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Joan Ambrosio Dalza
Joan Ambrosio Dalza ( fl. 1508) was a Milanese lutenist and composer. His surviving works comprise the fourth volume of Ottaviano Petrucci's influential series of lute music publications, ''Intabolatura de lauto libro quarto'' (Venice, 1508). Dalza is referred to as "milanese" in the preface, so it must be assumed he was either born in Milan, or worked there, or both.Wess, Coelho, Grove. Together with the oeuvres of Francesco Spinacino and Vincenzo Capirola, Dalza's work constitutes an important part of early Renaissance lute music. The surviving pieces comprise 42 dances, nine ricercares, five tastar de corde, four intabulations and a piece called ''Caldibi castigliano''. The dances are arranged in miniature suites. Each of the five pavanes (five ''alla venetiana'', four ''alla ferrarese'') is followed by a saltarello and a piva that are thematically and harmonically related to it. Other groupings include pairs of ''tastar de corde'' with a ''recercar dietro''. Some pieces, such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saltarello
The ''saltarello'' is a musical dance originally from Italy. The first mention of it is in Add MS 29987, a late-fourteenth- or early fifteenth-century manuscript of Tuscan origin, now in the British Library. It was usually played in a fast triple meter and is named for its peculiar leaping step, after the Italian verb ''saltare'' ("to jump"). This characteristic is also the basis of the German name ''Hoppertanz'' or ''Hupfertanz'' ("hopping dance"); other names include the French ''pas de Brabant'' and the Spanish ''alta'' or ''alta danza''. History The saltarello enjoyed great popularity in the courts of medieval Europe. During the 14th century, the word saltarello became the name of a particular dance step (a double with a hop on the final or initial upbeat), and the name of a meter of music (a fast triple), both of which appear in many choreographed dances. Entire dances consisting of only the saltarello step and meter are described as being improvised dances in 15th-cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Composers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Italian Composers
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composers For Lute
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, particularl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dinko Fabris
Dinko Fabris is an Italian musicologist. He specializes in lute music, the music of Naples, and Italian music in general, having written books on Italian composers such as Andrea Falconieri, Andrea Gabrieli, Francesco Provenzale and Francesco Cavalli. He holds teaching posts at the Conservatory of Bari and the University of Basilicata, and was president of the International Musicological Society from 2012 to 2017. Life and career Dinko Fabris attended the Conservatorio di Verona to study lute, followed by study at the University of Bologna for Italian literature and musicology. He received a PhD from the Royal Holloway, University of London. A visiting professor at the University of Paris, University of Melbourne and University of Ljubljana, Fabris has received fellowships from the University of Melbourne and the Warburg Institute. He teaches at the Conservatory of Bari, and since 2001 at the University of Basilicata as well. Fabris has advised on numerous scholarly music editi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "I" if it is major and by "i" if it is minor. These chords may also appear as seventh chords: in major, as IM7, or in minor as i7 or rarely iM7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variation Form
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation techniques Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), known in the English-speaking world as "Twinkle, Twinkle, Little Star" exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variation breaks up the steady pulse and creates syncopated off-beats: Harmonic variation The seventh variation introduces powerful new chords, which replace the simple harmonies originally implied by the theme with a prolongational series of descending fifths: Minor mode In the elaborate eighth variation, Mozart changes from the major to the parallel minor mode, while combining three techniques: count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vihuela
The vihuela () is a 15th-century fretted plucked Spanish string instrument, shaped like a guitar (figure-of-eight form offering strength and portability) but tuned like a lute. It was used in 15th- and 16th-century Spain as the equivalent of the lute in Italy and has a large resultant repertory. There were usually five or six doubled strings. A bowed version, the vihuela de arco (arco meaning bow), was conceived in Spain and made in Italy from 1480. One consequence was the phrase vihuela de mano being thereafter applied to the original plucked instrument. The term ''vihuela'' became "viola" in Italian ("viole" in Fr.; "viol" in Eng.), and the bowed vihuela de arco was to serve as a prototype in the hands of the Italian craftsmen for the " da gamba" family of fretted bowed string instruments, as developed starting in 1480. Their vihuela-inherited frets made these easier to play in tune than the rebec family (precursors of the " da braccio" family), and so they became popular for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spain
, image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = ''Plus ultra'' (Latin)(English: "Further Beyond") , national_anthem = (English: "Royal March") , image_map = , map_caption = , image_map2 = , capital = Madrid , coordinates = , largest_city = Madrid , languages_type = Official language , languages = Spanish language, Spanish , ethnic_groups = , ethnic_groups_year = , ethnic_groups_ref = , religion = , religion_ref = , religion_year = 2020 , demonym = , government_type = Unitary state, Unitary Parliamentary system, parliamentary constitutional monarchy , leader_title1 = Monarchy of Spain, Monarch , leader_name1 = Felipe VI , leader_title2 = Prime Minister of Spain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piva (dance)
''Piva'' is an Italian Renaissance dance that may have originated from a peasant dance to the accompaniment of bagpipes. In 15th-century sources it is described as the fastest version of the basse danse. Antonio Cornazzano, for example, in his ''Libro del'arte del danzare'' (ca. 1455), explains that the music for the piva was also called ''cacciata'', was in quadruple time beginning on the downbeat and was twice as fast as music for the basse danse . The term appeared also in the 16th century, applied to compositions for lute. The pivas in Joan Ambrosio Dalza's 1508 lute collection are very repetitive pieces in quick triple time, with no clearly defined structure. However, it may not be accurate to describe them as being in triple time, since the fast triple rhythmic groupings do not represent one bar each, but rather single beats divided into triplets, just like Thoinot Arbeau Thoinot Arbeau is the anagrammatic pen name of French cleric Jehan Tabourot (March 17, 1520 – Jul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavane
The ''pavane'' ( ; it, pavana, ''padovana''; german: Paduana) is a slow processional dance common in Europe during the 16th century (Renaissance). The pavane, the earliest-known music for which was published in Venice by Ottaviano Petrucci, in Joan Ambrosio Dalza's ''Intabolatura de lauto libro quarto'' in 1508, is a sedate and dignified couple dance, similar to the 15th-century basse danse. The music which accompanied it appears originally to have been fast or moderately fast but, like many other dances, became slower over time . Origin of term The word ''pavane'' is most probably derived from Italian 'danza''''padovana'' , , meaning "ancetypical of Padua" (similar to Bergamask, "dance from Bergamo"); ''pavan'' is an old Northern Italian form for the modern Italian adjective ''padovano'' (= from Padua). This origin is consistent with the equivalent form, ''Paduana''. An alternative explanation is that it derives from the Spanish ''pavón'' meaning ''peacock'' . Altho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
