Jochen Gerz
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Jochen Gerz
Jochen Gerz (born 4 April 1940) is a German conceptual artist who lived in France from 1966 to 2007. His work involves the relationship between art and life, history and memory, and deals with concepts such as culture, society, public space, participation and public authorship. After beginning his career in the literary field, Gerz has in the meantime explored various artistic disciplines and diverse media. Whether he works with text, photography, video, artist books, installation, performance, or on public authorship pieces and processes, at the heart of Gerz's practice is the search for an art form that can contribute to the res publica and to democracy. Gerz lives in Sneem, County Kerry, Ireland, since 2007. Career An autodidact, Jochen Gerz began his career in literature and later transitioned to art. He began writing and translating in the early 1960s (Ezra Pound, Richard Aldington), while occasionally working as a foreign correspondent for a German news agency in London (1 ...
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Conceptual Art
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print: Tony Godfrey, author of ''Conceptual Art (Art & Ideas)'' (1998), asserts that conceptual art questions the nature of art, a notion that Joseph Kosuth elevated to a definition of art itself in his seminal, early manifesto of conceptual art, ''Art after Philosophy'' (1969). The notion that art should examine its own nature was already a potent aspect of the influential art critic Clement Greenberg's vision of Modern art during the 1950s. With the emergence of an exclusively language-based art in the 1960s, however, conceptual ...
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Venice Biennale
The Venice Biennale (; it, La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation. The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture (hence the name ''biennale''; ''biennial''). The other events hosted by the Foundationspanning theatre, music, and danceare held annually in various parts of Venice, whereas the Venice Film Festival takes place at the Lido. Organization Art Biennale The Art Biennale (La Biennale d'Arte di Venezia), is one of the largest and most important contemporary visual art exhibitions in the world. So-called because it is held biannually (in odd-numbered years), it is the original biennale on which others in the world have been modeled. The exhibition space spans over 7,000 square meters, and artists from ov ...
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Overexposure
In photography, exposure is the amount of light per unit area (the image plane's illuminance times the exposure time) reaching a frame of photographic film or the surface of an electronic image sensor, as determined by shutter speed, lens F-number, and scene luminance. Exposure is measured in lux seconds, and can be computed from exposure value (EV) and scene luminance in a specified region. An "exposure" is a single shutter cycle. For example, a long exposure refers to a single, long shutter cycle to gather enough dim light, whereas a multiple exposure involves a series of shutter cycles, effectively layering a series of photographs in one image. The accumulated ''photometric exposure'' (''H''v) is the same so long as the total exposure time is the same. Definitions Radiant exposure Radiant exposure of a ''surface'', denoted ''H''e ("e" for "energetic", to avoid confusion with photometric quantities) and measured in , is given by :H_\mathrm = E_\mathrmt, where *''E''e is ...
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Irony
Irony (), in its broadest sense, is the juxtaposition of what on the surface appears to be the case and what is actually the case or to be expected; it is an important rhetorical device and literary technique. Irony can be categorized into different types, including ''verbal irony'', ''dramatic irony'', and ''situational irony''. Verbal, dramatic, and situational irony are often used for emphasis in the assertion of a truth. The ironic form of simile, used in sarcasm, and some forms of litotes can emphasize one's meaning by the deliberate use of language which states the opposite of the truth, denies the contrary of the truth, or drastically and obviously understates a factual connection. Definitions Henry Watson Fowler, in ''The King's English'', says, "any definition of irony—though hundreds might be given, and very few of them would be accepted—must include this, that the surface meaning and the underlying meaning of what is said are not the same." Also, Eric Partrid ...
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Prometheus
In Greek mythology, Prometheus (; , , possibly meaning "forethought")Smith"Prometheus". is a Titan god of fire. Prometheus is best known for defying the gods by stealing fire from them and giving it to humanity in the form of technology, knowledge, and more generally, civilization. In some versions of the myth, he is also credited with the creation of humanity from clay. Prometheus is known for his intelligence and for being a champion of humankind, and is also generally seen as the author of the human arts and sciences. He is sometimes presented as the father of Deucalion, the hero of the flood story. The punishment of Prometheus as a consequence of the theft of fire and giving it to humans is a popular subject of both ancient and modern culture. Zeus, king of the Olympian gods, sentenced Prometheus to eternal torment for his transgression. Prometheus was bound to a rock, and an eagle—the emblem of Zeus—was sent to eat his liver (in ancient Greece, the liver was thoug ...
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Charles De Gaulle Airport
Paris Charles de Gaulle Airport (french: Aéroport de Paris-Charles-de-Gaulle, ), also known as Roissy Airport or simply Paris CDG, is the principal airport serving the French capital, Paris ( and its metropolitan area), and the largest international airport in France. Opened in 1974, it is in Roissy-en-France, northeast of Paris and is named after statesman Charles de Gaulle (1890–1970), whose initials (CDG) is used as its IATA airport code. Charles de Gaulle Airport serves as the principal hub for Air France and a destination for other legacy carriers (from Star Alliance, Oneworld and SkyTeam), as well as a focus city for low-cost carriers easyJet and Vueling. It is operated by Groupe ADP under the brand Paris Aéroport. In 2019, the airport handled 76,150,007 passengers and 498,175 aircraft movements, thus making it the world's ninth busiest airport and Europe's second busiest airport (after Heathrow) in terms of passenger numbers. Charles de Gaulle is also the busi ...
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Visual Poetry
Literary theorists have identified visual poetry as a development of concrete poetry but with the characteristics of intermedia in which non-representational language and visual elements predominate. Differentiation from concrete poetry As the literary and artistic experiments of the 1950s that were at first loosely grouped together as concrete poetry extended further into the ambiguous sphere which Dick Higgins described in 1965 as 'Intermedia', it became apparent that such creations were further and further divorced from the representational language with which poetry had hitherto been associated and that they needed to be categorised as a separate phenomenon. In her survey, Concrete Poetry: A World View (1968), Mary Ellen Solt, observed that certain trends included under the label Concrete Poetry were tending towards a “New Visual Poetry”. Its chief characteristic is that it leaves behind the old poetic function of orality and is therefore distinct from the ancient traditio ...
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Rue Mouffetard
Rue Mouffetard () is a street in the 5th arrondissement of Paris, France. Situated in the fifth (''cinquième'') arrondissement of Paris, Rue Mouffetard is one of Paris's oldest and liveliest neighbourhoods. These days the area has many restaurants, shops, and cafés, and a regular open market. It is centered on the Place de la Contrescarpe, at the junction of the rue Mouffetard and the rue de Lacepede. Its southern terminus is at the Square Saint-Médard where there is a permanent open-air market. At its northern terminus, it becomes the rue Descartes at the crossing of the rue Thouin. It is closed to normal motor traffic much of the week, and is predominantly a pedestrian avenue. Origin of the name The rue Mouffetard runs along a flank of the mont Sainte-Geneviève hill that was called "mont Cétarius" or "mont Cetardus" from Roman times; many historians consider "Mouffetard" to be a derivation of this early name. Over the centuries the rue Mouffetard has appeared as ru ...
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École Nationale Supérieure Des Arts Décoratifs
The École nationale supérieure des Arts Décoratifs (ÉnsAD, also known as Arts Decos', École des Arts Décoratifs) is a public grande école of art and design of PSL Research University. The school is located in the Rue d'Ulm in Paris. Profile The ''École nationale supérieure des arts décoratifs'' played a major role in the development of the Art Deco design movement in the 1920s and in the creation of new design concepts. The School has an international reputation for its teaching in the fields of animation, photography, scenography, industrial design, communication design, interactive design, video, interior design, fashion, textile and engraving. History The E.N.S.A.D. has its roots in the '' École royale gratuite de dessin'' (Royal Free School of Design) founded in 1766 by Jean-Jacques Bachelier, confirmed in 1767 by letters patent from Louis XV of France. Its founder's aim was to develop crafts relating to the arts in order to improve the quality of manufactured good ...
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Manfred Mohr
Manfred Mohr (born June 8, 1938 in Pforzheim/Germany) is a German artist considered to be a pioneer in the field of digital art. He has lived and worked in New York since 1981. Life and career Mohr started his career as an action painter and jazz musician. He began using a computer in 1969 because of a growing interest in creating algorithmic art. He lived in Barcelona in 1962 and in Paris between 1963 and 1983. His early computer works are algorithmic and based on his former drawings with a strong attitude on rhythm and repetition. In 1990 he was awarded the Prix Ars Electronica (Golden Nica) at Ars Electronica festival in Linz, Austria. He maintained an art studio in Paris from 1963 to 1983. Mohr attended Kunst + Werkschule in Pforzheim and École des Beaux-Arts in Paris. In 1968 he co-founded the seminar "Art et Informatique" at the University of Vincennes and in May 1971 had a solo exhibit at ARC - Musée d'Art Moderne de la Ville de Paris. Since then, that exhibition has ...
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Maurizio Nannucci
Maurizio Nannucci (born 1939, in Florence, Italy) is an Italian contemporary artist. Lives and works in Florence and South Baden, Germany. Nannucci's work includes: photography, video, neon installations, sound installation, artist's books, and editions. Since the mid-sixties he is a protagonist of international artistic experimentation in Concrete Poetry and Conceptual Art. Biography Maurizio Nannucci was born in Florence on April 20, 1939. After studying at the Academy of Fine Arts in Florence and Berlin, he attended electronic music courses and worked for several years with experimental theater groups, drawing sceneries. In 1968 he founded the Exempla publishing house and the Zona Archives Edizioni in Florence, still playing an intense editorial activity by publishing artist's books and records, multiple copies and other artists' records. From 1974 to 1985 he was part of the non-profit space Zona in Florence, organizing over two hundred exhibitions and events. In 1981 he creat ...
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Participatory Art
Participatory art is an approach to making art which engages public participation in the creative process, letting them become co-authors, editors, and observers of the work. This type of art is incomplete without viewers' physical interaction. It intends to challenge the dominant form of making art in the West, in which a small class of professional artists make the art while the public takes on the role of passive observer or consumer, i.e., buying the work of the professionals in the marketplace. Commended works by advocates who popularized participatory art include Augusto Boal in his Theater of the Oppressed, as well as Allan Kaprow in happenings. One of the earliest usages of the term appears in photographer Richard Ross's review for the Los Angeles Institute of Contemporary Art journal of the exhibition "Downtown Los Angeles Artists," organized by the Santa Barbara Contemporary Arts Forum in 1980. Describing ''in situ'' works by Jon Peterson, Maura Sheehan and Judith Simon ...
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