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Jesus Christus Ist Um Unsrer Missetat Willen Verwundet
''Jesus Christus ist um unsrer Missetat willen verwundet'' is a St Mark Passion which originated in the early 18th century and is most often attributed to Reinhard Keiser. It may also have been composed by his father Gottfried or by Friedrich Nicolaus Bruhns. Johann Sebastian Bach produced three performance versions of the Passion, the last of which is a pasticcio with arias from George Frideric Handel's '' Brockes Passion''. There are two other extant 18th-century versions of the Passion, both of them independent of Bach's versions. The Passion was performed in at least three cities in the first half of the 18th century: in Hamburg in 1707 and 1711, in Weimar around 1712, and in Leipzig in 1726 and around 1747. History The passion was probably composed around 1705 by Gottfried Keiser,Bach Digital Work at by his son Reinhard,NBA 2000 (score edition) or by Friedrich Nicolaus Bruhns.Reinmar Emans, Sven Hiemke ''Bach-Handbuch. Bachs Oratorien, Passionen und Motetten'' 2000 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christus, Der Uns Selig Macht
"" (literally: Christ who makes us blessed) is a German Lutheran Passion hymn in eight stanzas in German by Michael Weiße Michael Weiße or Weisse ( – 19 March 1534) was a German theologian, Protestant reformer and hymn writer. First a Franciscan, he joined the Bohemian Brethren. He published the most extensive early Protestant hymnal in 1531, supplying most hymn ..., written in 1531 as a translation of the Latin hymn "Patris Sapientia" to an older melody of the Bohemian Brethren. The hymn inspired musical settings, both vocal and for organ, notably Bach's ''St John Passion structure, St John Passion'', where the first and last stanzas comment on biblical scenes in two different settings. The hymn is part of the Protestant hymnal as EG 77. It was translated to "Christ, by whose all-saving Light" and other versions. History Weiße wrote the text as a translation of the Latin hymn "Patris Sapientia", attributed to Aegidius of Collonna, from the Liturgy of the Hours for Good ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lüneburg
Lüneburg (officially the ''Hanseatic City of Lüneburg'', German: ''Hansestadt Lüneburg'', , Low German ''Lümborg'', Latin ''Luneburgum'' or ''Lunaburgum'', Old High German ''Luneburc'', Old Saxon ''Hliuni'', Polabian ''Glain''), also called Lunenburg ( ) in English, is a town in the German state of Lower Saxony. It is located about southeast of another Hanseatic city, Hamburg, and belongs to that city's wider metropolitan region. The capital of the district which bears its name, it is home to roughly 77,000 people. Lüneburg's urban area, which includes the surrounding communities of Adendorf, Bardowick, Barendorf and Reppenstedt, has a population of around 103,000. Lüneburg has been allowed to use the title " Hansestadt" (''Hanseatic Town'') in its name since 2007, in recognition of its membership in the former Hanseatic League. Lüneburg is also home to Leuphana University. History ImageSize = width:1050 height:100 PlotArea = width:1000 height:50 left:50 bottom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lübeck
Lübeck (; Low German also ), officially the Hanseatic City of Lübeck (german: Hansestadt Lübeck), is a city in Northern Germany. With around 217,000 inhabitants, Lübeck is the second-largest city on the German Baltic coast and in the state of Schleswig-Holstein, after its capital of Kiel, and is the 35th-largest city in Germany. The city lies in Holstein, northeast of Hamburg, on the mouth of the River Trave, which flows into the Bay of Lübeck in the borough of Travemünde, and on the Trave's tributary Wakenitz. The city is part of the Hamburg Metropolitan Region, and is the southwesternmost city on the Baltic, as well as the closest point of access to the Baltic from Hamburg. The port of Lübeck is the second-largest German Baltic port after the port of Rostock. The city lies in the Northern Low Saxon dialect area of Low German. Lübeck is famous for having been the cradle and the ''de facto'' capital of the Hanseatic League. Its city centre is Germany's most extens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamburg
(male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal_code_type = Postal code(s) , postal_code = 20001–21149, 22001–22769 , area_code_type = Area code(s) , area_code = 040 , registration_plate = , blank_name_sec1 = GRP (nominal) , blank_info_sec1 = €123 billion (2019) , blank1_name_sec1 = GRP per capita , blank1_info_sec1 = €67,000 (2019) , blank1_name_sec2 = HDI (2018) , blank1_info_sec2 = 0.976 · 1st of 16 , iso_code = DE-HH , blank_name_sec2 = NUTS Region , blank_info_sec2 = DE6 , website = , footnotes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanseatic League
The Hanseatic League (; gml, Hanse, , ; german: label=Modern German, Deutsche Hanse) was a medieval commercial and defensive confederation of merchant guilds and market towns in Central and Northern Europe. Growing from a few North German towns in the late 12th century, the League ultimately encompassed nearly 200 settlements across seven modern-day countries; at its height between the 13th and 15th centuries, it stretched from the Netherlands in the west to Russia in the east, and from Estonia in the north to Kraków, Poland in the south. The League originated from various loose associations of German traders and towns formed to advance mutual commercial interests, such as protection against piracy and banditry. These arrangements gradually coalesced into the Hanseatic League, whose traders enjoyed duty-free treatment, protection, and diplomatic privileges in affiliated communities and their trade routes. Hanseatic Cities gradually developed a common legal system governing t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
HWV 48
The ''Brockes Passion'', or ' (English: ''The Story of Jesus, Suffering and Dying for the Sins of the World''), is a German oratorio, libretto by Barthold Heinrich Brockes, first published in 1712 and seeing 30 or so more editions over the following 15 years. The most famous musical setting of Brockes' text is that by George Frideric Handel, HWV 48. The text was also set by Reinhard Keiser (1712), Georg Philipp Telemann (1716), Johann Mattheson (1718), Gottfried Heinrich Stölzel (1725), Johann Friedrich Fasch (1723) and several other composers. Brockes' text Barthold Heinrich Brockes was an influential German poet who re-worked the traditional form of a Passion oratorio, adding reflective and descriptive poetry, sometimes of a highly-wrought and emotional kind, into the texture of his Passion. The Brockes Passion was much admired and set to music numerous times in Baroque Germany, although to other ages and in other countries some of Brockes' poetry has seemed in poor tast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Johann Sebastian Bach
Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble and orchestra. There are over 1000 known compositions by Bach. Nearly all of them are listed in the ' (BWV), which is the best known and most widely used catalogue of Bach's compositions. Listing Bach's compositions Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. For instance, his obituary contains a list of the instrumental compositions printed during the composer's lifetime, followed by an approximate list of his unpublished work. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same approach: its ninth chapter first lists printed works (adding four-part chorales which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Compendium
Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble and orchestra. There are over 1000 known compositions by Bach. Nearly all of them are listed in the ' (BWV), which is the best known and most widely used catalogue of Bach's compositions. Listing Bach's compositions Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. For instance, his obituary contains a list of the instrumental compositions printed during the composer's lifetime, followed by an approximate list of his unpublished work. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same approach: its ninth chapter first lists printed works (adding four-part chorales which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's ''Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Bach's ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Rist
Johann Rist (8 March 1607 – 31 August 1667) was a German poet and dramatist best known for his hymns, which inspired musical settings and have remained in hymnals. Life Rist was born at Ottensen in Holstein-Pinneberg (today Hamburg) on 8 March 1607; the son of the Lutheran pastor of that place, Caspar Rist. He received his early training at the Gelehrtenschule des Johanneums in Hamburg and the Gymnasium Illustre in Bremen; he then studied theology at the university of Rinteln. Under the influence of Josua Stegman there, his interest in hymn writing began. On leaving Rinteln, he tutored the sons of a Hamburg merchant, accompanying them to the University of Rostock, where he himself studied Hebrew, mathematics, and medicine. During his time at Rostock, the Thirty Years War almost emptied the university, and Rist himself lay there for several weeks, suffering from pestilence. In 1633, he became tutor in the house of Landschreiber Heinrich Sager at Heide, in Holstein. Two years l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Traurigkeit, O Herzeleid
Gottfried Vopelius (28 January 1645 – 3 February 1715), was a German Lutheran academic and hymn-writer, mainly active in Leipzig. He was born in Herwigsdorf, now a district of Rosenbach, Görlitz, Rosenbach, Upper Lusatia, Oberlausitz, and died in Leipzig at the age of 70.Robert Eitner. "wikisource:de:ADB:Vopelius, Gottfried, Vopelius, Gottfried", pp. 298–299 in Vol. 40 of ''Allgemeine Deutsche Biographie''. , 1896. ''Neu Leipziger Gesangbuch'' Vopelius is primarily remembered for the ''Neu Leipziger Gesangbuch'' (New Leipzig Hymnal) which he published in 1682. The subtitle of the publication reads: Or, translated: The ''Neu Leipziger Gesangbuch'' is, to a certain degree, a third edition of Johann Schein's , which originally had been published in 1627, with a new edition in 1645. Over 90 settings in the ''Neu Leipziger Gesangbuch'' were copied or adapted from Schein. All other composers are represented with less than 10 settings in the hymnal. Of these, only Joha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
