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Index Of Aesthetics Articles
This is an alphabetical index of articles about aesthetics. A - D - ''A Mathematician's Apology'' - ''A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful'' - Abhinavagupta - Aesthetic atrophy - Aesthetic emotions - Aesthetic interpretation - Aesthetic Realism - Aesthetic realism (metaphysics) - Aesthetic relativism - Aestheticism - Aestheticization of politics - Aesthetics - Aesthetics of music - Affect (philosophy) - Albert Hofstadter - Aleksei Losev - Alexander Gerard - Alexander Gottlieb Baumgarten - Alexander Nehamas - American Society for Aesthetics - Anandavardhana - André Malraux - Anti-art - Applied aesthetics - Architectural design values - Aristotle - Art - Art and morality - ''Art as Experience'' - Art criticism - Art for art's sake - Arthur Danto - Arthur Schopenhauer - Arthur Schopenhauer's aesthetics - Artistic inspiration - August Wilhelm Schlegel - Authenticity (philosophy) - Authorial intent - Avant-garde - ''Avant-Garde and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Mathematician's Apology
''A Mathematician's Apology'' is a 1940 essay by British mathematician G. H. Hardy, which offers a defence of the pursuit of mathematics. Central to Hardy's "apology" — in the sense of a formal justification or defence (as in Plato's '' Apology of Socrates'') — is an argument that mathematics has value independent of possible applications. Hardy located this value in the beauty of mathematics, and gave some examples of and criteria for mathematical beauty. The book also includes a brief autobiography, and gives the layman an insight into the mind of a working mathematician. Background Hardy felt the need to justify his life's work in mathematics at this time mainly for two reasons. Firstly, at age 62, Hardy felt the approach of old age (he had survived a heart attack in 1939) and the decline of his mathematical creativity and skills. By devoting time to writing the Apology, Hardy was admitting that his own time as a creative mathematician was finished. In his forewor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Gottlieb Baumgarten
Alexander Gottlieb Baumgarten (; ; 17 July 1714 – 27 MayJan LekschasBaumgarten Family'' 1762) was a German philosopher. He was a brother to theologian Siegmund Jakob Baumgarten (1706–1757). Biography Baumgarten was born in Berlin as the fifth of seven sons of the pietist pastor of the garrison, Jacob Baumgarten, and of his wife Rosina Elisabeth. Both his parents died early, and he was taught by Martin Georg Christgau where he learned Hebrew and became interested in Latin poetry. In 1733, during his formal studies at the University of Halle, he attended lectures on the philosophy of Christian Wolff by at the University of Jena. Philosophical work While the meanings of words often change as a result of cultural developments, Baumgarten's reappraisal of aesthetics is often seen as a key moment in the development of aesthetic philosophy. Previously the word ''aesthetics'' had merely meant "sensibility" or "responsiveness to stimulation of the senses" in its use by ancient ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Danto
Arthur Coleman Danto (January 1, 1924 – October 25, 2013) was an American art critic, philosopher, and professor at Columbia University. He was best known for having been a long-time art critic for ''The Nation'' and for his work in philosophical aesthetics and philosophy of history, though he contributed significantly to a number of fields, including the philosophy of action. His interests included thought, feeling, philosophy of art, theories of representation, philosophical psychology, Hegel's aesthetics, and the philosophers Friedrich Nietzsche and Jean-Paul Sartre. Life and career Danto was born in Ann Arbor, Michigan, January 1, 1924, and grew up in Detroit. He was raised in a Reform Jewish home. After spending two years in the Army, Danto studied art and history at Wayne University (now Wayne State University). While an undergraduate he intended to become an artist, and began making prints in the Expressionist style in 1947 (these are now great rarities). He then pursue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art For Art's Sake
Art for art's sake—the usual English rendering of ''l'art pour l'art'' (), a French slogan from the latter part of the 19th century—is a phrase that expresses the philosophy that the intrinsic value of art, and the only 'true' art, is divorced from any didactic, moral, political, or utilitarian function.Art for art's sake (revised ed.). ''''. 2015. Such works are sometimes described as '''' (from Greek: ''autoteles'', 'complete in i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Criticism
Art criticism is the discussion or evaluation of visual art. Art critics usually criticize art in the context of aesthetics or the theory of beauty. A goal of art criticism is the pursuit of a rational basis for art appreciation but it is questionable whether such criticism can transcend prevailing socio-political circumstances. The variety of artistic movements has resulted in a division of art criticism into different disciplines which may each use different criteria for their judgements. The most common division in the field of criticism is between historical criticism and evaluation, a form of art history, and contemporary criticism of work by living artists. Despite perceptions that art criticism is a much lower risk activity than making art, opinions of current art are always liable to drastic corrections with the passage of time. Critics of the past are often ridiculed for dismissing artists now venerated (like the early work of the Impressionists). Some art movements th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art As Experience
''Art as Experience'' (1934) is John Dewey's major writing on aesthetics, originally delivered as the first William James Lecture at Harvard (1932). Dewey's aesthetics have been found useful in a number of disciplines, including new media. Dewey had previously written articles on aesthetics in the 1880s and had further addressed the matter in ''Democracy and Education'' (1915). In his major work, ''Experience and Nature'' (1925), he laid out the beginnings of a theory of aesthetic experience, and wrote two important essays for ''Philosophy and Civilization'' (1931). Overview Dewey's theory is an attempt to shift the understandings of what is essential and characteristic about the art process from its physical manifestations in the ‘expressive object’ to the process in its entirety, a process whose fundamental element is no longer the material ‘work of art’ but rather the development of an ‘experience’. Experience is something that personally affects one's life. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art And Morality
Art and morality have been discussed, compared and linked for as long as they have been identified as concepts. History and ideas In the ''Republic (Plato), Republic'', Plato saw the function of the actor as bogus, presenting a dangerous illusion of reality, and masking the truth of existence by the pretence of acting. Aristotle, in ''The Poetics'', saw the role of the actor somewhat differently, suggesting that by witnessing ''pity and fear'' (in his view the essence of tragedy) on stage, an audience could experience a catharsis of the emotions associated with real tragic events, without having to experience them as first-hand participants. Since then, the 'stand-off' between those who have seen art as having a direct impact on morality, and those who have asserted its independence, has persisted. Tolstoy was ambivalent about the role of the artist (despite being one himself). In ''What is Art?'' he castigated now-Western canon, canonical artists such as Shakespeare, Goethe and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristotle
Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of philosophy within the Lyceum and the wider Aristotelian tradition. His writings cover many subjects including physics, biology, zoology, metaphysics, logic, ethics, aesthetics, poetry, theatre, music, rhetoric, psychology, linguistics, economics, politics, meteorology, geology, and government. Aristotle provided a complex synthesis of the various philosophies existing prior to him. It was above all from his teachings that the West inherited its intellectual lexicon, as well as problems and methods of inquiry. As a result, his philosophy has exerted a unique influence on almost every form of knowledge in the West and it continues to be a subject of contemporary philosophical discussion. Little is known about his life. Aristotle was born in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architectural Design Values
Architectural design values make up an important part of what influences architects and designers when they make their design decisions. However, architects and designers are not always influenced by the same values and intentions. Value and intentions differ between different architectural movements. It also differs between different schools of architecture and schools of design as well as among individual architects and designers. The differences in values and intentions are directly linked to the pluralism in design outcomes that exist within architecture and design. It is also a big contributing factor as to how an architect or designer operates in his/her relation to clients. Different design values tend to have a considerable history and can be found in numerous design movements. The influence that each design value has had on design movements and individual designers has varied throughout history. Aesthetic design values The expansion of architectural and industrial desi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Applied Aesthetics
Applied aesthetics is the application of the branch of philosophy of aesthetics to cultural constructs. In a variety of fields, artifacts (whether physical or abstract) are created that have both practical functionality and aesthetic affectation. In some cases, aesthetics is primary, and in others, functionality is primary. At best, the two needs are synergistic, in which "beauty" makes an artifact work better, or in which more functional artifacts are appreciated as aesthetically pleasing. This achievement of form and function, of art and science, of beauty and usefulness, is the primary goal of design, in all of its domains. Architecture and interior design Although structural integrity, cost, the nature of building materials, and the functional utility of the building contribute heavily to the design process, architects can still apply aesthetic considerations to buildings and related architectural structures. Common aesthetic design principles include ornamentation, edge de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anti-art
Anti-art is a loosely used term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general. Somewhat paradoxically, anti-art tends to conduct this questioning and rejection from the vantage point of art. The term is associated with the Dada movement and is generally accepted as attributable to Marcel Duchamp pre-World War I around 1914, when he began to use found objects as art. It was used to describe revolutionary forms of art. The term was used later by the Conceptual artists of the 1960s to describe the work of those who claimed to have retired altogether from the practice of art, from the production of works which could be sold. An expression of anti-art may or may not take traditional form or meet the criteria for being defined as a work of art according to conventional standards.Paul N. Humble. "Anti-Art and the Concept of Art". In: "A companion to art theory". Editors: Paul Smith and Carolyn Wilde, Wiley-Blackwell, 2002 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Malraux
Georges André Malraux ( , ; 3 November 1901 – 23 November 1976) was a French novelist, art theorist, and minister of cultural affairs. Malraux's novel ''La Condition Humaine'' (Man's Fate) (1933) won the Prix Goncourt. He was appointed by President Charles de Gaulle as information minister (1945–46) and subsequently as France's first cultural affairs minister during de Gaulle's presidency (1959–1969). Early years Malraux was born in Paris in 1901, the son of Fernand-Georges Malraux (1875–1930) and Berthe Félicie Lamy (1877–1932). His parents separated in 1905 and eventually divorced. There are suggestions that Malraux's paternal grandfather committed suicide in 1909."Biographie détaillée" , André Malraux Website, accessed 3 September 2010 Malraux was raised by his mother, maternal aun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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