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Jazz Man Record Shop
Jazz Man Records was an American record company and independent record label devoted to traditional New Orleans-style jazz. David Stuart ''(né'' David Ashford Stuart; 1910–1984) founded the label in 1941 and sold it to Marili Morden and Nesuhi Ertegun. The label and its namesake – Jazz Man Record Shop, in Hollywood – were in the vanguard of an international revival of traditional jazz in the 1940s. History Jazz Man Records was founded in 1941 by David Stuart, owner of the Jazz Man Record Shop in Hollywood, California. The label was an offshoot of the shop, established in 1939 as the only shop on the West Coast that specialized in used 78s for jazz collectors. Stuart was a purist who felt that traditional New Orleans jazz was the real jazz. He preserved and promoted the traditional jazz music that had fallen out of favor in the late 1920s, and regarded the swing music that had eclipsed it with contempt. Stuart modeled Jazz Man Records after Commodore Records, whose is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crescent Records
Crescent Records was an American independent record label that produced jazz recordings from 1944 to 1946. It was founded by Nesuhi Ertegun to record a band that was assembled to perform on CBS Radio's 1944 variety series ''The Orson Welles Almanac''. Only one group, Kid Ory's Creole Jazz Band, was released on the Crescent label, which was distributed by Hollywood's Jazz Man Record Shop. Although only eight discs were released, Crescent Records was involved in the international revival of traditional jazz in the 1940s. History Crescent Records was founded by Nesuhi Ertegun in 1944, with the express purpose of recording the All Star Jazz Group featured on the CBS Radio program, ''The Orson Welles Almanac''. Ertegun, Nesuhi. Liner notes for ''Kid Ory's Creole Jazz Band'', Good Time Jazz Records L-10 and L-11, 1953; also used for ''Tailgate! Kid Ory's Creole Jazz Band'', Good Time Jazz Records L-12022, 1957. Ertegun produced the four recording sessions; the label was owned by M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Good Time Jazz Records
Good Time Jazz Records was an American jazz record company and label. It was founded in 1949 by Lester Koenig to record the Firehouse Five Plus Two and earned a reputation for Dixieland jazz. The label produced new releases and reissues, including recordings by Jelly Roll Morton, Burt Bales, Turk Murphy's jazz band, Wally Rose, Luckey Roberts, Willie "The Lion" Smith, Lu Watters, Bob Scobey, Bunk Johnson, Kid Ory, George Lewis, Johnny Wiggs, Sharkey Bonano, Don Ewell, and blues musician Jesse Fuller. Good Time Jazz was subsumed by Koenig's Contemporary Records. Its last recording was made in 1969. When Koenig died in 1977, the label's catalog was sold to Fantasy Records, which anthologized some of it. It was acquired by the Concord Music Group in 2004 when Fantasy was taken over. References External links *Barry Kernfeld, "Good Time Jazz". ''The New Grove Dictionary of Music and Musicians ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarence Williams (musician)
Clarence Williams (October 6, 1898 or October 8, 1893 – November 6, 1965) was an American jazz pianist, composer, promoter, vocalist, theatrical producer, and publisher. Biography Williams was born in Plaquemine, Louisiana, to Dennis, a bassist, and Sally Williams, and ran away from home at age 12 to join Billy Kersands' Traveling Minstrel Show, then moved to New Orleans. At first, Williams worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies. By the early 1910s, he was a well-regarded local entertainer also playing piano, and was composing new tunes by 1913. Williams was a good businessman and worked arranging and managing entertainment at the local African American vaudeville theater as well as at various saloons and dance halls around Rampart Street, and at clubs and houses in Storyville. Williams started a music publishing business with violinist/bandleader Armand J. Piron in 1915, which by the 1920s was the leading African-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jelly Roll Blues
"Original Jelly Roll Blues", usually shortened to and known as "Jelly Roll Blues", is an Dixieland, early jazz fox-trot composed by Jelly Roll Morton. He recorded it first as a piano solo in Richmond, Indiana, in 1924, and then with his Red Hot Peppers in Chicago two years later, titled as it was originally copyrighted: "Original Jelly-Roll Blues". It is referenced by name in the 1917 Shelton Brooks composition "Darktown Strutters' Ball". The Red Hot Peppers version is a typical New Orleans jazz presentation where the trumpet, clarinet and trombone play lead melody and counterpoint, with the piano, guitar, string bass and drums providing the rhythmic accompaniment. However, Morton varies and enriches this basic structure by providing many instrumental breaks in suspended rhythm, as well as giving the horns and the piano solo passages. The final chorus is in New Orleans "ride-out" style, where all the instruments play together and vary the melody and chord progression in counterpoin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kerry Mills
Kerry Mills ''(né'' Frederick Allen Mills; 1 February 1869 in Philadelphia – 5 December 1948 in Hawthorne, California), publishing also as F.A. Mills was an American ragtime composer and music publishing executive of popular music during the Tin Pan Alley era. His stylistically diverse music ranged from ragtime through cakewalk to marches. He was most prolific between 1895 and 1918. Career Mills trained as a violinist and was head of the Violin Department of the University of Michigan School of Music when he began composing. He moved to New York City in 1895 and started a music publishing firm, (F. A. Mills Music Publisher), publishing his own work and that of others. Selected works * "Impecunious Davis" * "In The City Of Sighs And Tears" * "Just For The Sake Of Society" * "Let's All Go Up To Maud's" * "The Longest Way 'Round Is The Sweetest Way Home" * "Meet Me in St. Louis, Louis" (words by Andrew B. Sterling) *1895 : Rastus on Parade - Characteristic Two Step March f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abe Holzmann
Abraham Holzmann (19 August 1874 – 16 January 1939) was an American composer, famous for his march ''Blaze-Away!'' Abraham Holzmann was born in New York City. His parents were Jacob Holzmann, a Hungarian-Jewish immigrant and Isabella Holzmann, a native of Louisiana.Edwards, Bill. "Abraham Holzmann" ''Guide to Ragtime and Traditional Jazz Composers'' retrieved on 25 April 2009. The young Holzmann learned music in Germany. A review originally published by the on Sunday, 13 January 1901, entitled ''German Composer who Writes American Cakewalk Music'' describes " s kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kid Ory
Edward "Kid" Ory (December 25, 1886 – January 23, 1973) was an American jazz composer, trombonist and bandleader. One of the early users of the glissando technique, he helped establish it as a central element of New Orleans jazz. He was born near LaPlace, Louisiana and moved to New Orleans on his 21st birthday, to Los Angeles in 1910 and to Chicago in 1925. The Ory band later was an important force in reviving interest in New Orleans jazz, making radio broadcasts on ''The Orson Welles Almanac'' program in 1944, among other shows. In 1944–45, the group made a series of recordings for the Crescent label, which was founded by Nesuhi Ertegun for the express purpose of recording Ory's band. Ory retired from music in 1966 and spent his last years in Hawaii. Biography Ory was born in 1886 to a Louisiana French-speaking family of Black Creole descent, on Woodland Plantation in Laplace, now the site of 1811 Kid Ory Historic House. Ory started playing music with homemade ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muskrat Ramble
"Muskrat Ramble" is a jazz composition written by Kid Ory in 1926. It was first recorded on February 26, 1926, by Louis Armstrong and his Hot Five, and became the group's most frequently recorded piece. It was paired on the flip side with another one of Armstrong's hits, "Heebie Jeebies." It was a prominent part of the Dixieland revival repertoire in the 1930s and 1940s, and was recorded by Bob Crosby, Roy Eldridge, Lionel Hampton, Woody Herman, Muggsy Spanier, Chet Atkins, Lu Watters, the Andrews Sisters, Harry James, and Al Hirt, among others. It is considered a part of the jazz standard repertoire. Without Ory's consent, lyrics were written for the instrumental tune in 1950 by Ray Gilbert. After Gilbert protested that he was entitled to share credit with Ory, the American Society of Composers, Authors and Publishers awarded him one-third credit on all performances of "Muskrat Ramble", vocal and instrumental. History Kid Ory said that he originally composed the tune "Muskra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Memphis Blues
"The Memphis Blues" is a song described by its composer, W. C. Handy, as a "southern rag". It was self-published by Handy in September 1912 and has been recorded by many artists over the years. "Mr. Crump" Subtitled "Mr. Crump", "The Memphis Blues" is said to be based on a campaign song written by Handy for Edward Crump, a mayoral candidate in Memphis, Tennessee. Handy claimed credit for writing "Mr. Crump", but Memphis musicians say it was written by Handy's clarinetist, Paul Wyer. Many musicologists question how much "Mr. Crump" actually shared with "The Memphis Blues", since the words, taken from an old folk song, "Mama Don' 'low", do not match up with the melody of "The Memphis Blues". Many think "Mr. Crump" was probably the same song as "Mr. Crump Don't Like It", later recorded by Frank Stokes of the Beale Street Sheiks (Paramount Race series, September 1927). According to a member of Handy's band, S. L. "Stack" Mangham, the tune copyrighted by Handy in 1912 was based on o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Botsford
George Botsford (February 24, 1874 – February 1, 1949) was an American composer of ragtime and other forms of music. Early life and education Botsford was born in Sioux Falls, South Dakota, but grew up mostly in Clermont, Iowa. He married singer Della Mae Wilson, and in 1900, they began touring with the Hoyle Stock Company troupe. An ad promoting Botsford and his wife as musicians appeared in the New York Clipper in 1901, which may indicate the first time that Botsford visited New York City. Career Botsford's first copyrighted number was "The Katy Flyer", published in 1899 in Centerville, Iowa. Other early numbers followed themes of relaxation and wide open space, with "Dance of the Water Nymphs", which was sold as Hawaiian mood music, and Western-themed "In Dear Old Arizona" and " Pride of the Prairie". This would change when Botsford moved to New York City, where he joined an assortment of Tin Pan Alley composers and began writing ragtime almost exclusively. Botsford secur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black And White Rag
The "Black and White Rag" is a 1908 ragtime composition by George Botsford. The song was recorded widely for both the phonograph and player piano, and was the third ragtime composition to sell over one million copies of sheet music. The song was first recorded in 1909, as performed by the Victor orchestra for a Victor disc release. The first known cylinder recording of this piece was by Albert Benzler, recorded on Lakeside/U.S.Everlasting Cylinder #380 in June 1911. This recording is somewhat rare (Lakeside/U.S.Everlasting cylinders, though molded celluloid on a wax/fiber core, were made in small batches). Edison featured the "Black and White Rag" on one of his Early Diamond Disc Records (50116) from 1913 played by a Brass Orchestra. Pianist Wally Rose revitalized interest in the song with his 1941 recording, leading to the one of the best-known versions: a 1952 recording by Trinidadian pianist Winifred Atwell, which helped her to establish an international profile. Originall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scott Joplin
Scott Joplin ( 1868 – April 1, 1917) was an American composer and pianist. Because of the fame achieved for his ragtime compositions, he was dubbed the "King of Ragtime." During his career, he wrote over 40 original ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the '' Maple Leaf Rag'', became the genre's first and most influential hit, later being recognized as the archetypal rag. Joplin considered ragtime to be a form of classical music and largely disdained the practice of ragtime such as that in honky tonk. Joplin grew up in a musical family of railway laborers in Texarkana, Arkansas, developing his own musical knowledge with the help of local teachers. While in Texarkana, he formed a vocal quartet and taught mandolin and guitar. During the late 1880s, he left his job as a railroad laborer and traveled the American South as an itinerant musician. He went to Chicago for the World's Fair of 1893, which played a major part i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
