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Italo Campanini
Italo Campanini (June 30, 1845 – November 14, 1896) was a leading Italian operatic tenor, whose career reached its height in London in the 1870s and in New York City in the 1880s and 1890s. He had a repertoire of 80 operas and was the brother of the orchestral conductor Cleofonte Campanini. Early days Born in Parma, Campanini studied at the Parma Conservatory before making his operatic debut as Manrico in ''Il trovatore'', in 1869, in Odessa. Further study with Francesco Lamperti in Milan followed, and in 1871 he returned to the stage in Bologna, scoring his first major success in the Italian premiere of ''Lohengrin''.Rosenthal and Warrack 1974. London beginnings Early in his 1872 Drury Lane season J. H. Mapleson, the London opera impresario, recruited Campanini from Rome, where he was in competition with the agents of Frederick Gye, the Covent Garden theatre impresario. On May 4, 1872 the tenor made his London debut as Gennaro in ''Lucrezia Borgia'', with Thérèse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parma
Parma (; egl, Pärma, ) is a city in the northern Italian region of Emilia-Romagna known for its architecture, music, art, prosciutto (ham), cheese and surrounding countryside. With a population of 198,292 inhabitants, Parma is the second most populous city in Emilia-Romagna after Bologna, the region's capital. The city is home to the University of Parma, one of the oldest universities in the world. Parma is divided into two parts by the stream of the same name. The district on the far side of the river is ''Oltretorrente''. Parma's Etruscan name was adapted by Romans to describe the round shield called '' Parma''. The Italian poet Attilio Bertolucci (born in a hamlet in the countryside) wrote: "As a capital city it had to have a river. As a little capital it received a stream, which is often dry", with reference to the time when the city was capital of the independent Duchy of Parma. History Prehistory Parma was already a built-up area in the Bronze Age. In the current ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thérèse Tietjens
Thérèse Carolina Johanne Alexandra Tietjens (17 July 1831, Hamburg3 October 1877, London) was a leading opera and oratorio soprano. She made her career chiefly in London during the 1860s and 1870s, but her sequence of musical triumphs in the British capital was terminated by cancer. During her prime, her powerful yet agile voice was said to span seamlessly a range of three octaves. Many opera historians consider her to have been the finest dramatic soprano of the second half of the 19th century. Hamburg, Vienna, Frankfurt She was of German birth but, according to some sources, Hungarian extraction. Tietjens received her vocal training in Hamburg and in Vienna. She studied with Heinrich Proch, who was also the teacher of Mme Peschka-Leutner and other ''prime donne''. She made a successful debut at Hamburg in 1849 as Lucrezia Borgia in Donizetti's opera, a work with which she was particularly associated all her professional life. She sang in Frankfurt from 1850 to 1856 an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Signor Foli
Allan James Foley (7 August 1837 – 10 October 1899), distinguished 19th century Irish bass opera singer, was born at Cahir, Tipperary. In accordance with the prevailing preference for Italian artists, he changed the spelling (but not the pronunciation) of his name and was always known as 'Signor Foli.' His family emigrated, and Foli spent much of his youth in Hartford, Connecticut. Originally a carpenter, he studied singing under Bisaccia at Naples and made his first appearance at Catania in 1862. From the Paris Opéra he was engaged by Mapleson for the season of 1865, and made his London debut as St Bris in ''Les Huguenots''. In the absence of Antonio Giuglini the company toured in late 1865 with Mario as principal tenor in Manchester, Dublin, Belfast and Liverpool. In January–April 1866 Mapleson split the company into two parties for a very extensive British provincial tour, Foli joining the ensemble of Mario, Grisi and Lablache under Arditi. Opera, oratorio an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sofia Scalchi
Sofia Scalchi (November 29, 1850 – August 22, 1922) was an Italian operatic contralto who could also sing in the mezzo-soprano range. Her career was international, and she appeared at leading theatres in both Europe and America. Singing career Born in Turin in 1850, Scalchi studied voice with Augusta Boccabadati. In 1866, she made her stage debut in Mantua as Ulrica in Giuseppe Verdi's ''Un ballo in maschera''. Her first major international success came at the Royal Opera House, Covent Garden, where on November 5, 1868, she made her London debut as Azucena in ''Il trovatore'', also by Verdi. She appeared with the Covent Garden company thereafter until 1890, performing most of the standard lower-pitched female operatic roles. These included Urbain, Amneris and Arsarce, among others. Meanwhile, in 1882-83, she toured the United States for the first time, singing on that occasion with Mapleson's company. Scalchi helped to make history when she sang in the newly construct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Marimon
Maria may refer to: People * Mary, mother of Jesus * Maria (given name), a popular given name in many languages Place names Extraterrestrial *170 Maria, a Main belt S-type asteroid discovered in 1877 *Lunar maria (plural of ''mare''), large, dark basaltic plains on Earth's Moon Terrestrial *Maria, Maevatanana, Madagascar *Maria, Quebec, Canada * Maria, Siquijor, the Philippines *María, Spain, in Andalusia *Îles Maria, French Polynesia *María de Huerva, Aragon, Spain *Villa Maria (other) Arts, entertainment, and media Films * ''Maria'' (1947 film), Swedish film * ''Maria'' (1975 film), Swedish film * ''Maria'' (2003 film), Romanian film * ''Maria'' (2019 film), Filipino film * ''Maria'' (2021 film), Canadian film directed by Alec Pronovost * ''Maria'' (Sinhala film), Sri Lankan upcoming film Literature * ''María'' (novel), an 1867 novel by Jorge Isaacs * ''Maria'' (Ukrainian novel), a 1934 novel by the Ukrainian writer Ulas Samchuk * ''Maria'' (play), a 1935 play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dublin
Dublin (; , or ) is the capital and largest city of Ireland. On a bay at the mouth of the River Liffey, it is in the province of Leinster, bordered on the south by the Dublin Mountains, a part of the Wicklow Mountains range. At the 2016 census it had a population of 1,173,179, while the preliminary results of the 2022 census recorded that County Dublin as a whole had a population of 1,450,701, and that the population of the Greater Dublin Area was over 2 million, or roughly 40% of the Republic of Ireland's total population. A settlement was established in the area by the Gaels during or before the 7th century, followed by the Vikings. As the Kingdom of Dublin grew, it became Ireland's principal settlement by the 12th century Anglo-Norman invasion of Ireland. The city expanded rapidly from the 17th century and was briefly the second largest in the British Empire and sixth largest in Western Europe after the Acts of Union in 1800. Following independence in 1922, Dubli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christine Nilsson
Christina Nilsson, Countess de Casa Miranda, also called Christine Nilsson (20 August 1843 – 22 November 1921) was a Swedish dramatic coloratura soprano. Possessed of a pure and brilliant voice of first three then two and a half octaves trained in the bel canto technique, and noted for her graceful appearance and stage presence, she enjoyed a twenty-year career as a top-rank international singer before her 1888 retirement. A contemporary of one of the Victorian era's most famous divas, Adelina Patti, the two were often compared by reviewers and audiences, and were sometimes believed to be rivals. Nilsson became a member of the Royal Swedish Academy of Music in 1869. Biography Christina Nilsson was born Christina Jonasdotter in a forester's hut at Sjöabol (or Snugge) farm near Växjö, Småland, the youngest of seven children of the peasants Jonas Nilsson (1798 - 1871) and Stina Cajsa Månsdotter (1804 - 1870). As a young child she received a rudimentary education, att ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herman Klein
Herman Klein (born Hermann Klein; 23 July 1856 – 10 March 1934) was an English music critic, author and teacher of singing. Klein's famous brothers included Charles Klein, Charles and Manuel Klein. His second wife was the writer Kathleen Clarice Louise Cornwell, and one of their children was the writer Denise Robins. For thirteen years, Klein was a vocal teacher at the Guildhall School of Music in London, becoming a lifelong proponent of the methods of Manuel García (baritone), Manuel Garcia and helping to edit Garcia's book on the subject. In 1876 he took up musical journalism, writing for ''The Sunday Times'' from 1881–1901, among other publications. He also contributed prolifically to ''The Musical Times''. From 1901 to 1909, Klein lived and taught singing in New York City, where he wrote for ''The New York Herald''. He was one of the first critics to take notice of the gramophone and was appointed "musical adviser" to Columbia Records in 1906 in New York. He retur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Giuglini
Antonio Giuglini (16 or 17 January 1825 – 12 October 1865) was an Italian operatic tenor. During the last eight years of his life, before he developed signs of mental instability, he earned renown as one of the leading stars of the operatic scene in London. He created several major roles for British audiences, appearing in the first London performances of Gounod's ''Faust'' and Verdi's ''Un ballo in maschera''. In London, he was the usual stage partner of the great dramatic soprano Thérèse Tietjens. Early career in Italy Guiglini was born at Fano in Italy's middle/north-east. He studied in his home country with Francesco Cellini, and made his debut in opera at Fermo. According to the impresario Benjamin Lumley, Giuglini had been destined for the priesthood. He began in the choir of the metropolitan church of Fermo, where his excellence as a treble, and then as a tenor, attracted attention. He firmly resisted many inducements to appear on the stage, until one day ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Matteo Mario
Giovanni Matteo De Candia, also known as Mario (17 October 1810 – 11 December 1883), was an Italian opera singer. The most celebrated tenor of his era, he was lionized by audiences in Paris and London. He was the partner of the opera singer Giulia Grisi. Early life Mario was born in Cagliari, Sardinia on 17 October 1810 as Giovanni Matteo de Candia; his inherited titles were ''Cavaliere'' (Knight), ''Nobile'' (Nobleman) and ''Don'' (Sir) in the Kingdom of Sardinia and subsequently the Kingdom of Italy. His family belonged to the Savoyard- Sardinian nobility and aristocracy, within the Kingdom of Sardinia ruled by the House of Savoy. His relatives and parents were members of the Royal Court of Turin, while his father don Stefano, Marquess de Candia, held the ranks of military general, and Royal Governor General of Nice under the Kingdom of Sardinia, and was aide-de-camp to King Charles Felix of Sardinia (house of Savoy).De Candia, "The Romance of a Great Singer" 1910: Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Faure
Jean-Baptiste Faure () (15 January 1830 – 9 November 1914) was a French operatic baritone and art collector who also composed several classical songs. Singing career Faure was born in Moulins. A choirboy in his youth, he entered the Paris Conservatory in 1851 and made his operatic debut the following year at the Opéra-Comique, as Pygmalion in Victor Massé's ''Galathée''. He remained at the Opéra-Comique for over seven years, singing baritone roles such as Max in Adolphe Adam's '' Le chalet'' and Michel in Thomas's ''Le caïd''. During this time he also created the Marquis d'Erigny in Auber's ''Manon Lescaut'' (1856) and Hoël in Meyerbeer's '' Le pardon de Ploërmel'' (1859; later known as ''Dinorah''), among seven premieres at that house.Soubies, A. & Malherbe, C. ''Histoire de l'Opéra comique; La seconde salle Favart 1840–1887.'' Flammarion, Paris, 1893. He made his debut at the Royal Opera House, London, in 1860 as Hoël, and at the Paris Opera in 1861. He wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
