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Jacques De Gheyn II
Jacob de Gheyn II (also Jacques de Gheyn II) (c. 1565 – 29 March 1629) was a Dutch painter and engraver, whose work shows the transition from Northern Mannerism to Dutch realism over the course of his career. Biography De Gheyn was born in Antwerp and received his first training from his father, Jacob de Gheyn I, a glass painter, engraver, and draftsman. In 1585, he moved to Haarlem, where he studied under Hendrik Goltzius for the next five years. He moved again, to Leiden, in the middle of the 1590s. His work attracted the attention of wealthy sponsors, and his first commission was for an engraving of the Siege of Geertruidenberg from Maurice of Nassau, Prince of Orange. This event, from 27 March to 24 June 1593, had been more of a demonstration of power by Prince Maurits, than an actual war, and had even attracted tourists. As a publicity stunt, the siege and its subsequent engraving were successful in propagating an image of Prince Maurits as an able general. Arou ...
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Hondius - Jacobus De Geyn Antwerp Pict Et Sculpt P63
Hondius can refer to two possibly unrelated families of engravers and cartographers, who both moved from Flanders to the Dutch Republic in the 1590s: * Amsterdam family originating from Ghent: ** Jodocus Hondius (1563–1612) *** Jodocus Hondius II (1593–1629), first son of Jodocus I *** Henricus Hondius II, Hendrik Hondius II (1597–1651), second son of Jodocus I * The Hague family originating from Duffel: ** Hendrik Hondius I (1573–1650) *** Willem Hondius (c. 1598–1650s), one of his sons *** Hendrik Hondius III (1615–1677), another son {{surname, Hondius ...
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The Hague
The Hague ( ; nl, Den Haag or ) is a city and municipality of the Netherlands, situated on the west coast facing the North Sea. The Hague is the country's administrative centre and its seat of government, and while the official capital of the Netherlands is Amsterdam, The Hague has been described as the country's de facto capital. The Hague is also the capital of the province of South Holland, and the city hosts both the International Court of Justice and the International Criminal Court. With a population of over half a million, it is the third-largest city in the Netherlands, after Amsterdam and Rotterdam. The Hague is the core municipality of the Greater The Hague urban area, which comprises the city itself and its suburban municipalities, containing over 800,000 people, making it the third-largest urban area in the Netherlands, again after the urban areas of Amsterdam and Rotterdam. The Rotterdam–The Hague metropolitan area, with a population of approximately ...
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Jacques De II
Ancient and noble French family names, Jacques, Jacq, or James are believed to originate from the Middle Ages in the historic northwest Brittany region in France, and have since spread around the world over the centuries. To date, there are over one hundred identified noble families related to the surname by the Nobility & Gentry of Great Britain & Ireland. Origins The origin of this surname ultimately originates from the Latin, Jacobus which belongs to an unknown progenitor. Jacobus comes from the Hebrew name, Yaakov, which translates as "one who follows" or "to follow after". Ancient history A French knight returning from the Crusades in the Holy Lands probably adopted the surname from "Saint Jacques" (or "James the Greater"). James the Greater was one of Jesus' Twelve Apostles, and is believed to be the first martyred apostle. Being endowed with this surname was an honor at the time and it is likely that the Church allowed it because of acts during the Crusades. Indeed, ...
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Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, ...
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Jacob De Gheyn III
Jacob de Gheyn III, also known as Jacob III de Gheyn (1596–1641), was a Dutch Golden Age engraver, son of Jacob de Gheyn II, canon of Utrecht (city), and the subject of a 1632 oil painting by Rembrandt. The portrait is half of a pair of pendent portraits. The other piece is a portrait of de Gheyn's friend Maurits Huygens, wearing similar clothing ( ruffs and black doublets) and facing the opposite direction. Biography De Gheyn learned engraving from his father,Jacob de Gheyn (III)
in the
RKD The Netherlands Institute for Art History or RKD (Dutch: RKD-Nederlands Instituut voor Kunstgeschiedenis), previously Rijksbureau voor Kunsthistorische Documentatie (RKD), is located in The Hague and is home to the largest ...
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Mechelen
Mechelen (; french: Malines ; traditional English name: MechlinMechelen has been known in English as ''Mechlin'', from where the adjective ''Mechlinian'' is derived. This name may still be used, especially in a traditional or historical context. The city's French name ' had also been used in English in the past (in the 19th and 20th century) however this has largely been abandoned. Meanwhile, the Dutch derived ' began to be used in English increasingly from late 20th century onwards, even while ''Mechlin'' remained still in use (for example a ''Mechlinian'' is an inhabitant of this city or someone seen as born-and-raised there; the term is also the name of the city dialect; as an adjective ''Mechlinian'' may refer to the city or to its dialect.) is a city and municipality in the province of Antwerp in the Flemish Region of Belgium. The municipality comprises the city of Mechelen proper, some quarters at its outskirts, the hamlets of (adjacent) and (a few kilometers away), as w ...
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Amsterdam
Amsterdam ( , , , lit. ''The Dam on the River Amstel'') is the capital and most populous city of the Netherlands, with The Hague being the seat of government. It has a population of 907,976 within the city proper, 1,558,755 in the urban area and 2,480,394 in the metropolitan area. Located in the Dutch province of North Holland, Amsterdam is colloquially referred to as the "Venice of the North", for its large number of canals, now designated a UNESCO World Heritage Site. Amsterdam was founded at the mouth of the Amstel River that was dammed to control flooding; the city's name derives from the Amstel dam. Originally a small fishing village in the late 12th century, Amsterdam became a major world port during the Dutch Golden Age of the 17th century, when the Netherlands was an economic powerhouse. Amsterdam is the leading center for finance and trade, as well as a hub of production of secular art. In the 19th and 20th centuries, the city expanded and many new neighborho ...
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Landscape
A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the physical elements of geophysically defined landforms such as (ice-capped) mountains, hills, water bodies such as rivers, lakes, ponds and the sea, living elements of land cover including indigenous vegetation, human elements including different forms of land use, buildings, and structures, and transitory elements such as lighting and weather conditions. Combining both their physical origins and the cultural overlay of human presence, often created over millennia, landscapes reflect a living synthesis of people and place that is vital to local and national identity. The character of a landscape helps define the self-image of the people who inhabit it and a sense of place that differentiates one region from other regions. It is the ...
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Dutch Art
Dutch art describes the history of visual arts in the Netherlands, after the United Provinces separated from Flanders. Earlier painting in the area is covered in Early Netherlandish painting and Dutch and Flemish Renaissance painting. The history of Dutch art is dominated by the Dutch Golden Age painting, mostly of about 1620 to 1680, when a very distinct style and new types of painting were developed, though still keeping close links with Flemish Baroque painting. There was a healthy artistic climate in Dutch cities during the seventeenth century. For example, between 1605 and 1635 over 100,000 paintings were produced in Haarlem. At that time art ownership in the city was 25%, a record high. After the end of the Golden Age, production of paintings remained high, but ceased to influence the rest of Europe as strongly. Many painters, sculptors and architects of the seventeenth century are called "Dutch masters", while earlier artists are generally referred to as part of the ...
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Still Life
A still life (plural: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and allegorical symbolism relating to the objects d ...
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Vanitas
A ''vanitas'' (Latin for 'vanity') is a symbolic work of art showing the temporality, transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are ''vanitas'' still lifes, a common genre in the Art of the Low Countries, Low Countries of the 16th and 17th centuries; they have also been created at other times and in other medium (art), media and Genre#Visual arts, genres. Etymology The Latin noun wikt:vanitas#Latin, ''vanitas'' (from the Latin adjective ''vanus'' 'empty') means "emptiness", "futility", or "worthlessness", the traditional Christian view being that earthly goods and pursuits are transient and worthless. It alludes to Ecclesiastes , where ''vanitas'' translates the Hebrew word ''hevel'', which also includes the concept of transitoriness. Themes Vanitas themes were common in medieval funerary art, with most surviving examples in sculpture. By the 15th centu ...
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