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Jauchzet, Frohlocket! BWV 248 I
(Shout for joy, exult, rise up, praise the day), BWV 248I (also written as BWV 248 I), is a 1734 Christmas cantata by Johann Sebastian Bach that serves as the first part of his ''Christmas Oratorio''. Bach was then ''Thomaskantor'', responsible for church music at four churches in Leipzig, a position he had assumed in 1723. For the oratorio, the libretto by an unknown author followed the nativity of Jesus from the Gospel of Luke, interspersed with reflecting texts for recitatives and arias, and stanzas from Lutheran hymns. The cantata is structured in nine movements. An extended choral introduction is followed by two scenes, each a sequence of four movements. Both scenes are composed of a quotation from the Gospel of Luke, a recitative reflecting the narration, an aria-like prayer or meditation, and a chorale setting a stanza from a Lutheran hymn. Bach scored the cantata for three vocal soloists, a four-part choir and a festive Baroque orchestra with trumpets, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas Oratorio
The ''Christmas Oratorio'' (German: ''Weihnachtsoratorium''), , is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It is in six parts, each part a cantata intended for performance in a church service on a feast day of the Christmas period. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next complete public performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The ''Christmas Oratorio'' is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici ( Picander). The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheran Hymn
Martin Luther was a great enthusiast for music, and this is why it forms a large part of Lutheranism, Lutheran services; in particular, Luther admired the composers Josquin des Prez and Ludwig Senfl and wanted singing in the church to move away from the ''ars perfecta'' (Catholic Sacred Music of the late Renaissance) and towards singing as a ''Gemeinschaft'' (community). Lutheran hymns are sometimes known as chorales. Lutheran hymnody is well known for its doctrinal, didactic, and musical richness. Most Lutheran churches are active musically with choirs, handbell choirs, children's choirs, and occasionally change ringing groups that ring bells in a bell tower. Johann Sebastian Bach, a devout Lutheran, composed music for the Lutheran church: more than half of his over 1000 compositions are or contain Lutheran hymns. History Lutheran hymnals include: * ''Achtliederbuch'', a.k.a. the first Lutheran hymnal (1524). Contains, among others, "Nun freut euch, lieben Christen g'mein", "E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomanerchor
The Thomanerchor (English: St. Thomas Choir of Leipzig) is a boys' choir in Leipzig, Germany. The choir was founded in 1212. The choir comprises about 90 boys from 9 to 18 years of age. The members, called ''Thomaner'', reside in a boarding school, the ''Thomasalumnat'' and attend the St. Thomas School, Leipzig, a Gymnasium (school), Gymnasium school with a linguistic profile and a focus on musical education. The younger members attend the primary school ''Grundschule Forum Thomanum'' or ''Anna-Magdalena-Bach-Schule''. Johann Sebastian Bach served as Thomaskantor, director of the choir and church music in Leipzig, from 1723 to 1750. The choir Although the choir's main musical field traditionally consists of the vocal works of Johann Sebastian Bach, the repertoire comprises pieces from different eras, from the Renaissance to contemporary music. Andreas Reize is the 18th Thomaskantor since Bach. The Forum Thomanum is the campus of the choir in the Bach quarter of Leipzig. It wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Christian, Elector Of Saxony
Frederick Christian (; 5 September 1722 – 17 December 1763) was the Prince-elector, Prince-Elector of Electorate of Saxony, Saxony for 73 days in 1763. He was a member of the Wettin (dynasty), House of Wettin. He was the third but eldest surviving son of Augustus III of Poland, Frederick Augustus II, prince-elector, Prince-Elector of Saxony and King of Polish-Lithuanian Commonwealth, Poland, by his wife, Maria Josepha of Austria. Early life A weak child since his birth, he suffered paralysis in one foot and was dependent on wheelchairs early in life. In a well-known portrait, which shows his Wettin and Wittelsbach relatives around him, he appears in his wheelchair. Today, this painting is shown in the Nymphenburg Palace. His mother tried repeatedly to induce him to take monastic vows and renounce his succession rights in favour of his younger brothers, but he refused.. The early deaths of his two older brothers, Frederick Augustus (1721), who was stillborn, and Joseph Augu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Josepha Of Austria
Maria Josepha of Austria (Maria Josepha Benedikta Antonia Theresia Xaveria Philippine, , ; 8 December 1699 – 17 November 1757) was the List of Polish consorts, Queen of Poland, Grand Duchess of Lithuania and List of Saxon royal consorts, Electress of Saxony by marriage to Augustus III of Poland, Augustus III. From 1711 to 1717, she was heir presumptive to the Habsburg monarchy. Family Maria Josepha was born in Vienna, an Archduchess of Austria, the eldest child and eldest daughter of Joseph I, Holy Roman Emperor and his wife, Princess Wilhelmina Amalia of Brunswick-Lüneburg. She was named Josepha in honor of her father. During the times of her childhood, the House of Habsburg had no male heirs, as her only brother, Archduke Leopold Joseph of Austria (1700-1701) died in infancy. During the reign of her grandfather, Maria Josepha's father and uncle signed the Mutual Pact of Succession of 1703, which was issued by her grandfather, Emperor Leopold I, Holy Roman Emperor, Leopold ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tönet, Ihr Pauken! Erschallet, Trompeten! BWV 214
(Resound, ye drums! Ring out, ye trumpets!), 214, is a secular cantata by Johann Sebastian Bach, composed in 1733 for the birthday of Maria Josepha, Queen of Poland and Electress of Saxony. Classified in published editions as a dramma per musica, it is based on a libretto by an unknown author. The piece has the dedicatee addressed by allegorical figures representing Roman and Greek goddesses of war and peace. It is structured as nine movements, and scored for four vocal parts and a festive Baroque orchestra with trumpets, timpani, flutes, oboes and strings. Choral movements frame a series of alternating recitatives and arias. Bach led the first performance with the Collegium Musicum at the Zimmermannsches Caffeehaus on 8 December 1733. was first published by the Bach Gesellschaft in 1887, as part of the first complete edition of Bach's works. It appeared in the ''Neue Bach-Ausgabe'' in 1962. It was first recorded by the Kantorei Barmen-Gemarke in 1961, and subsequently, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electorate Of Saxony
The Electorate of Saxony, also known as Electoral Saxony ( or ), was a territory of the Holy Roman Empire from 1356 to 1806 initially centred on Wittenberg that came to include areas around the cities of Dresden, Leipzig and Chemnitz. It was a major Holy Roman state, being an Prince-elector, electorate and the original protecting power of Protestant principalities until that role was later taken by its neighbor, Brandenburg-Prussia. In the Golden Bull of 1356, Emperor Charles IV, Holy Roman Emperor, Charles IV designated the Duchy of Saxe-Wittenberg an electorate, a territory whose ruler was one of the prince-electors who chose the Holy Roman emperor. After the extinction of the male Saxe-Wittenberg line of the House of Ascania in 1422, the duchy and the electorate passed to the House of Wettin. The electoral privilege was tied only to the Electoral Circle, specifically the territory of the former Duchy of Saxe-Wittenberg. In the 1485 Treaty of Leipzig, the Wettin noble house w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Cantata
The cantatas composed by Johann Sebastian Bach, known as Bach cantatas ( German: ), are a body of work consisting of over 200 surviving independent works, and at least several dozen that are considered lost. As far as known, Bach's earliest cantatas date from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. Most of Bach's church cantatas date from his first years as and director of church music in Leipzig, a position which he took up in 1723. Working for Leipzig's and , it was part of Bach's job to perform a church cantata every Sunday and holiday, conducting soloists, the Thomanerchor and orchestra as part of the church service. In his first years in Leipzig, starting after Trinity of 1723, Bach regularly composed a new cantata every week, although some of these cantatas were adapted (at least in part) from work he had composed before his Leipzig era. Works from three annual cycles of cantatas for the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza
In poetry, a stanza (; from Italian ''stanza'', ; ) is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the paragrap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evangelist (Bach)
The Evangelist in the music of Johann Sebastian Bach is the tenor part in his oratorios and Passions who narrates the exact words of one of the Four Evangelists of the Bible, translated by Martin Luther, in recitative secco. The part appears in the works '' St John Passion'', ''St Matthew Passion'', and the ''Christmas Oratorio'', as well as the '' St Mark Passion'' and the ''Ascension Oratorio'' ''Lobet Gott in seinen Reichen'', BWV 11. Some cantatas also contain recitatives of Bible quotations, assigned to the tenor voice. Bach followed a tradition using the tenor for the narrator of a gospel. It exists (and is also often called ''the Evangelist'') in earlier works setting biblical narration, for example by Heinrich Schütz ('' Weinachtshistorie'', ''Matthäuspassion'', ''Lukaspassion'', ''Johannespassion''). In contrast, the vox Christi, voice of Christ, is always the bass in Bach's works, including several cantatas. Music and sources The Evangelist reports in secco rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion instrument, percussion family. A type of drum categorised as a hemispherical drum, they consist of a Membranophone, membrane called a drumhead, head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettledrums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized Beater (percussion), beater called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the European classical music, classical orchestra by the last third of the 18th century. Today, they are used in many types of Musical ensemble, ensembles, incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
