', "freedom" (from Latin ''licēre'', "to be allowed"), which is applied in the phrases ''licentia docendi'' (also ''licentia doctorandi''), meaning "permission to teach", and ''licentia ad practicandum'' (also ''licentia practicandi''), meaning "permission to practice", signifying someone who holds a certificate of competence to practise a profession. History The Gregorian Reform of the Catholic Church led to an increased focus on the liberal arts in episcopal schools during the 11th and 12th centuries, with Pope Gregory VII ordering all bishops to make provisions for the teaching of liberal arts. Chancellor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pilate
Pontius Pilate (; grc-gre, Πόντιος Πιλᾶτος, ) was the fifth governor of the Roman province of Judaea, serving under Emperor Tiberius from 26/27 to 36/37 AD. He is best known for being the official who presided over the trial of Jesus and ultimately ordered his crucifixion. Pilate's importance in modern Christianity is underscored by his prominent place in both the Apostles' and Nicene Creeds. Due to the Gospels' portrayal of Pilate as reluctant to execute Jesus, the Ethiopian Church believes that Pilate became a Christian and venerates him as both a martyr and a saint, a belief which is historically shared by the Coptic Church. Although Pilate is the best-attested governor of Judaea, few sources regarding his rule have survived. Nothing is known about his life before he became governor of Judaea, and nothing is known about the circumstances that led to his appointment to the governorship. Coins that he minted have survived from Pilate's governorship, as well ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's ''Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first quarter of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Friedrich Hunold
Christian Friedrich Hunold (born 29 September 1680 in Wandersleben near Gotha (town), Gotha, died 16 August 1721 in Halle (Saale), Halle) was a German author who wrote under the pseudonym Menantes. Biography Hunold went to school in Arnstadt and continued in 1691 at the ''Gymnasium Illustre Augusteum'' in Weißenfels until 1698. From 1698 until winter 1699/1700 he studied law and languages at the University of Jena. His first novel, ''Die Verliebte und Galante Welt'' (Hamburg: Liebernickel, 1700), was an instant success. The publication of his novel ''Satyrischer Roman'' (Satyrical Novel) in 1706 caused a scandal. Hunold moved to Halle and held private seminars. The second part of ''Satyrischer Roman'' was published in Stade by Hinrich Brummer in 1710. Hunold continued his own studies and graduated in 1714 in law. He died 6 August 1721 in Halle of tuberculosis. A biography of him by Benjamin Wedel was published in 1731 including some of his letters. Libretti Hunold wrote t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pascal Collasse
Pascal Collasse (or Colasse) (22 January 1649 (baptised) – 17 July 1709) was a French composer of the Baroque era. Born in Rheims, Collasse became a disciple of Jean-Baptiste Lully during the latter's domination of the French operatic stage. When Lully died in 1687 leaving his tragédie en musique ''Achille et Polyxène'' unfinished, Collasse completed the last four acts of the score. He went on to produce around a dozen operas and ballets, as well as sacred music, including settings of the ''Cantiques spirituels'' of Jean Racine. His plan to establish his own opera house in Lille ended in failure when the theatre burnt down. He dabbled in alchemy with even less success. His musical style is close to that of Lully. Works * ''Achille et Polyxène'', tragédie lyrique, (overture and first act by Jean-Baptiste Lully) 1687 * '' Thétis et Pélée'', tragédie lyrique, 1689 * '' Énée et Lavinie'', tragédie lyrique, 1690 * '' Astrée'', tragédie lyrique, 1691 * ''Le Ballet de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous ''comédie-ballets'', including ''L'Amour médecin'', ''George Dandin ou le Mari confondu'', ''Monsieur de Pourceaugnac'', ''Psyché'' and his best known work, ''Le Bourgeois gentilhomme''. Biography Lully was born on November 28, 1632, in Florence, Grand Duchy of Tuscany, to Lorenzo Lulli and Caterina Del Sera, a Tuscan family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwriting suggests that he manipulated a quill pen with ease. He used to say that a Franciscan friar ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achille Et Polyxène
''Achille et Polyxène'' (''Achilles and Polyxena'') is a tragédie lyrique containing a prologue and five acts based on Virgil's ''Aeneid'' with a French libretto by Jean Galbert de Campistron. The opera's overture and first act were composed by Jean-Baptiste Lully, who died from a conducting injury before he could complete the score. The prologue and the remaining acts are the work of his pupil Pascal Collasse who finished the work, eight months after Lully's death on 22 March 1687. Acts 1 and 4 of the ballet was created by Louis Lestang, and the ballet to the prologue and acts 2 and 3 were by Louis-Guillaume Pécour. The opera was first performed on 7 November 1687, by the Paris Opera at the Théâtre du Palais-Royal in Paris. Analysis of the libretto and music The libretto for this opera differs from those of Lully's earlier works with Philippe Quinault. Typically, Lully would begin his operas with a lively prologue, but this work has a somber prologue in which the Muses lamen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Galbert De Campistron
Jean Galbert de Campistron (3 August 1656 – 11 May 1723) was a French dramatist. Biography Campistron was born in Toulouse, France to a noble family. At the age of seventeen he was wounded in a duel and sent to Paris. Here he became an ardent disciple of Racine. He secured the patronage of the influential duchesse de Bouillon by dedicating ''Arminius'' to her, and in 1685 he scored his first success with ''Andronic'', which disguised under other names the tragic story of Don Carlos and Elizabeth of France. The piece made a great sensation, but Campistron's treatment is weak, and he failed to avail himself of the possibilities inherent in his subject. Racine was asked by Louis Joseph, duc de Vendôme, to write the libretto of an opera to be performed at a ''fête'' given in honor of the Dauphin. He handed on the commission to Campistron, who produced ''Acis et Galatée'' for Lully's music. Campistron had another success in ''Tiridate'' (1691), in which he treated, again under c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
