Jernej Šugman
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Jernej Šugman
Jernej Šugman (23 December 1968 – 10 December 2017) was a prominent Slovenian theater, television and film actor. Biography Šugman was born in Ljubljana, the son of actors Zlatko and Maja Šugman. Between 1988 and 1992, he studied acting at the Academy of Theatre, Radio, Film and Television in Ljubljana. He graduated with the role of Astrov in Anton Chekhov's ''Uncle Vanya'', for which he received the Sever's award and Prešeren's student award. In 1992, he joined the Ljubljana Slovene National Theatre Drama where he would remain for the rest of his career. In theater, Šugman played 80 roles, the vast majority of those were in drama. Some of his most prominent roles include the titular roles in Shakespeare's ''King Lear'', ''Othello'', ''Titus Andronicus'', ''Julius Caesar'', and ''Hamlet'' (Šugman first played the role of Hamlet and later, after 20 years, the role of King Claudius). Šugman played in two important dramas of Ivan Cankar, the role of Kantor in ''The Kin ...
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Ljubljana
Ljubljana (also known by other historical names) is the capital and largest city of Slovenia. It is the country's cultural, educational, economic, political and administrative center. During antiquity, a Roman city called Emona stood in the area. Ljubljana itself was first mentioned in the first half of the 12th century. Situated at the middle of a trade route between the northern Adriatic Sea and the Danube region, it was the historical capital of Carniola, one of the Slovene-inhabited parts of the Habsburg monarchy. It was under Habsburg rule from the Middle Ages until the dissolution of the Austro-Hungarian Empire in 1918. After World War II, Ljubljana became the capital of the Socialist Republic of Slovenia, part of the Socialist Federal Republic of Yugoslavia. The city retained this status until Slovenia became independent in 1991 and Ljubljana became the capital of the newly formed state. Name The origin of the name ''Ljubljana'' is unclear. In the Middle Ages, both ...
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King Claudius
King Claudius is a fictional character and the main antagonist of William Shakespeare's tragedy ''Hamlet''. He is the brother to King Hamlet, second husband to Gertrude and uncle and later stepfather to Prince Hamlet. He obtained the throne of Denmark by murdering his brother with poison and then marrying the late king's widow. He is loosely based on the Jutish chieftain Feng who appears in ''Chronicon Lethrense'' and in Saxo Grammaticus' ''Gesta Danorum''. There has never been an actual Danish King of that name. Overview Claudius is seen at the beginning of the play to be a capable monarch as he deals diplomatically with such issues as the military threat from Norway and Hamlet's depression. It is not until the appearance of King Hamlet's Ghost in the courtyard that the audience questions his motives. During the play's progression he takes a turn for the worse by first resorting to spying, and, when that fails, murder. It is in Act III Scene 3, when Claudius forestalls Hamle ...
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Teater Paradižnik
''Teater Paradižnik'' ( en, Paradižnik Theater; literally: Tomato Theater) is a Slovenian television comedy series, created and directed by Branko Đurić. Screenplay was written by ''Marko Pokorn'' and ''Branko Đurić''. This show lasted from 1994 to 1997 and was a huge hit in Slovenia. It was broadcast on first channel of RTV Slovenija Radiotelevizija Slovenija ( en, Radio-Television of Slovenia) – usually abbreviated to RTV Slovenija (or simply RTV within Slovenia) – is Slovenia's national public broadcasting organization. Based in Ljubljana, it has regional broadcastin ..., a Slovenian national television. The story was set in theater. There was a lot of comic situations between workers behind the scenes; and a part on a stage with public and Slovenian music performances on the other side. Main characters *''Marijana'' (Tanja Ribič)...confused theater stage speaker *''Vinko'' (Janez Škof)...nervous theater show director *''Veso'' (Jernej Šugman)...chilled door ...
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Ubu Roi
''Ubu Roi'' (; "Ubu the King" or "King Ubu") is a play by French writer Alfred Jarry, then 23 years old. It was first performed in Paris in 1896, by Aurélien Lugné-Poe's Théâtre de l'Œuvre at the Nouveau-Théâtre (today, the Théâtre de Paris). The production's single public performance baffled and offended audiences with its unruliness and obscenity. Considered to be a wild, bizarre and comic play, significant for the way it overturns cultural rules, norms and conventions, it is seen by 20th- and 21st-century scholars to have opened the door for what became known as modernism in the 20th century, and as a precursor to Dadaism, Surrealism and the Theatre of the Absurd. Overview ''Ubu Roi'' was first performed in Paris on December 10, 1896, by Aurélien Lugné-Poe's Théâtre de l'Œuvre at Nouveau-Théâtre (today, the Théâtre de Paris), 15, rue Blanche, in the 9th arrondissement. The play – scheduled for an invited "industry" run-through followed by a single public ...
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Alfred Jarry
Alfred Jarry (; 8 September 1873 – 1 November 1907) was a French symbolist writer who is best known for his play ''Ubu Roi'' (1896). He also coined the term and philosophical concept of 'pataphysics. Jarry was born in Laval, Mayenne, France, and his mother was from Brittany. He was associated with the Symbolist movement. His play ''Ubu Roi'' is often cited as a forerunner of Dada and the Surrealist and Futurist movements of the 1920s and 1930s. He wrote in a variety of hybrid genres and styles, prefiguring the postmodern, including novels, poems, short plays and opéras bouffes, absurdist essays and speculative journalism. His texts are considered examples of absurdist literature and postmodern philosophy. Biography and works His father Anselme Jarry (1837–1895) was a salesman who descended into alcoholism; his mother Caroline, née Quernest (1842–1893), was interested in music and literature, but her family had a streak of insanity, and her mother and brother were ...
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Iliad
The ''Iliad'' (; grc, Ἰλιάς, Iliás, ; "a poem about Ilium") is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the ''Odyssey'', the poem is divided into 24 books and contains 15,693 lines in its most widely accepted version, and was written in dactylic hexameter. Set towards the end of the Trojan War, a ten-year siege of the city of Troy by a coalition of Mycenaean Greek states, the poem depicts significant events in the siege's final weeks. In particular, it depicts a fierce quarrel between King Agamemnon and a celebrated warrior, Achilles. It is a central part of the Epic Cycle. The ''Iliad'' is often regarded as the first substantial piece of European literature. The ''Iliad'', and the ''Odyssey'', were likely written down in Homeric Greek, a literary amalgam of Ionic Greek and other dialects, probably around the late 8th or early 7th century BC. Homer's ...
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Agamemnon
In Greek mythology, Agamemnon (; grc-gre, Ἀγαμέμνων ''Agamémnōn'') was a king of Mycenae who commanded the Greeks during the Trojan War. He was the son, or grandson, of King Atreus and Queen Aerope, the brother of Menelaus, the husband of Clytemnestra and the father of Iphigenia, Electra, Laodice (Greek myth), Laodike (Λαοδίκη), Orestes and Chrysothemis. Legends make him the king of Mycenae or Argos, Peloponnese, Argos, thought to be different names for the same area. Agamemnon was killed upon his Returns from Troy, return from Troy, either by his wife's lover Aegisthus or by his wife herself. Etymology His name in Greek, Ἀγαμέμνων, means "very steadfast", "unbowed" or "resolute". The word comes from Linguistic reconstruction, *Ἀγαμέδμων (''*Agamédmōn'') from ἄγαν, "very much" and wikt:μέδομαι, μέδομαι, "think on". Description In the account of Dares Phrygius, Dares the Phrygian, Agamemnon was described as ". . .bl ...
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Baal (play)
''Baal'' was the first full-length play written by the German modernist playwright Bertolt Brecht.Willett (1967, 22-23). It concerns a wastrel youth who becomes involved in several sexual affairs and at least one murder. It was written in 1918, when Brecht was a 20-year-old student at Munich University, in response to the expressionist drama ''The Loner'' (''Der Einsame'') by the soon-to-become-Nazi dramatist Hanns Johst. The play is written in a form of heightened prose and includes four songs and an introductory choral hymn ("Hymn of Baal the Great"), set to melodies composed by Brecht himself. Brecht wrote it prior to developing the dramaturgical techniques of epic theatre that characterize his later work, although he did re-work the play in 1926. Characters * Baal - ''poet'' * Mech - ''merchant and publisher'' * Emilie - ''Mech's wife'' * Dr. Piller - ''critic'' * Johannes Schmidt * Pschierer - ''director of the water rates'' * A Young Man * A Young Woman * Johanna * Ekart ...
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Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time collaborator ...
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Oedipus Rex
''Oedipus Rex'', also known by its Greek title, ''Oedipus Tyrannus'' ( grc, Οἰδίπους Τύραννος, ), or ''Oedipus the King'', is an Athenian tragedy by Sophocles that was first performed around 429 BC. Originally, to the ancient Greeks, the title was simply ''Oedipus'' (), as it is referred to by Aristotle in the ''Poetics''. It is thought to have been renamed ''Oedipus Tyrannus'' to distinguish it from ''Oedipus at Colonus'', a later play by Sophocles. In antiquity, the term "tyrant" referred to a ruler with no legitimate claim to rule, but it did not necessarily have a negative connotation. Of Sophocles' three Theban plays that have survived, and that deal with the story of Oedipus, ''Oedipus Rex'' was the second to be written, following ''Antigone'' by about a dozen years. However, in terms of the chronology of events described by the plays, it comes first, followed by ''Oedipus at Colonus'' and then ''Antigone''. Prior to the start of ''Oedipus Rex'', Oedipus ...
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Sophocles
Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus; and earlier than, or contemporary with, those of Euripides. Sophocles wrote over 120 plays, but only seven have survived in a complete form: ''Ajax'', ''Antigone'', ''Women of Trachis'', ''Oedipus Rex'', '' Electra'', '' Philoctetes'' and ''Oedipus at Colonus''. For almost fifty years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens which took place during the religious festivals of the Lenaea and the Dionysia. He competed in thirty competitions, won twenty-four, and was never judged lower than second place. Aeschylus won thirteen competitions, and was sometimes defeated by Sophocles; Euripides won four. The most famous tragedies of Sophocles feature ...
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The Misanthrope
''The Misanthrope, or the Cantankerous Lover'' (french: Le Misanthrope ou l'Atrabilaire amoureux; ) is a 17th-century comedy of manners in verse written by Molière. It was first performed on 4 June 1666 at the Théâtre du Palais-Royal, Paris by the King's Players. The play satirizes the hypocrisies of French aristocratic society, but it also engages a more serious tone when pointing out the flaws that afflict all humans. The play differs from other farces of the time by employing dynamic characters like Alceste and Célimène as opposed to the flat caricatures of traditional social satire. It also differs from most of Molière's other works by focusing more on character development and nuances than on plot progression. The play, though not a commercial success in its time, survives as Molière's best known work today. Because both ''Tartuffe'' and ''Don Juan'', two of Molière's previous plays, had already been banned by the French government, Molière may have softened his ...
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