Jaanapada
{{Use Indian English, date=January 2020 Jaanapada is a word made by two words ''Jana'' - People or tribe ''Pada'' - a kind of short verse joined as a sandhi- a grammatical term. The folk culture and colloquial tongue of Kannadiga and probably Telugu people were known by this name from time the languages came into existence. The Tongue * Proverbial ''Gaade'' which has a saying in Kannada, ''Veda sulladaru Gaade sullagadu'', meaning even if Vedas are proved wrong practically, great sayings can never go wrong. * Small songs which are sung on every occasion like marriage, festival, travel and most importantly on every work done mostly from harvest to cooking. * Religious ''pada'' like those of ''Dasa Saahitya'' and '' Vachana Saahitya'' and probably even the literature of Guru shishya tradition which is known to only be passed through ears and not on papers can be put into this broad term. Shishunala Shareefa, Purandara Dasa, Kanaka Dasa, Sarvajna stand at top as wandering saints. In ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jaanapada
{{Use Indian English, date=January 2020 Jaanapada is a word made by two words ''Jana'' - People or tribe ''Pada'' - a kind of short verse joined as a sandhi- a grammatical term. The folk culture and colloquial tongue of Kannadiga and probably Telugu people were known by this name from time the languages came into existence. The Tongue * Proverbial ''Gaade'' which has a saying in Kannada, ''Veda sulladaru Gaade sullagadu'', meaning even if Vedas are proved wrong practically, great sayings can never go wrong. * Small songs which are sung on every occasion like marriage, festival, travel and most importantly on every work done mostly from harvest to cooking. * Religious ''pada'' like those of ''Dasa Saahitya'' and '' Vachana Saahitya'' and probably even the literature of Guru shishya tradition which is known to only be passed through ears and not on papers can be put into this broad term. Shishunala Shareefa, Purandara Dasa, Kanaka Dasa, Sarvajna stand at top as wandering saints. In ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kannada
Kannada (; ಕನ್ನಡ, ), originally romanised Canarese, is a Dravidian language spoken predominantly by the people of Karnataka in southwestern India, with minorities in all neighbouring states. It has around 47 million native speakers, and was additionally a second or third language for around 13 million non-native speakers in Karnataka. Kannada was the court language of some of the most powerful dynasties of south and central India, namely the Kadambas, Chalukyas, Rashtrakutas, Yadava Dynasty or Seunas, Western Ganga dynasty, Wodeyars of Mysore, Nayakas of Keladi Hoysalas and the Vijayanagara empire. The official and administrative language of the state of Karnataka, it also has scheduled status in India and has been included among the country's designated classical languages.Kuiper (2011), p. 74R Zydenbos in Cushman S, Cavanagh C, Ramazani J, Rouzer P, ''The Princeton Encyclopedia of Poetry and Poetics: Fourth Edition'', p. 767, Princeton Unive ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dasa
''Dasa'' ( sa, दास, Dāsa) is a Sanskrit word found in ancient Indian texts such as the ''Rigveda'' and ''Arthasastra''. It usually means "enemy" or "servant" but ''dasa'', or ''das'', also means a "servant of God", "devotee," "votary" or "one who has surrendered to God". Dasa may be a suffix of a given name to indicate a "servant" of a revered person or a particular deity. ''Dasa'', in some contexts, is also related to ''dasyu'' and ''asura'', which have been translated by some scholars as "demon", "harmful supernatural forces", "slave", "servant" or "barbarian", depending on the context in which the word is used.Wash Edward Hale (1999), Ásura- in Early Vedic Religion, Motilal Barnarsidass, , pages 159-169 Etymology ''Dāsa'' first appears in Vedic texts from the second millennium BCE. There is no consensus on its origins. Karl Heinrich Tzschucke in 1806, in his translations of the Roman geographer Pomponius Mela, noted etymological and phonological parallels between '' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vachana
Vachana sahitya is a form of rhythmic writing in Kannada (see also Kannada poetry) that evolved in the 11th century and flourished in the 12th century, as a part of the Sharana movement. Madara Chennaiah, an 11th-century cobbler-saint who lived during the reign of the Western Chalukyas is regarded by some scholars as the "father of Vachana poetry." The word "vachanas" literally means "(that which is) said". These are readily intelligible prose texts. Jedara Dasimayya who lived in the mid 10th century is considered the first proponent of lingayatism. Later poets, such as Basavanna (1160), the founder of Lingayatism, prime minister of Southern Kalachuri King Bijjala II, considered Chennaiah to be his inspiration. Vachanas and Sharana movement Basavaadi Sharana's Vachanas are their experiences in the process of God realization. About 800 sharanas practiced the technique and wrote their experiences in terms of ''Guru'' (Unmanifest Chaitanya), ''Linga'' (Manifest Chaitanya), ' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tamboori
The tamboori (also called a tambra) is a long-necked bowed string instrument found in Indian music. The tamboori is very similar to the tanpura, despite being smaller and played with a bow. A tamboori is played as a melodic instrument, unlike the tanpura. Each string has a fundamental tone with its own spectrum of overtones, which makes a rich and vibrant sound, due to interactive harmonic resonance that will support the external tones played by the soloist. The name tamboori is derived from tama or tana, referring to a musical phrase, and borri, or bori which means "vibrant". The body shape of the tamboori somewhat resembles that of the sitar, but it has no frets. One or more tambooris may be used to accompany vocalists or instrumentalists. It has six metal strings, which are bowed to create a harmonic resonance on the basic notes of a key. The tamboori is used to add drone in a performance. It is part of the ektara Ektara ( bn, একতারা, hi, एकतारा, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |