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Ubu Roi
''Ubu Roi'' (; "Ubu the King" or "King Ubu") is a play by French writer Alfred Jarry, then 23 years old. It was first performed in Paris in 1896, by Aurélien Lugné-Poe's Théâtre de l'Œuvre at the Nouveau-Théâtre (today, the Théâtre de Paris). The production's single public performance baffled and offended audiences with its unruliness and obscenity. Considered to be a wild, bizarre and comic play, significant for the way it overturns cultural rules, norms and conventions, it is seen by 20th- and 21st-century scholars to have opened the door for what became known as modernism in the 20th century, and as a precursor to Dadaism, Surrealism and the Theatre of the Absurd. Overview ''Ubu Roi'' was first performed in Paris on December 10, 1896, by Aurélien Lugné-Poe's Théâtre de l'Œuvre at Nouveau-Théâtre (today, the Théâtre de Paris), 15, rue Blanche, in the 9th arrondissement. The play – scheduled for an invited "industry" run-through followed by a single public ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Jarry
Alfred Jarry (; 8 September 1873 – 1 November 1907) was a French symbolist writer who is best known for his play ''Ubu Roi'' (1896). He also coined the term and philosophical concept of 'pataphysics. Jarry was born in Laval, Mayenne, France, and his mother was from Brittany. He was associated with the Symbolist movement. His play ''Ubu Roi'' is often cited as a forerunner of Dada and the Surrealist and Futurist movements of the 1920s and 1930s. He wrote in a variety of hybrid genres and styles, prefiguring the postmodern, including novels, poems, short plays and opéras bouffes, absurdist essays and speculative journalism. His texts are considered examples of absurdist literature and postmodern philosophy. Biography and works His father Anselme Jarry (1837–1895) was a salesman who descended into alcoholism; his mother Caroline, née Quernest (1842–1893), was interested in music and literature, but her family had a streak of insanity, and her mother and brother were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fictional Country
A fictional country is a country that is made up for fictional stories, and does not exist in real life, or one that people believe in without proof. Sailors have always mistaken low clouds for land masses, and in later times this was given the name Dutch capes. Other fictional lands appear most commonly as settings or subjects of myth, literature, film, or video games. They may also be used for technical reasons in actual reality for use in the development of specifications, such as the fictional country of ''Bookland'', which is used to allow European Article Number "country" codes 978 and 979 to be used for ISBNs assigned to books, and code 977 to be assigned for use for ISSN numbers on magazines and other periodicals. Also, the ISO 3166 country code "ZZ" is reserved as a fictional country code. Fictional countries appear commonly in stories of early science fiction (or scientific romance). Such countries supposedly form part of the normal Earth landscape, although not l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Taylor (writer)
Jane Taylor (born 19 April 1956) is a South African writer, playwright and academic. She currently holds the Andrew W. Mellon Chair of Aesthetic Theory and Material Performance at the Centre for Humanities Research at the University of the Western Cape in South Africa. She is the director of the Laboratory of Kinetic Objects (LoKO), a Centre for the theoretical and material exploration of the Subject/Object continuum. The Centre engages in performance arts as well as research and intellectual enquiry into the human and technological interface, Artificial Intelligence (AI) Intelligent Amplification (IA). Her recent performance/lecture “Ne’er So Much the Ape” hich takes its title from an old English adage, ‘ne’er so much the Ape as when he wears the doctor’s cape’explores the articulation of primate research, race theory, AI, and performance theory. In 1987, she and David Bunn co-edited ''From South Africa'' (University of Chicago Press), an anthology which documents ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gargantua And Pantagruel
''The Life of Gargantua and of Pantagruel'' (french: La vie de Gargantua et de Pantagruel) is a pentalogy of novels written in the 16th century by François Rabelais, telling the adventures of two giants, Gargantua ( , ) and his son Pantagruel ( , ). The work is written in an amusing, extravagant, and satirical vein, features much erudition, vulgarity, and wordplay, and is regularly compared with the works of William Shakespeare and James Joyce. Rabelais was a polyglot, and the work introduced "a great number of new and difficult words ..into the French language". The work was stigmatised as obscene by the censors of the Collège de la Sorbonne, and, within a social climate of increasing religious oppression in a lead up to the French Wars of Religion, it was treated with suspicion, and contemporaries avoided mentioning it.Le Cadet, Nicolas (2009) Marcel De Grève, La réception de Rabelais en Europe du XVIe au XVIIIe siècle', Cahiers de recherches médiévales et humanistes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Rabelais
François Rabelais ( , , ; born between 1483 and 1494; died 1553) was a French Renaissance writer, physician, Renaissance humanist, monk and Greek scholar. He is primarily known as a writer of satire, of the grotesque, and of bawdy jokes and songs. Ecclesiastical yet anticlerical, Christian yet considered by some as a free thinker, a doctor yet having the image of a '' bon vivant'', the multiple facets of his personality sometimes seem contradictory. Caught up in the religious and political turmoil of the Reformation, Rabelais showed himself to be both sensitive and critical towards the great questions of his time. Subsequently, the views of his life and work have evolved according to the times and currents of thought. An admirer of Erasmus, through parody and satire Rabelais fought for tolerance, peace, an evangelical faith, and a return to the knowledge of ancient Greco-Romans to dispel the "Gothic darkness" that characterized the Middle Ages. He took up the theses of P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Renaissance
The French Renaissance was the cultural and artistic movement in France between the 15th and early 17th centuries. The period is associated with the pan-European Renaissance, a word first used by the French historian Jules Michelet to define the artistic and cultural "rebirth" of Europe. Notable developments during the French Renaissance include the spread of humanism, early exploration of the "New World" (as New France by Giovanni da Verrazzano and Jacques Cartier); the development of new techniques and artistic forms in the fields of printing, architecture, painting, sculpture, music, the sciences and literature; and the elaboration of new codes of sociability, etiquette and discourse. The French Renaissance traditionally extends from (roughly) the French invasion of Italy in 1494 during the reign of Charles VIII until the death of Henry IV in 1610. This chronology notwithstanding, certain artistic, technological or literary developments associated with the Renaissance ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oedipus Rex
''Oedipus Rex'', also known by its Greek title, ''Oedipus Tyrannus'' ( grc, Οἰδίπους Τύραννος, ), or ''Oedipus the King'', is an Athenian tragedy by Sophocles that was first performed around 429 BC. Originally, to the ancient Greeks, the title was simply ''Oedipus'' (), as it is referred to by Aristotle in the ''Poetics''. It is thought to have been renamed ''Oedipus Tyrannus'' to distinguish it from ''Oedipus at Colonus'', a later play by Sophocles. In antiquity, the term "tyrant" referred to a ruler with no legitimate claim to rule, but it did not necessarily have a negative connotation. Of Sophocles' three Theban plays that have survived, and that deal with the story of Oedipus, ''Oedipus Rex'' was the second to be written, following ''Antigone'' by about a dozen years. However, in terms of the chronology of events described by the plays, it comes first, followed by ''Oedipus at Colonus'' and then ''Antigone''. Prior to the start of ''Oedipus Rex'', Oedipus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophocles
Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus; and earlier than, or contemporary with, those of Euripides. Sophocles wrote over 120 plays, but only seven have survived in a complete form: ''Ajax'', ''Antigone'', ''Women of Trachis'', ''Oedipus Rex'', '' Electra'', '' Philoctetes'' and ''Oedipus at Colonus''. For almost fifty years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens which took place during the religious festivals of the Lenaea and the Dionysia. He competed in thirty competitions, won twenty-four, and was never judged lower than second place. Aeschylus won thirteen competitions, and was sometimes defeated by Sophocles; Euripides won four. The most famous tragedies of Sophocles feature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Winter's Tale
''The Winter's Tale'' is a play by William Shakespeare originally published in the First Folio of 1623. Although it was grouped among the comedies, many modern editors have relabelled the play as one of Shakespeare's late romances. Some critics consider it to be one of Shakespeare's " problem plays" because the first three acts are filled with intense psychological drama, while the last two acts are comic and supply a happy ending. The play has been intermittently popular, revived in productions in various forms and adaptations by some of the leading theatre practitioners in Shakespearean performance history, beginning after a long interval with David Garrick in his adaptation ''Florizel and Perdita'' (first performed in 1753 and published in 1756). ''The Winter's Tale'' was revived again in the 19th century, when the fourth " pastoral" act was widely popular. In the second half of the 20th century, ''The Winter's Tale'' in its entirety, and drawn largely from the First Fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard III (play)
''Richard III'' is a play by William Shakespeare. It was probably written c. 1592–1594. It is labelled a history in the First Folio, and is usually considered one, but it is sometimes called a tragedy, as in the quarto edition. ''Richard III'' concludes Shakespeare's first tetralogy (also containing ''Henry VI, Part 1'', ''Henry VI, Part 2'', and ''Henry VI, Part 3'') and depicts the Machiavellian rise to power and subsequent short reign of King Richard III of England. It is the second longest play in the Shakespearean canon and is the longest of the First Folio, whose version of ''Hamlet'', otherwise the longest, is shorter than its quarto counterpart. The play is often abridged for brevity, and peripheral characters removed. In such cases, extra lines are often invented or added from elsewhere to establish the nature of the characters' relationships. A further reason for abridgment is that Shakespeare assumed his audiences' familiarity with his ''Henry VI'' plays, frequentl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
