Indo-European Cosmogony
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Indo-European Cosmogony
The Indo-European cosmogony refers to the creation myth of the reconstructed Proto-Indo-European mythology. The comparative analysis of different Indo-European tales has led scholars to reconstruct an original Proto-Indo-European creation myth involving twin brothers, *' ('Man') and *' ('Twin'), as the progenitors of the world and mankind, and a hero named ''*'' ('Third') who ensured the continuity of the original sacrifice. Although some thematic parallels can be made with Ancient Near East (the primordial couple Adam and Eve), and even Polynesian or South American legends, the linguistic correspondences found in descendant cognates of ''*Manu'' and ''*Yemo'' make it very likely that the myth discussed here has a Proto-Indo-European (PIE) origin. Historiography Hermann Güntert, stressing philological parallels between the Germanic and Indo-Iranian texts, argued in 1923 for an inherited Indo-European motif of the creation of the world from the sacrifice and dismemberment of ...
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Creation Myth
A creation myth (or cosmogonic myth) is a symbolic narrative of how the world began and how people first came to inhabit it., "Creation myths are symbolic stories describing how the universe and its inhabitants came to be. Creation myths develop through oral traditions and therefore typically have multiple versions." While in popular usage the term ''myth'' often refers to false or fanciful stories, members of cultures often ascribe varying degrees of truth to their creation myths. In the society in which it is told, a creation myth is usually regarded as conveying profound truthsmetaphorically, symbolically, historically, or literally. They are commonly, although not always, considered cosmogonical mythsthat is, they describe the ordering of the cosmos from a state of chaos or amorphousness. Creation myths often share several features. They often are considered sacred accounts and can be found in nearly all known religious traditions. They are all stories with a plot and charac ...
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Völuspá
''Vǫluspá'' (also ''Völuspá'', ''Vǫlospá'' or ''Vǫluspǫ́''; Old Norse: 'Prophecy of the völva, a seeress'; reconstructed Old Norse: ) is the best known poem of the ''Poetic Edda''. It tells the story of the creation of the world and its coming end and subsequent rebirth, related to the audience by a völva addressing Odin. It is one of the most important primary sources for the study of Norse mythology. The poem is preserved whole in the Codex Regius and Hauksbók manuscripts while parts of it are quoted in the ''Prose Edda''. Preservation ''Völuspá'' is found in the Icelandic Codex Regius manuscript (ca. 1270) and in Haukr Erlendsson's ''Hauksbók'' Codex (ca. 1334), and many of its stanzas are quoted or paraphrased in the Prose Edda (composed ca. 1220, oldest extant manuscript dates from ca. 1300). The order and number of the stanzas varies in these sources. Some editors and translators have further rearranged the material. The Codex Regius version is usually tak ...
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Perkwunos
(Proto-Indo-European: ', 'the Striker' or 'the Lord of Oaks') is the reconstructed name of the weather god in Proto-Indo-European mythology. The deity was connected with fructifying rains, and his name probably invoked in times of drought. In a widespread Indo-European myth, the thunder-deity fights a multi-headed water-serpent during an epic battle, in order to release torrents of water that had previously been pent up. The name of his weapon, ', which denoted both 'lightning' and 'hammer', can be reconstructed from the attested traditions. Perkwunos was often associated with oaks, probably because such tall trees are frequently struck by lightning, and his realm located in the wooded mountains, '. A term for the sky, ', apparently denoted a 'heavenly vault of stone', but also 'thunderbolt' or 'stone-made weapon', in which case it was sometimes also used to refer to the thunder-god's weapon. Contrary to other deities of the Proto-Indo-European pantheon, such as (the sky-god), ...
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Fratricide
Fratricide (, from the Latin words ' "brother" and the assimilated root of ' "to kill, to cut down") is the act of killing one's own brother. It can either be done directly or via the use of either a hired or an indoctrinated intermediary (an assassin). The victim need not be the perpetrator's biological brother. In a military context, fratricide refers to a service member killing a comrade. Religion and mythology The Abrahamic religions recognize the biblical account of Cain and Abel as the first fratricidal murder to be committed. In the mythology of ancient Rome, the city is founded as the result of a fratricide, with the twins Romulus and Remus quarreling over who has the favour of the gods and over each other's plans to build Rome, with Romulus becoming Rome's first king and namesake after killing his brother. Osiris Myth In ancient Egyptian mythology, the god Osiris is murdered by his brother Set who usurps the throne. The Mahabharata and the Ramayana In the Hi ...
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Cosmos
The cosmos (, ) is another name for the Universe. Using the word ''cosmos'' implies viewing the universe as a complex and orderly system or entity. The cosmos, and understandings of the reasons for its existence and significance, are studied in cosmologya broad discipline covering scientific, religious or philosophical aspects of the cosmos and its nature. Religious and philosophical approaches may include the cosmos among spiritual entities or other matters deemed to exist outside the physical universe. Etymology The philosopher Pythagoras first used the term ''kosmos'' ( grc, κόσμος, Latinized ''kósmos'') for the order of the universe. Greek κόσμος "order, good order, orderly arrangement" is a word with several main senses rooted in those notions. The verb κοσμεῖν (''κοσμεῖν'') meant generally "to dispose, prepare", but especially "to order and arrange (troops for battle), to set (an army) in array"; also "to establish (a government or regime) ...
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Giant
In folklore, giants (from Ancient Greek: '' gigas'', cognate giga-) are beings of human-like appearance, but are at times prodigious in size and strength or bear an otherwise notable appearance. The word ''giant'' is first attested in 1297 from Robert of Gloucester's chronicle. It is derived from the ''Gigantes'' ( grc-gre, Γίγαντες) of Greek mythology. Fairy tales such as '' Jack the Giant Killer'' have formed the modern perception of giants as dimwitted ogres, sometimes said to eat humans, while other giants tend to eat the livestock. The antagonist in ''Jack and the Beanstalk'' is often described as a giant. In some more recent portrayals, like those of Jonathan Swift and Roald Dahl, some giants are both intelligent and friendly. Literary and cultural analysis Giants appear in the folklore of cultures worldwide as they represent a relatively simple concept. Representing the human body enlarged to the point of being monstrous, giants evoke terror and remind humans ...
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Human
Humans (''Homo sapiens'') are the most abundant and widespread species of primate, characterized by bipedalism and exceptional cognitive skills due to a large and complex brain. This has enabled the development of advanced tools, culture, and language. Humans are highly social and tend to live in complex social structures composed of many cooperating and competing groups, from families and kinship networks to political states. Social interactions between humans have established a wide variety of values, social norms, and rituals, which bolster human society. Its intelligence and its desire to understand and influence the environment and to explain and manipulate phenomena have motivated humanity's development of science, philosophy, mythology, religion, and other fields of study. Although some scientists equate the term ''humans'' with all members of the genus ''Homo'', in common usage, it generally refers to ''Homo sapiens'', the only extant member. Anatomically moder ...
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Ginnungagap
In Norse mythology, Ginnungagap (old Norse: ; "gaping abyss", "yawning void") is the primordial void mentioned in the Gylfaginning, the Eddaic text recording Norse cosmogony. Etymology ''Ginnunga-'' is usually interpreted as deriving from a verb meaning "gape" or "yawn", but no such word occurs in Old Norse except in verse 3 of the Eddic poem " Vǫluspá", "gap var ginnunga", which may be a play on the term. In her edition of the poem, Ursula Dronke suggested it was borrowed from Old High German ''ginunga'', as the term Múspell is believed to have been borrowed from Old High German. An alternative etymology links the ''ginn-'' prefix with that found in terms with a sacral meaning, such as ''ginn-heilagr'', ''ginn-regin'' (both referring to the gods) and ''ginn-runa'' (referring to the runes), thus interpreting ''Ginnungagap'' as signifying a "magical (and creative) power-filled space". Creation Ginnungagap appears as the primordial void in the Norse creation account. The ''Gy ...
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Rift
In geology, a rift is a linear zone where the lithosphere is being pulled apart and is an example of extensional tectonics. Typical rift features are a central linear downfaulted depression, called a graben, or more commonly a half-graben with normal faulting and rift-flank uplifts mainly on one side. Where rifts remain above sea level they form a rift valley, which may be filled by water forming a rift lake. The axis of the rift area may contain volcanic rocks, and active volcanism is a part of many, but not all, active rift systems. Major rifts occur along the central axis of most mid-ocean ridges, where new oceanic crust and lithosphere is created along a divergent boundary between two tectonic plates. ''Failed rifts'' are the result of continental rifting that failed to continue to the point of break-up. Typically the transition from rifting to spreading develops at a triple junction where three converging rifts meet over a hotspot. Two of these evolve to the poi ...
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Tartarus
In Greek mythology, Tartarus (; grc, , }) is the deep abyss that is used as a dungeon of torment and suffering for the wicked and as the prison for the Titans. Tartarus is the place where, according to Plato's ''Gorgias'' (), souls are judged after death and where the wicked received divine punishment. Tartarus is also considered to be a primordial force or deity alongside entities such as the Earth, Night, and Time. Greek Mythology In Greek mythology, Tartarus is both a deity and a place in the underworld. In ancient Orphic sources and in the mystery schools, Tartarus is also the unbounded first-existing entity from which the light and the cosmos are born. As a deity In the Greek poet Hesiod's ''Theogony'' ( late 8th century BC), Tartarus was the third of the primordial deities, following after Chaos and Gaia (Earth), and preceding Eros, and was the father, by Gaia, of the monster Typhon. According to Hyginus, Tartarus was the offspring of Aether and Gaia. ...
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Erebus
In Greek mythology, Erebus (; grc, Ἔρεβος, Érebos, "deep darkness, shadow".), or Erebos, is the personification of darkness and one of the primordial deities. Hesiod's ''Theogony'' identifies him as one of the first five beings in existence, born of Chaos. Etymology The perceived meaning of ''Erebus'' is "darkness"; the first recorded instance of it was "place of darkness between earth and Hades". The name Ἔρεβος itself originates from Proto-Indo-European "darkness" (cf. Sanskrit '' rájas'', Gothic '' riqis'', Old Norse '' røkkr''). Mythology The Greek oral poet Hesiod's ''Theogony'' (8th century BCE) portrays Erebus as the offspring of Chaos, and as the brother of Nyx, by whom he is the father of Aether and Hemera. According to the ''Fabulae'' of Hyginus, Erebus, Nox (Night), Aether and Dies (Day) are the offspring of Chaos and Caligine (Mist); and Erebus, by Nox, is the father of Fate, Old age, Death, Destruction, Strife, Sleep, Dreams, Thoughtfulnes ...
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