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Joe Muranyi
Joseph P. Muranyi (January 14, 1928 – April 20, 2012) was an American jazz clarinetist, producer and critic. Muranyi studied with Lennie Tristano but was primarily interested in early jazz styles such as Dixieland and swing. After playing in a United States Army Air Forces band, he moved to New York City in the 1950s, and attended the Manhattan School of Music and Columbia University. In the 1950s he played under Eddie Condon, collaborating with Jimmy McPartland, Max Kaminsky, Yank Lawson, Bobby Hackett, and Red Allen. During that decade he also played with the Red Onion Jazz Band (1952–54), Danny Barker (1958), and Wingy Manone. In 1963, Muranyi played with The Village Stompers, a Dixieland band which reached the pop charts with its song " Washington Square". From 1967 to 1971 he was the clarinetist with the Louis Armstrong All-Stars. Armstrong, after initially struggling to pronounce Muranyi's Hungarian family name, introduced him on stage as "Joe Ma Rainey", to Muranyi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy McPartland
James Dugald "Jimmy" McPartland (March 15, 1907 – March 13, 1991) was an American cornetist. He worked with Eddie Condon, Art Hodes, Gene Krupa, Benny Goodman, Jack Teagarden, and Tommy Dorsey, often leading his own bands. He was married to pianist Marian McPartland. Music career Austin High School Gang McPartland was born in Chicago, Illinois. His father was a music teacher and baseball player. He and his siblings for some time lived in orphanages. After being removed from one orphanage for fighting, he got in further trouble with the law. He credited music with turning him around; he started violin at age five, and took up the cornet at age 15. McPartland was a member of the Austin High School Gang, with Bud Freeman (tenor sax), Frank Teschemacher (clarinet), his brother Dick McPartland (banjo/guitar), brother-in-law Jim Lanigan (bass, tuba and violin), Joe Sullivan (piano), and Dave Tough (drums) in the 1920s. They were inspired by the recordings they heard at the loca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World's Greatest Jazz Band
The World's Greatest Jazz Band was an all-star jazz ensemble active from 1968 to 1978. Dick Gibson founded the group at his sixth Jazz Party, an annual event. The group performed mostly Dixieland jazz and recorded extensively. It was co-led by Yank Lawson and Bob Haggart, and did early jazz standards alongside contemporaneous pop songs done in a Dixieland style. Though the group disbanded in 1978, the name was revived several times by Lawson and Haggart for limited engagements. Members * Billy Butterfield * Cutty Cutshall * Vic Dickenson * Morey Feld * Carl Fontana * Bud Freeman * Dick Gibson * Bob Haggart * Scott Hamilton * Clancy Hayes * Eddie Hubble * Peanuts Hucko * Keith Ingham * Gus Johnson * Roger Kellaway * Al Klink * Yank Lawson * Cliff Leeman * George Masso * Lou McGarity * Johnny Mince * Bob Miller * Eddie Miller * Joe Muranyi * Chuck Riggs * Bobby Rosengarden * Sonny Russo * Carrie Smith * Maxine Sullivan * Ralph Sutton * Dick Wellstood * Bob Wilber Robert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Eldridge
David Roy Eldridge (January 30, 1911 – February 26, 1989), nicknamed "Little Jazz", was an American jazz trumpeter. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the dominant style of jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop. Biography Early life Eldridge was born on the North Side of Pittsburgh, Pennsylvania on January 30, 1911, to parents Alexander, a wagon teamster, and Blanche, a gifted pianist with a talent for reproducing music by ear, a trait that Eldridge claimed to have inherited from her. Eldridge began playing the piano at the age of five; he claims to have been able to play coherent blues licks at even this young age. The young Eldridge looked up to his older brother, Joe Eldridge (born Joseph Eldridge, 1908, North Side of Pittsburgh, Pennsylvania, di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ma Rainey
Gertrude "Ma" Rainey ( Pridgett; April 26, 1886 – December 22, 1939) was an American blues singer and influential early blues recording artist. Dubbed the "Mother of the Blues", she bridged earlier vaudeville and the authentic expression of southern blues, influencing a generation of blues singers. Gertrude Pridgett began performing as a teenager and became known as "Ma" Rainey after her marriage to Will "Pa" Rainey in 1904. They toured with the Rabbit Foot Minstrels and later formed their own group, ''Rainey and Rainey, Assassinators of the Blues''. Her first recording was made in 1923. In the following five years, she made over 100 recordings, including " Bo-Weevil Blues" (1923), "Moonshine Blues" (1923), "See See Rider Blues" (1925), "Ma Rainey's Black Bottom" (1927), and "Soon This Morning" (1927). Rainey was known for her powerful vocal abilities, energetic disposition, majestic phrasing, and a "moaning" style of singing. Her qualities are present and most evident in he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the . In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin. He earned a reputation at "cutting contests", and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featured and musically influential band soloist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Washington Square (composition)
"Washington Square" is a popular instrumental from 1963 by the New York City-based jazz group The Village Stompers. The composition was written by Bobb Goldsteinn and David Shire. Background The composition is named after the famous park in New York City.Hyatt, Wesley (1999). ''The Billboard Book of #1 Adult Contemporary Hits'' (Billboard Publications) Chart performance "Washington Square" was a hit single, reaching No. 2 on the ''Billboard'' Hot 100 chart in the week ending 23 November 1963, kept from the summit of the ''Billboard'' Hot 100 by Dale and Grace's hit song " I'm Leaving It Up to You". "Washington Square" did, however, top the ''Billboard'' Easy Listening chart for three weeks that November and made the top 30 on the ''Billboard'' R&B chart. Accolades In addition, the instrumental was nominated for a Grammy Award in the category Best Instrumental Theme. Other recordings Other artists have recorded the tune, sometimes with song lyrics. Among these acts are: *T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Village Stompers
The Village Stompers was an American dixieland jazz group during the 1950s and '60s. The group developed a folk-dixie style that began with the hit song " Washington Square".Liner notes, "Around the World with The Village Stompers" The Village Stompers came from Greenwich Village in New York City and consisted of Dick Brady, Don Coates, Ralph Casale, Frank Hubbell, Lenny Pogan, Al McManus, Don Steele, Mitchell May, and Joe Muranyi Joseph P. Muranyi (January 14, 1928 – April 20, 2012) was an American jazz clarinetist, producer and critic. Muranyi studied with Lennie Tristano but was primarily interested in early jazz styles such as Dixieland and swing. After playing .... Their song "Washington Square" reached No. 2 on the ''Billboard'' magazine Hot 100 singles chart in 1963, and No. 1 on the Adult Contemporary Chart. Their hits included "From Russia with Love"/"The Bridge of Budapest" in April 1964 (No. 81) and "Fiddler on the Roof"/"Moonlight on the Ganges" in December 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wingy Manone
Joseph Matthews "Wingy" Manone (February 13, 1900 – July 9, 1982) was an American jazz trumpeter, composer, singer, and bandleader. His recordings included " Tar Paper Stomp", "Nickel in the Slot", "Downright Disgusted Blues", "There'll Come a Time (Wait and See)", and "Tailgate Ramble". Biography Manone (pronounced "ma-KNOWN") was born in New Orleans, Louisiana, United States. He lost his right arm in a streetcar accident when he was ten years old, which resulted in his nickname of "Wingy". He used a prosthesis so naturally and unnoticeably that his disability was not apparent to the public. After playing trumpet and cornet professionally with various bands in his home town, he began to travel across America in the 1920s, working in Chicago, New York City, Texas, Mobile, Alabama, California, St. Louis, Missouri, and other locations; he continued to travel widely throughout the United States and Canada for decades. Manone's style was similar to that of fellow New Orleans t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danny Barker
Daniel Moses Barker (January 13, 1909 – March 13, 1994) was an American jazz musician, vocalist, and author from New Orleans. He was a rhythm guitarist for Cab Calloway, Lucky Millinder and Benny Carter during the 1930s. One of Barker's earliest teachers in New Orleans was fellow banjoist Emanuel Sayles, with whom he recorded. Throughout his career, he played with Jelly Roll Morton, Baby Dodds, James P. Johnson, Sidney Bechet, Mezz Mezzrow, and Red Allen. He also toured and recorded with his wife, singer Blue Lu Barker. From the 1960s, Barker's work with the Fairview Baptist Church Brass Band was pivotal in ensuring the longevity of jazz in New Orleans, producing generations of new talent, including Wynton and Branford Marsalis who played in the band as youths. Biography Danny Barker was born to a family of musicians in New Orleans in 1909, the grandson of bandleader Isidore Barbarin and nephew of drummers Paul Barbarin and Louis Barbarin. He took up clarinet and drums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Onion Jazz Band
Red is the color at the long wavelength end of the visible spectrum of light, next to orange and opposite violet. It has a dominant wavelength of approximately 625–740 nanometres. It is a primary color in the RGB color model and a secondary color (made from magenta and yellow) in the CMYK color model, and is the complementary color of cyan. Reds range from the brilliant yellow-tinged scarlet and vermillion to bluish-red crimson, and vary in shade from the pale red pink to the dark red burgundy. Red pigment made from ochre was one of the first colors used in prehistoric art. The Ancient Egyptians and Mayans colored their faces red in ceremonies; Roman generals had their bodies colored red to celebrate victories. It was also an important color in China, where it was used to color early pottery and later the gates and walls of palaces. In the Renaissance, the brilliant red costumes for the nobility and wealthy were dyed with kermes and cochineal. The 19th century brought the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Allen
Henry James "Red" Allen, Jr. (January 7, 1908 – April 17, 1967) was an American jazz trumpeter and vocalist whose playing has been claimed by Joachim-Ernst Berendt and others as the first to fully incorporate the innovations of Louis Armstrong. Life and career Allen was born in the Algiers neighborhood of New Orleans, Louisiana, the son of the bandleader Henry Allen Sr. He took early trumpet lessons from Peter Bocage and Manuel Manetta. Allen's career began in Sidney Desvigne's Southern Syncopators. He was playing professionally by 1924 with the Excelsior Brass Band and the jazz dance bands of Sam Morgan, George Lewis and John Casimir. After playing on riverboats on the Mississippi River, he went to Chicago in 1927 to join King Oliver's band. Around this time he made recordings on the side in the band of Clarence Williams. After returning briefly to New Orleans, where he worked with the bands of Fate Marable and Fats Pichon, he was offered a recording contract with V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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