|
International Museum And Library Of Music Of Bologna
The Museo internazionale e biblioteca della musica is a music museum and music library in the Palazzo Aldini Sanguinetti, in the historic center of Bologna, Italy. Museum Background The Civico Museo Bibliografico Musicale was founded in 1959 to hold the city's collection of musical objects. It was renamed Museo Internazionale e Biblioteca della Musica in 2004 when the museum's current site, the Palazzo Sanguinetti, opened to the public. The palace was contains frescoes were first completed between the late 18th and early 19th centuries, and provide one of the finest examples of Neoclassical decoration. The museum exhibits highlight the rich musical heritage of Bologna. Until recently, much of this collection was warehoused. The palace provides an environment for display and conservation of these items. The institute is divided between two sites. An ample selection of volumes, paintings, and musical instruments are displayed in the museum halls in Strada Maggiore 34 (Palazzo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historic Site
A historic site or heritage site is an official location where pieces of political, military, cultural, or social history have been preserved due to their cultural heritage value. Historic sites are usually protected by law, and many have been recognized with the official national historic site status. A historic site may be any building, landscape, site or structure that is of local, regional, or national significance. Usually this also means the site must be at least 50 years or older. The National Park Service, U.S. National Park Service defines a historic site as the "location of a significant event, a prehistoric or historic occupation or activity, or a building or structure, whether standing, ruined, or vanished, where the location itself possesses historic, cultural, or archeological value regardless of the value of any existing structure". Historic sites can also mark Public-order crime, public crimes, such as Tuol Sleng Genocide Museum in Phnom Penh, Cambodia or Robben ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Santini
Francesco, the Italian (and original) version of the personal name "Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662–1729), Italian philosopher and scientist * Francesco Galli Bibiena (1659 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Christian Bach
Johann Christian Bach (September 5, 1735 – January 1, 1782) was a German composer of the Classical period (music), Classical era, the eighteenth child of Johann Sebastian Bach, and the youngest of his eleven sons. After living in Italy for several years, Bach moved to London in 1762, where he became known as "the London Bach". He is also sometimes known as "the English Bach", and during his time spent living in the British capital, he came to be known as John Bach. He is noted for playing a role in influencing the concerto styles of Joseph Haydn, Haydn and Wolfgang Amadeus Mozart, Mozart. He contributed significantly to the development of the new sonata principle. Life Johann Christian Bach was born to Johann Sebastian Bach, Johann Sebastian and Anna Magdalena Bach in Leipzig, Germany. His distinguished father was already 50 at the time of his birth—an age gap exemplified by the sharp differences in the musical styles of father and son. Even so, father Bach instructed Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Martini
Giovanni Battista or Giambattista Martini, O.F.M. Conv. (24 April 1706 – 3 August 1784), also known as Padre Martini, was an Italian Conventual Franciscan friar, who was a leading musician, composer, and music historian of the period and a mentor to Mozart. Biography Giovanni Battista Martini was born in Bologna, in that era part of the Papal States. His father, Antonio Maria Martini, a violinist, taught him the elements of music and the violin and he later learned singing and harpsichord playing from Padre Pradieri, and counterpoint from Antonio Riccieri and Giacomo Antonio Perti. Having received his education in classics from the priests of the Oratory of Saint Philip Neri, he afterwards entered the novitiate of the Conventual Franciscans at their friary in Lago, at the close of which he professed religious vows and received the religious habit of the Order on 11 September 1722. In 1725, though only nineteen years old, he received the appointment of chapel-maste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friar
A friar is a member of one of the mendicant orders founded in the twelfth or thirteenth century; the term distinguishes the mendicants' itinerant apostolic character, exercised broadly under the jurisdiction of a superior general, from the older monastic orders' allegiance to a single monastery formalized by their vow of stability. A friar may be in holy orders or a Brother (Christian), brother. The most significant orders of friars are the Dominican Order, Dominicans, Franciscans, Augustinians, and Carmelites. Definition Friars are different from monks in that they are called to live the evangelical counsels (vows of poverty, chastity, and obedience) in service to society, rather than through cloistered asceticism and devotion. Whereas monks live in a self-sufficient community, friars work among laypeople and are supported by donations or other charitable support. Monks or nuns make their vows and commit to a particular community in a particular place. Friars commit to a comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padre Martini 1
__NOTOC__ Padre means father in many Romance languages, and it may also refer to: Music * Padre (song), "Padre" (song) People * A military chaplain * A Roman Catholic priest, Latin Catholic priest * A member of the San Diego Padres baseball team Places * Padre Island, a barrier island in the U.S. State of Texas * North Padre Island, northern part of the Padre Island * South Padre Island, southern part of the Padre Island * Padre Island National Seashore Software * Padre (software), an integrated development environment for the Perl programming language Others * PADRE, Partnership for Acid Drainage Remediation in Europe * ''The Padre'', a 2018 film See also *Padres (other) {{disambiguation, geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Fancelli
Pietro Fancelli (18 May 1764 – 22 January 1850) was an Italian painter and set-designer. Biography Pietro was born in Bologna to Petronio, a quadraturista, and Orsola Benedelli. Petronio moved the family to Venice in 1774, and his son worked with the father and a painter from Brescia called Lodovico Gallina. On returning to Bologna, he trained at the Accademia Clementina, winning the Marsigli Aldrovandi prize in 1784. In 1785, his ''Death of Virginia'' won a further award. He became faculty at the Clementine Academy of Fine Arts in 1791, and assumed the vice presidency with Antonio Beccadelli in 1793–94. He played a role in trying to prevent Napoleonic forces from looting the artworks from suppressed monasteries and churches. After the Accademia Clementina was converted into the National Academy of Fine Arts in 1804, Fancelli joined but without a regular teaching appointment. In Bologna and in surrounding towns, he continued to paint altarpieces, portraits and scenic de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Revival Architecture
Gothic Revival (also referred to as Victorian Gothic, neo-Gothic, or Gothick) is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly serious and learned admirers of the neo-Gothic styles sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic had become the preeminent architectural style in the Western world, only to fall out of fashion in the 1880s and early 1890s. The Gothic Revival movement's roots are intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. Ultimately, the "Anglo-Catholicism" t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Art
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta (especially life-size on sarcophagi or temples), wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced. Etruscan sculpture in cast bronze was famous and widely exported, but relatively few large examples have survived (the material was too valuable, and recycled later). In contrast to terracotta and bronze, there was relatively little Etruscan sculpture in stone, despite the Etruscans controlling fine sources of marble, including Carrara marble, which seems not to have been exploited until the Romans. The great majority of survivals came from tombs, which were typically crammed with sarcophagi an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeneid
The ''Aeneid'' ( ; la, Aenē̆is or ) is a Latin Epic poetry, epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Troy, Trojan who fled the Trojan_War#Sack_of_Troy, fall of Troy and travelled to Italy, where he became the ancestor of the Ancient Rome, Romans. It comprises 9,896 lines in dactylic hexameter. The first six of the poem's twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the poem's second half tells of the Trojans' ultimately victorious war upon the Latins (Italic tribe), Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the ''Iliad''. Virgil took the disconnected tales of Aeneas' wanderings, his vague association with the foundation of Ancient Rome, Rome and his description as a personage of no fixed characteristics other than a scrupulous ''pietas'', and fashioned th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceres (mythology)
In ancient Roman religion, Ceres ( , ) was a goddess of agriculture, grain crops, fertility and motherly relationships.Room, Adrian, ''Who's Who in Classical Mythology'', p. 89-90. NTC Publishing 1990. . She was originally the central deity in Rome's so-called plebeian or Aventine Triad, then was paired with her daughter Proserpina in what Romans described as "the Greek rites of Ceres". Her seven-day April festival of Cerealia included the popular ''Ludi Ceriales'' (Ceres' games). She was also honoured in the May ''lustratio'' of the fields at the Ambarvalia festival, at harvest-time, and during Roman marriages and funeral rites. She is usually depicted as a mature woman. Ceres is the only one of Rome's many agricultural deities to be listed among the Dii Consentes, Rome's equivalent to the Twelve Olympians of Greek mythology. The Romans saw her as the counterpart of the Greek goddess Demeter,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. whos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
%2C_2016.jpg "Click for more on -> Historic Site")
