Jean Jacques Henner
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Jean Jacques Henner
Jean-Jacques Henner (5 March 1829 – 23 July 1905) was a French painter, noted for his use of sfumato and chiaroscuro in painting nudes, religious subjects and portraits. Biography Henner was born at Bernwiller (Alsace). He began his studies in art as a pupil of Michel Martin Drolling and François-Édouard Picot. In 1848, he entered the École des Beaux Arts in Paris, and took the Prix de Rome with a painting of ''Adam and Eve finding the Body of Abel'' in 1858. In Rome, he was guided by Flandrin, and painted four pictures for the gallery at Colmar among other works. He first exhibited ''Bather Asleep'' at the Salon in 1863 and subsequently contributed ''Chaste Susanna'' (1865), now in the Musée d'Orsay. Other noted works include: ''Byblis turned into a Spring'' (1867); ''The Magdalene'' (1878); ''Portrait of M. Hayem'' (1878); ''Christ Entombed'' (1879); ''Saint Jerome'' (1881); '' Bara'' (1882); '' Herodias'' (1887); ''A Study'' (1891); ''Christ in His Shroud'' and ...
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Nadar
Gaspard-Félix Tournachon (5 April 1820 – 20 March 1910), known by the pseudonym Nadar, was a French photographer, caricaturist, journalist, novelist, balloon (aircraft), balloonist, and proponent of Aircraft#Heavier-than-air – aerodynes, heavier-than-air flight. In 1858, he became the first person to take aerial photographs. Photographic portraits by Nadar are held by many of the great national collections of photographs. His son, Paul Nadar (1856–1939), continued the studio after his death. Life Gaspard-Félix Tournachon (also known as Nadar) was born in early April 1820 in Paris, though some sources state he was born in Lyon. His father, Victor Tournachon, was a printer and bookseller. Nadar began to study medicine but quit for economic reasons after his father's death. Nadar started working as a caricaturist and novelist for various newspapers. He fell in with the Parisian bohemian group of Gérard de Nerval, Charles Baudelaire, and Théodore de Banville. His friends ...
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Musée D'Orsay
The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe. In 2021 the museum had one million visitors, up 30 percent from attendance in 2020, but far behind earlier years due to the COVID-19 pandemic. Despite the drop, it ranked fifteenth in the list of most-visited art museums in 2020. History The museum building was or ...
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École Des Beaux-Arts
École des Beaux-Arts (; ) refers to a number of influential art schools in France. The term is associated with the Beaux-Arts style in architecture and city planning that thrived in France and other countries during the late nineteenth century and the first quarter of the twentieth century. The most famous and oldest École des Beaux-Arts is the École nationale supérieure des Beaux-Arts in Paris, now located on the city's left bank across from the Louvre, at 14 rue Bonaparte (in the 6th arrondissement). The school has a history spanning more than 350 years, training many of the great artists in Europe. Beaux-Arts style was modeled on classical "antiquities", preserving these idealized forms and passing the style on to future generations. History The origins of the Paris school go back to 1648, when the Académie des Beaux-Arts was founded by Cardinal Mazarin to educate the most talented students in drawing, painting, sculpture, engraving, architecture and other media. Loui ...
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Dimitrie Serafim
Dimitrie Serafim (1862 – 1931) was a Romanian painter in the Academic and Impressionist styles. Biography Serafim was born in Bucharest. His father, Anton Serafim (1838-1911) was a church painter of aromanian ancestry who originally came from Varna. His two brothers also became church painters. From 1882 to 1888, he studied in Bucharest with Theodor Aman and Gheorghe Tattarescu,Biographical notes
@ Artlne.
After failing to receive a scholarship, his family provided him with an allowance to study at the Académie Julian in Paris.Critical commentary
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Mathilde Mueden Leisenring
Mathilde Mueden Leisenring (1870–1949) was an American painter, mainly of portraits. Born in Washington, D.C., Leisenring studied at the Art Students League of Washington and the Art Students League of New York. From 1897 to 1899 she studied in Paris; at the Académie Julian her instructors included Jean-Joseph Benjamin-Constant, Jean-Paul Laurens, and Jean-Jacques Henner. Prior to her return to the United States she showed work at the Paris Salon. In Washington she taught from 1902 until 1940 at the Corcoran School of Art. She married architect and photographer Luther Morris Leisenring around 1908. She died in Washington, D.C. Leisenring was a founding member of both the Arts Club of Washington and the Washington Water Color Club, and she was a member of the Society of Washington Artists as well. She won a number of prizes during her career, largely from Washington organizations. Leisenring's nephew donated a collection of close to a hundred of her works, including painti ...
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Francis Alÿs
Francis Alÿs (born 1959, Antwerp) is a Belgian-born, Mexico-based artist. His work emerges in the interdisciplinary space of art, architecture, and social practice. In 1986, Alÿs left behind his profession as an architect and relocated to Mexico City. He has created a diverse body of artwork and performance art that explores urban tensions and geopolitics. Employing a broad range of media, from painting to performance, his works examine the tension between politics and poetics, individual action and impotence. Alÿs commonly enacts ''paseos''—walks that resist the subjection of common space. Cyclical repetition and mechanics of progression and regression also inform the character of Alÿs' actions and mythology—Alÿs contrasts geological and technological time through land-based and social practice that examine individual memory and collective mythology. Alÿs frequently engages rumor as a central tool in his practice, disseminating ephemeral, practice-based works through ...
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Saint Fabiola
Fabiola was a nurse (physician) and Roman matron of rank of the company of noble Roman women who, under the influence of the Church father Jerome, gave up all earthly pleasures and devoted themselves to the practice of Christian asceticism and charitable work. Early life Fabiola belonged to the patrician Roman family of the gens Fabia. She had been married to a man who led so vicious a life that to live with him was impossible. She obtained a divorce from him according to Roman law and, contrary to the ordinances of the Catholic Church, she entered upon a second union before the death of her first husband. At the time of Jerome's stay at Rome (382-84), Fabiola was not one of the ascetic circle which gathered around him. It was only later that, upon the death of her second consort, she decided to enter upon a life of renunciation and labour for others.
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Institut De France
The (; ) is a French learned society, grouping five , including the Académie Française. It was established in 1795 at the direction of the National Convention. Located on the Quai de Conti in the 6th arrondissement of Paris, the institute manages approximately 1,000 foundations, as well as museums and châteaux open for visit. It also awards prizes and subsidies, which amounted to a total of over €27 million per year in 2017. Most of these prizes are awarded by the institute on the recommendation of the . History The building was originally constructed as the Collège des Quatre-Nations by Cardinal Mazarin, as a school for students from new provinces attached to France under Louis XIV. The inscription over the façade reads "JUL. MAZARIN S.R.E. CARD BASILICAM ET GYMNAS F.C.A M.D.C.LXI", attesting that Mazarin ordered its construction in 1661. The Institut de France was established on 25 October 1795, by the National Convention. On 1 January 2018, Xavier Darcos took ...
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Alexandre Cabanel
Alexandre Cabanel (; 28 September 1823 – 23 January 1889) was a French painter. He painted historical, classical and religious subjects in the academic style. He was also well known as a portrait painter. According to ''Diccionario Enciclopedico Salvat'', Cabanel is the best representative of ''L'art pompier'', and was Napoleon III's preferred painter. Biography Cabanel entered the École des Beaux-Arts in Paris at the age of seventeen, and studied with François-Édouard Picot. He exhibited at the Paris Salon for the first time in 1844, and won the Prix de Rome scholarship in 1845 at the age of 22. Cabanel was elected a member of the Institute in 1863. He was appointed professor at the École des Beaux-Arts in 1864 and taught there until his death. He was closely connected to the Paris Salon: "He was elected regularly to the Salon jury and his pupils could be counted by the hundred at the Salons. Through them, Cabanel did more than any other artist of his generation to fo ...
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Legion Of Honour
The National Order of the Legion of Honour (french: Ordre national de la Légion d'honneur), formerly the Royal Order of the Legion of Honour ('), is the highest French order of merit, both military and civil. Established in 1802 by Napoleon, Napoleon Bonaparte, it has been retained (with occasional slight alterations) by all later French governments and regimes. The order's motto is ' ("Honour and Fatherland"); its Seat (legal entity), seat is the Palais de la Légion d'Honneur next to the Musée d'Orsay, on the left bank of the Seine in Paris. The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' (Commander (order), Commander), ' (Grand Officer) and ' (Grand Cross). History Consulate During the French Revolution, all of the French Order of chivalry, orders of chivalry were abolished and replaced with Weapons of Honour. It was the wish of Napoleon, Napoleon Bonaparte, the French Consulate, First Consul, to create a reward to commend c ...
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Exposition Universelle (1900)
The Exposition Universelle of 1900, better known in English as the 1900 Paris Exposition, was a world's fair held in Paris, France, from 14 April to 12 November 1900, to celebrate the achievements of the past century and to accelerate development into the next. It was held at the esplanade of Les Invalides, the Champ de Mars, the Trocadéro and at the banks of the Seine between them, with an additional section in the Bois de Vincennes, and it was visited by more than 50 million people. Many international congresses and other events were held within the framework of the Exposition, including the 1900 Summer Olympics. Many technological innovations were displayed at the Fair, including the ''Grande Roue de Paris'' ferris wheel, the '' Rue de l'Avenir'' moving sidewalk, the first ever regular passenger trolleybus line, escalators, diesel engines, electric cars, dry cell batteries, electric fire engines, talking films, the telegraphone (the first magnetic audio recorder), the ...
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Carolus-Duran
Charles Auguste Émile Durand, known as Carolus-Duran (Lille 4 July 1837 – 17 February 1917 Paris), was a French painter and art instructor. He is noted for his stylish depictions of members of high society in Third Republic France. Biography He was the son of a hotel owner. His first drawing lessons were with a local sculptor named Augustin-Phidias Cadet de Beaupré (1800–?) at the Académie de Lille; then took up painting with François Souchon, a student of Jacques Louis David. He went to Paris in 1853, where he adopted the name "Carolus-Duran". In 1859, he had his first exhibition at the Salon. That same year, he began attending the Académie Suisse, where he studied until 1861. One of his early influences was the Realism of Gustave Courbet. From 1862 to 1866, he travelled to Rome and Spain, thanks to a scholarship granted by his hometown. During that time, he moved away from Courbet's style and became more interested in Diego Velázquez. Upon returning to France, he ...
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