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Jiro Takamatsu
was one of the most important postwar Japanese artists. Takamatsu used photography, sculpture, painting, drawing, and performance to fundamentally investigate the philosophical and material conditions of art. Takamatsu's practice was dedicated to the critique of cognition and perception, through the rendering and variation of morphological devices, such as shadow, tautology, appropriation, perceptual and perspective distortion and representation. Takamatsu's conceptual work can be understood through his notions of the Zero Dimension, which renders an object or form to observe its fundamental geometrical components. Takamatsu isolated these smallest constituent elements, asserting that these elements produce reality, or existence. For Takamatsu the elementary particle represents “the ultimate of division” and also “emptiness itself,” like the a line within a painting—there appears to be nothing more beyond the line itself. Yet, Takamatsu's end goal was not to just prove the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokyo
Tokyo (; ja, 東京, , ), officially the Tokyo Metropolis ( ja, 東京都, label=none, ), is the capital and largest city of Japan. Formerly known as Edo, its metropolitan area () is the most populous in the world, with an estimated 37.468 million residents ; the city proper has a population of 13.99 million people. Located at the head of Tokyo Bay, the prefecture forms part of the Kantō region on the central coast of Honshu, Japan's largest island. Tokyo serves as Japan's economic center and is the seat of both the Japanese government and the Emperor of Japan. Originally a fishing village named Edo, the city became politically prominent in 1603, when it became the seat of the Tokugawa shogunate. By the mid-18th century, Edo was one of the most populous cities in the world with a population of over one million people. Following the Meiji Restoration of 1868, the imperial capital in Kyoto was moved to Edo, which was renamed "Tokyo" (). Tokyo was devastate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperial Hotel, Tokyo
The is a hotel in Uchisaiwaicho, Chiyoda ward, Tokyo. It was created in the late 1880s at the request of the Japanese aristocracy to cater to the increasing number of Western visitors to Japan. The hotel site is located just south of the Imperial Palace grounds, next to the previous location of the Palace moat. The modern hotel overlooks the Palace, the Western-style Hibiya Park, and the Yurakucho and Ginza neighborhoods. Three main buildings have stood on the hotel site, each of which embodied the finest Western design of its era. Including annexes, there have been at least 10 structures that have been part of the Imperial Hotel, including two designed by Frank Lloyd Wright: *The original Imperial Hotel, designed by Yuzuru Watanabe (1890–1922) *Hotel Metropole in Tsukiji, purchased as an annex (1906–1910) *First Imperial Hotel annex (1906–1919) *A temporary annex, designed by Wright when the original hotel annex burnt (1920–1923) *New Imperial Hotel main building, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mono-ha
Mono-ha (もの派) is the name given to an art movement led by Japanese and Korean artists of 20th-century. The Mono-ha artists explored the encounter between natural and industrial materials, such as stone, steel plates, glass, light bulbs, cotton, sponge, paper, wood, wire, rope, leather, oil, and water, arranging them in mostly unaltered, ephemeral states. The works focus as much on the interdependency of these various elements and the surrounding space as on the materials themselves. Origin of the Term “Mono-ha” and its Members “Mono-ha” is usually translated in a literal manner, as “School of Things.” The Mono-ha artists regularly assert that “Mono-ha” was a term disparagingly coined by critics (specifically Teruo Fujieda and Toshiaki Minemura in Bijutsu Techo' magazine in 1973) well after they had begun to exhibit their work, and they did not begin as an organized collective. The artists' writings and conversations were published before critics coined the ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tama Art University
or is a private art university located in Tokyo, Japan. It is known as one of the top art schools in Japan. History The forerunner of Tamabi was Tama Imperial Art School (多摩帝国美術学校, Tama Teikoku Bijutsu Gakkō) founded in 1935. It was chartered as a junior college in 1950 and became a four-year college in 1953. Campus * Hachioji Campus (Hachioji city, Tokyo) *: Faculty of Art and Design and Graduate School of Art and Design (most of the departments are located on this campus) * Kaminoge Campus (Kaminoge, Setagaya-ward, Tokyo) *: Headquarters office, Faculty of Art and Design, and Graduate School of Art and Design (Department of Integrated Design and Department of Scenography Design, Drama, and Dance) * Seminar House ** Mt. Fuji Foothills Seminar House (Yamanakako, Minamitsuru District, Yamanashi) ** Nara Antiquities Seminar House (Nara city, Nara) Academics Faculty of Art and Design * Department of Painting ** Japanese Painting Course ** Oil Painting Cour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Expo '70
The or Expo 70 was a world's fair held in Suita, Osaka Prefecture, Japan between March 15 and September 13, 1970. Its theme was "Progress and Harmony for Mankind." In Japanese, Expo '70 is often referred to as . It was the first world's fair held in Japan. The Expo was designed by Japanese architect Kenzō Tange, assisted by 12 other Japanese architects. Bridging the site along a north–south axis was the Symbol Zone. Planned on three levels, it was primarily a social space with a unifying space frame roof. The Expo attracted international attention for the extent to which unusual artworks and designs by Japanese avant-garde artists were incorporated into the overall plan and individual national and corporate pavilions. The most famous of these artworks is artist Tarō Okamoto's iconic Tower of the Sun, which still remains on the site today. Background Osaka was chosen as the site for the 1970 World Exposition by the Bureau International des Expositions (BIE) in 1965. 330 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
From Space To Environment
was a postwar Japanese exhibition of contemporary art and design that was held on the eighth floor gallery of the Matsuya Department Store in Ginza, Tokyo, from November 11–16, 1966. It was organised by the multidisciplinary group Environment Society (Enbairamento no Kai) to promoted the marriage of art and technology. The exhibition’s subtitle was “Synthesized Exhibition of Painting + Sculpture + Photo + Design + Architecture + Music,” indicating its goal of erasing conventional distinctions between fine and applied arts, and it was instrumental in introducing the terms "Intermedia" and "Environment Art" (''kankyō geijutsu'') to Japan. It featured 38 participants from a range of creative disciplines, including artists, architects, designers, and art critics. A related performance concert took place on November 14, 1966 at the Sōgetsu Art Center (SAC) (Japanese: アートセンター) in Tokyo. The show encompassed architecture, environment art, installation art, visua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shūji Terayama
was a Japanese avant-garde poet, dramatist, writer, film director, and photographer. His works range from radio drama, experimental television, underground (''Angura'') theatre, countercultural essays, to Japanese New Wave and "expanded" cinema. Many critics view him as one of the most productive and provocative creative artists to come out of Japan. He has been cited as an influence on various Japanese filmmakers from the 1970s onward. Life Terayama was born December 10, 1935, in Hirosaki, Aomori, the only son of Hachiro and Hatsu Terayama. When Terayama was nine, his mother moved to Kyūshū to work at an American military base, while he himself went to live with relatives in the city of Misawa, also in Aomori. Terayama lived through the Aomori air raids that killed more than 30,000 people. His father died at the end of the Pacific War in Indonesia in September 1945. Terayama entered Aomori High School in 1951 and, in 1954, he enrolled in Waseda University's Faculty of Educa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koji Enokura
was a Japanese painter and installation artist. He was one of the key members of Mono-ha, a group of artists who became prominent in the late 1960s and 1970s. The Mono-ha artists explored the encounter between natural and industrial materials, such as stone, steel plates, glass, light bulbs, cotton, sponge, paper, wood, wire, rope, leather, oil, and water, arranging them in mostly unaltered, ephemeral states. The works focus as much on the interdependency of these various elements and the surrounding space as on the materials themselves. Career Kōji Enokura was born in Tokyo. In 1966, he graduated from the painting department at the Tokyo National University of Fine Arts and Music. Enokura received an MFA in painting at the same university in 1968, and taught there from 1975 until his death in 1995. Site Specific Installations From the beginning of the 1970s, Enokura stained paper, cloth, felt, and leather with oil and grease. He also discolored the floors and walls of galleri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Takuma Nakahira
was a Japanese photographer, critic, and theorist. He was a member of the seminal photography collective ''Provoke (magazine), Provoke'', played a central role in developing the theorization of landscape discourse (''fūkei-ron''), and was one of the most prominent voices in 1970s Photography in Japan, Japanese photography. Life and work Born in Tokyo, Nakahira attended the Tokyo University of Foreign Studies, from which he graduated in 1963 with a degree in Spanish. After graduation, he began working as an editor at the art magazine ''Contemporary view'' (''Gendai no me''), during which time he published his work under the pseudonym of Akira Yuzuki (柚木明). Provoke (1968–70) Two years later, he left the magazine in order to help organize the major 1968 exhibition ''One Hundred Years of Photography: The History of Japanese Photographic Expression'' at the invitation of Shōmei Tōmatsu, an effort to which photo critic Kōji Taki also contributed. In 1968, he and Taki team ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pliny The Elder
Gaius Plinius Secundus (AD 23/2479), called Pliny the Elder (), was a Roman author, naturalist and natural philosopher, and naval and army commander of the early Roman Empire, and a friend of the emperor Vespasian. He wrote the encyclopedic ''Naturalis Historia'' (''Natural History''), which became an editorial model for encyclopedias. He spent most of his spare time studying, writing, and investigating natural and geographic phenomena in the field. His nephew, Pliny the Younger, wrote of him in a letter to the historian Tacitus: Among Pliny's greatest works was the twenty-volume work ''Bella Germaniae'' ("The History of the German Wars"), which is no longer extant. ''Bella Germaniae'', which began where Aufidius Bassus' ''Libri Belli Germanici'' ("The War with the Germans") left off, was used as a source by other prominent Roman historians, including Plutarch, Tacitus and Suetonius. Tacitus—who many scholars agree had never travelled in Germania—used ''Bella Germani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegory Of The Cave
The Allegory of the Cave, or Plato's Cave, is an allegory presented by the Ancient Greece, Greek philosopher Plato in his work ''Republic (Plato), Republic'' (514a–520a) to compare "the effect of education (Wiktionary:παιδεία, παιδεία) and the lack of it on our physis, nature". It is written as a dialogue between Plato's brother Glaucon and his mentor Socrates, narrated by the latter. The allegory is presented after the analogy of the sun (508b–509c) and the analogy of the divided line (509d–511e). In the allegory "The Cave," Plato describes a group of people who have lived chained to the wall of a cave all their lives, facing a blank wall. The people watch shadows projected on the wall from objects passing in front of a fire behind them and give names to these shadows. The shadows are the prisoners' reality, but are not accurate representations of the real world. The shadows represent the fragment of reality that we can normally perceive through our senses, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plato
Plato ( ; grc-gre, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greek philosopher born in Athens during the Classical period in Ancient Greece. He founded the Platonist school of thought and the Academy, the first institution of higher learning on the European continent. Along with his teacher, Socrates, and his student, Aristotle, Plato is a central figure in the history of Ancient Greek philosophy and the Western and Middle Eastern philosophies descended from it. He has also shaped religion and spirituality. The so-called neoplatonism of his interpreter Plotinus greatly influenced both Christianity (through Church Fathers such as Augustine) and Islamic philosophy (through e.g. Al-Farabi). In modern times, Friedrich Nietzsche diagnosed Western culture as growing in the shadow of Plato (famously calling Christianity "Platonism for the masses"), while Alfred North Whitehead famously said: "the safest general characterization of the European philosophical tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
