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Johann Friedrich Bause
Johann Friedrich Bause (3 January 1738 in Halle - 5 January 1814, Weimar) was a German copper engraver; primarily of portraits. Life and work He was born to Christian Gottlieb Bause (b.1696), supervisor of the Halle saltworks, and his wife, Sophia Elisabeth née Dryander (1705-1761). He was initially self-taught. In 1759, he briefly worked in Augsburg, under the direction of Johann Jacob Haid. His inspiration came from the German expatriate engraver, Johann Georg Wille. While in Augsburg, he also made the acquaintance of portrait painter, Anton Graff. In 1763, he married Henriette Charlotte Brünner, and they had two daughters. The eldest, , had a talent for music, but died when she was only nineteen. The younger, Juliane Wilhelmine, married the banker, Karl Eberhard Löhr (1763–1813), son of the banker , in Leipzig. She also became an engraver and painter. He moved from Halle to Leipzig in 1766, where he was named a Professor of copper engraving at the new Hochschule für ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Friedrich Bause
Johann Friedrich Bause (3 January 1738 in Halle - 5 January 1814, Weimar) was a German copper engraver; primarily of portraits. Life and work He was born to Christian Gottlieb Bause (b.1696), supervisor of the Halle saltworks, and his wife, Sophia Elisabeth née Dryander (1705-1761). He was initially self-taught. In 1759, he briefly worked in Augsburg, under the direction of Johann Jacob Haid. His inspiration came from the German expatriate engraver, Johann Georg Wille. While in Augsburg, he also made the acquaintance of portrait painter, Anton Graff. In 1763, he married Henriette Charlotte Brünner, and they had two daughters. The eldest, , had a talent for music, but died when she was only nineteen. The younger, Juliane Wilhelmine, married the banker, Karl Eberhard Löhr (1763–1813), son of the banker , in Leipzig. She also became an engraver and painter. He moved from Halle to Leipzig in 1766, where he was named a Professor of copper engraving at the new Hochschule für ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pompeo Batoni
Pompeo Girolamo Batoni (25 January 1708 – 4 February 1787) was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to specialize in portraits. Batoni won international fame largely thanks to his customers, mostly British of noble origin, whom he portrayed, often with famous Italian landscapes in the background. Such Grand Tour portraits by Batoni were in British private collections, thus ensuring the genre's popularity in Great Britain. One generation later, Sir Joshua Reynolds would take up this tradition and become the leading English portrait painter. Although Batoni was considered the best Italian painter of his time, contemporary chronicles mention his rivalry with Anton Raphael Mengs. In addition to art-loving nobility, Batoni's subjects included the kings and qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joshua Reynolds
Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769. Early life Reynolds was born in Plympton, Devon, on 16 July 1723 the third son of the Rev. Samuel Reynolds, master of the Plympton Free Grammar School in the town. His father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. One of his sisters was Mary Palmer (1716–1794), seven years his senior, author of ''Devonshire Dialogue'', whose fondness for drawing is said to have had much influence on him when a boy. In 1740 she provided £60, half of the premium paid to Thomas Hudson the portrait-painter, for Joshua's pupilage, and nine years later a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Friedrich Oeser
Adam Friedrich Oeser (17 February 1717 in Pressburg – 18 March 1799 in Leipzig) was a German etcher, painter and sculptor. Biography Oeser worked and studied in Pressburg (student of Georg Raphael Donner in sculpture) and Vienna at the Vienna Academy (student of Jacob van Schuppen and Daniel Grau in painting). He went to Dresden in Saxony in 1739, where he studied with Mengs and Dietrich, and created portraits and scenes for the Royal Opera, and mural paintings in Schloss Hubertusburg (1749). In 1756 Count Heinrich von Bünau commissioned him to decorate the newly built Schloss Dahlen. Oeser moved to Leipzig in 1759. Appointed director of the newly founded Academy there in 1764, he zealously opposed mannerism in art. He was a stout champion of Winckelmann's advocacy of reform on antique lines. He also befriended Winckelmann, who lived with him and his family in 1754/55. Oeser's chief importance was as a teacher. He was the drawing teacher of Johann Wolfgang Goet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caspar Netscher
Caspar (or Gaspar) Netscher (1639 – January 15, 1684) was a Dutch portrait and genre painter. He was a master in depicting oriental rugs, silk and brocade and introduced an international style to the Northern Netherlands. Life According to Arnold Houbraken's 17th-century biographical study of Dutch painters he was born in Heidelberg or Prague.Gasper Netscher biography in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by Arnold Houbraken, courtesy of the His father ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Raphael Mengs
Anton Raphael Mengs (22 March 1728 – 29 June 1779) was a German people, German painter, active in Dresden, Rome, and Madrid, who while painting in the Rococo period of the mid-18th century became one of the precursors to Neoclassicism, Neoclassical painting, which replaced Rococo as the dominant painting style in Europe. Early life Mengs was born in 1728 at Ústí nad Labem (German: Aussig) in the Kingdom of Bohemia, the son of Ismael Mengs, a Denmark, Danish painter who eventually established himself at Dresden, where the court of Electorate of Saxony#Saxony-Poland, Saxonian-Polish electors and kings was. His older sister, Therese Maron, was also a painter, as was his younger sister, Julia Charlotte Mengs, Julia. His and Therese's births in Bohemia were mere coincidence. Their mother was not their father's wife; Ismael carried on a years-long affair with the family's housekeeper, Charlotte Bormann. In an effort to conceal the births of two illegitimate children, Ismael took ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Kupecký
Ján Kupecký or Jan Kupecký (in German: Johann Kupetzky, in Hungarian: Kupecky János, or Kupeczky János, 1667 – July 16, 1740) was a Czech portrait painter during the baroque. He was active in Hungary, Vienna and Nürnberg. Bernhard Vogel produced many engravings after Kupecký's paintings. Life Kupecký, like many people at that time, was the son of Protestant ( Czech Brethren) parents from the Czech lands (Mladá Boleslav) who sought refuge in Royal Hungary from religious persecution by the Catholics. He was born in Pezinok – a town near Pressburg. According to the sources he began his studies with the Swiss painter Benedikt Klaus, who was active in both Vienna and in Royal Hungary. At the age of twenty, Kupecký went on a long Italian study trip. In Rome Prince Aleksander Benedykt Sobieski, the son of the Polish king John III Sobieski, helped him to become famous. He returned to Vienna in 1709, after twenty-two years spent in Venice and Rome. We know littl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named ''Accademia degli Incamminati'' (Academy of the "newly embarked", or progress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Greuze
Jean-Baptiste Greuze (, 21 August 1725 – 4 March 1805) was a French painter of portraits, genre scenes, and history painting. Biography Early life Greuze was born at Tournus, a market town in Burgundy. He is generally said to have formed his own talent; at an early age his inclinations, though thwarted by his father, were encouraged by a Lyonnese artist named Grandon, or Grondom, who enjoyed during his lifetime considerable reputation as a portrait-painter. Grandon not only persuaded Greuze's father to give way to his son's wishes, and permit the boy to accompany him as his pupil to Lyon, but, when at a later date he left Lyon for Paris, Grandon carried young Greuze with him. Settled in Paris, Greuze worked from the living model in the school of the Royal Academy, but did not attract the attention of his teachers; and when he produced his first picture, ''Le Père de famille expliquant la Bible a ses enfants'', considerable doubt was felt and shown as to his share in its pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerrit Dou
Gerrit Dou (7 April 1613 – 9 February 1675), also known as Gerard Douw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his ''trompe-l'œil'' "niche" paintings and candlelit night-scenes with strong chiaroscuro. He was a student of Rembrandt. Life Dou was born in Leiden, where his father was a manufacturer of stained-glass.Baer, p.28 He studied drawing under Bartholomeus Dolendo, and then trained in the stained-glass workshop of Pieter Couwenhorn. In February 1628, at the age of fourteen, his father sent him to study painting in the studio of Rembrandt (then aged about 21) who lived nearby. From Rembrandt, with whom he remained for about three years, he acquired his skill in colouring and in the more subtle effects of chiaroscuro, and his master's style is reflected in several of his earlier pictures, notably a self-portrait at the age of 22 in the Bridgewater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Wilhelm Ernst Dietrich
Christian Wilhelm Ernst Dietrich (30 October 1712 – 23 April 1774) was a German painter and art administrator. In his own works, he was adept at imitating many earlier artists, but never developed a style of his own. Biography He was born at Weimar, where he was brought up early to the profession of art by his father Johann Georg, then painter of miniatures to the court of the duke. Dietrich's sister was painter Maria Dorothea Dietrich. Having been sent to Dresden to perfect himself under the care of Johann Alexander Thiele, he had the good fortune to finish in two hours, at the age of eighteen, a picture which attracted the attention of the king of Saxony. Augustus II was so pleased with Dietrich's readiness of hand that he gave him means to study abroad, and visit in succession the chief cities of Italy and the Netherlands. There he learned to copy and to imitate masters of the previous century with a versatility that was truly surprising. Johann Joachim Winckelmann, to w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzotint
Mezzotint is a monochrome printmaking process of the '' intaglio'' family. It was the first printing process that yielded half-tones without using line- or dot-based techniques like hatching, cross-hatching or stipple. Mezzotint achieves tonality by roughening a metal plate with thousands of little dots made by a metal tool with small teeth, called a "rocker". In printing, the tiny pits in the plate retain the ink when the face of the plate is wiped clean. This technique can achieve a high level of quality and richness in the print. ''Mezzotint'' is often combined with other ''intaglio'' techniques, usually etching and engraving. The process was especially widely used in England from the eighteenth century, to reproduce portraits and other paintings. It was somewhat in competition with the other main tonal technique of the day, aquatint. Since the mid-nineteenth century it has been relatively little used, as lithography and other techniques produced comparable results more easil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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