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Incoherents
The Incoherents (''Les Arts incohérents'') was a short-lived French art movement founded by Parisian writer and publisher Jules Lévy(French) (1857–1935) in 1882, which in its satirical irreverence, anticipated many of the art techniques and attitudes later associated with the avant-garde and anti-art movements such as Dada. Lévy coined the phrase ''les arts incohérents'' as a play on the term ''les arts décoratifs'' (i.e. arts & crafts, but above all, a famous art school in Paris, the National School of Decorative Arts). The Incoherents presented work which was deliberately irrational and iconoclastic, used found objects, was nonsensical, included humoristic sketches, drawings by children, and drawings "made by people who don't know how to draw". Lévy exhibited an all-black painting by poet Paul Bilhaud called ''Combat de Nègres dans un Tunnel'' (Negroes Fight in a Tunnel). The early film animator Émile Cohl contributed photographs which would later be called surrea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Cohl
Émile Eugène Jean Louis Cohl (; né Courtet; 4 January 1857 – 20 January 1938) was a French caricaturist of the largely forgotten Incoherents, Incoherent Movement, cartoonist, and animator, called "The Father of the Animated Cartoon" and "The Oldest Parisian". Biography Émile's father, Elie, was a rubber salesman, and his mother, Emilie Laure, a linen seamstress. The rubber factory Elie worked for had many ups and downs, causing the family to move from one home in Paris to another. Early years Émile saw little of his father during his childhood, and lived with his ailing mother until her death in 1863. In 1864, at the age of 7, he was enrolled at the Ecole professionnelle de Pantin, a boarding school known as the Institute Vaudron after its founder. There his artistic talents were discovered and encouraged. The next year, a cold kept him confined in his father's apartment, where he began stamp collecting, a hobby that would become his sole source of income several time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anti-art
Anti-art is a loosely used term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general. Somewhat paradoxically, anti-art tends to conduct this questioning and rejection from the vantage point of art. The term is associated with the Dada movement and is generally accepted as attributable to Marcel Duchamp pre-World War I around 1914, when he began to use found objects as art. It was used to describe revolutionary forms of art. The term was used later by the Conceptual artists of the 1960s to describe the work of those who claimed to have retired altogether from the practice of art, from the production of works which could be sold. An expression of anti-art may or may not take traditional form or meet the criteria for being defined as a work of art according to conventional standards.Paul N. Humble. "Anti-Art and the Concept of Art". In: "A companion to art theory". Editors: Paul Smith and Carolyn Wilde, Wiley-Blackwell, 2002 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anti-art
Anti-art is a loosely used term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general. Somewhat paradoxically, anti-art tends to conduct this questioning and rejection from the vantage point of art. The term is associated with the Dada movement and is generally accepted as attributable to Marcel Duchamp pre-World War I around 1914, when he began to use found objects as art. It was used to describe revolutionary forms of art. The term was used later by the Conceptual artists of the 1960s to describe the work of those who claimed to have retired altogether from the practice of art, from the production of works which could be sold. An expression of anti-art may or may not take traditional form or meet the criteria for being defined as a work of art according to conventional standards.Paul N. Humble. "Anti-Art and the Concept of Art". In: "A companion to art theory". Editors: Paul Smith and Carolyn Wilde, Wiley-Blackwell, 2002 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montmartre
Montmartre ( , ) is a large hill in Paris's northern 18th arrondissement. It is high and gives its name to the surrounding district, part of the Right Bank. The historic district established by the City of Paris in 1995 is bordered by Rue Caulaincourt and Rue Custine on the north, the Rue de Clignancourt on the east and the Boulevard de Clichy and Boulevard de Rochechouart to the south, containing . Montmartre is primarily known for its artistic history, the white-domed Basilica of the Sacré-Cœur on its summit, as well as a nightclub district. The other church on the hill, Saint Pierre de Montmartre, built in 1147, was the church of the prestigious Montmartre Abbey. On 15 August 1534, Saint Ignatius of Loyola, Saint Francis Xavier and five other companions bound themselves by vows in the Martyrium of Saint Denis, 11 Rue Yvonne Le Tac, the first step in the creation of the Jesuits. Near the end of the 19th century and at the beginning of the 20th, during the Belle Époqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alphonse Allais
Alphonse Allais (20 October 1854 – 28 October 1905) was a French writer, journalist and humorist. Life Allais was born in Honfleur, Calvados. He died in Paris. Work He is the author of many collections of whimsical writings. A poet as much as a humorist, he cultivated the verse form known as holorhyme (all verses are homophonous, where entire lines are pronounced the same). For example: Par les bois du djinn où s'entasse de l'effroi, Parle et bois du gin, ou cent tasses de lait froid. Allais wrote the earliest known example of a completely silent musical composition. His ''Funeral March for the Obsequies of a Great Deaf Man'' of 1897 consists of 24 blank measures. It predates similarly silent but intellectually serious works by John Cage and Erwin Schulhoff by many years. His prose piece "Story for Sara" was translated and illustrated by Edward Gorey. Allais participated in humorous exhibitions, including those of the Salon des Arts Incohérents of 1883 and 1884, held at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mona Lisa
The ''Mona Lisa'' ( ; it, Gioconda or ; french: Joconde ) is a half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as "the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world". The painting's novel qualities include the subject's enigmatic expression, the monumentality of the composition, the subtle modelling of forms, and the atmospheric illusionism. The painting has been definitively identified to depict Italian noblewoman Lisa Gherardini, the wife of Francesco del Giocondo. It is painted in oil on a white Lombardy poplar panel. Leonardo never gave the painting to the Giocondo family, and later it is believed he left it in his will to his favored apprentice Salaì. It had been believed to have been painted between 1503 and 1506; however, Leonardo may have continued working on it as late as 1517. It was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Bilhaud
Paul Bilhaud (31 December 1854 – 8 January 1933) was a French playwright and librettist. An old friend of the author Alphonse Allais, he is remembered along his friend as a forerunner of minimalism with his painting ''Combat de nègres pendant la nuit'' ("(Battle of negroes during the night"), displayed for the first time in 1882, more than thirty years before the « ''Black Square'' » by Kazimir Malevich. Missing since 1882, this painting was found by expert Johann Naldi in 2017–2018 in a private collection. It has been classified as a National Treasure by the French state. However, Bilhaud was not the first to create an all-black artwork: for example, Robert Fludd published an image of "Darkness" in his 1617 book on the origin and structure of the cosmos; and Bertall published his black ''Vue de La Hogue (effet de nuit)'' in 1843.) Inspired by Bilhaud, Alphonse Allais proposed other monochrome paintings, published in his '' Album primo-avrilesque'' in 1897. Works Theatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Courrier Français (1884–1914)
''Le Courrier français'' was an illustrated weekly founded and edited by Jules Roques. It appeared from 1884 to 1914. History Under the direction of Jules Roques, ''Le Courrier français'' became the most representative satirical organ of the time. Notable writers included Maurice Bouchor, Raoul Ponchon, Georges Montorgueil, Hugues Delorme and Jean Lorrain. Illustrators included Adolphe Willette, David Ossipovitch Widhopff, Jean-Louis Forain, Jules Chéret, Hermann-Paul, Henri Pille and Pierre Jeannot. The magazine included sections on literature, fine arts, theater, medicine and finance. Until 1895 the newspaper represented the light and sarcastic spirit of ''fin de siècle'' Paris, and welcomed elite illustrators who met every evening at the ''Rat Mort'' café in Montmartre. From 1885 Jules Roques welcomed the '' Incohérents''. Raoul Ponchon published his famous "rhymed Gazettes" there, satirical and light pieces on news items. Henri Pille presented the manners of the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Duchamp
Henri-Robert-Marcel Duchamp (, , ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art, and he had a seminal influence on the development of conceptual art. By the time of World War I he had rejected the work of many of his fellow artists (such as Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to use art to serve the mind. Early life and education Marcel Duchamp was born at Blainville-Crevon in Normandy, France, to Eugène Duchamp and Lucie Duchamp (formerly Lucie Nicolle) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition Arts Incohérents
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Exposition (also the French for exhibition) may refer to: *Universal exposition or World's Fair *Expository writing **Exposition (narrative) *Exposition (music) *Trade fair * ''Exposition'' (album), the debut album by the band Wax on Radio *Expository preaching See also *Expo (other) *Expose (other) *Expos The Montreal Expos (french: link=no, Les Expos de Montréal) were a Canadian professional baseball team based in Montreal, Quebec. The Expos were the first Major League Baseball (MLB) franchise located outside the United States. They played in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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