Impression Of Depth In The Lord Of The Rings
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Impression Of Depth In The Lord Of The Rings
The impression of depth in ''The Lord of the Rings'' is an aesthetic effect deliberately sought by its author, J. R. R. Tolkien. It was intended to give the reader the feeling that the work had "deep roots in the past", and hence that it was attractively authentic. The effect was constructed on at least four factors, namely the enormous scale of ''The Lord of the Rings'' and the amount of background detail, including maps and genealogies; the apparently casual and incomplete mentions of this background; multiple inconsistent accounts, as in real history; and writing different texts in varying styles. Scholars have noted some of Tolkien's medieval antecedents in the effect, such as ''Beowulf'' and ''Sir Gawain and the Green Knight''. Fantasy authors such as Ursula K. Le Guin and J. K. Rowling have to an extent followed Tolkien in using the technique. Effect In an essay, Tolkien praised the 14th-century English chivalric romance ''Sir Gawain and the Green Knight'' for its "de ...
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The Lord Of The Rings
''The Lord of the Rings'' is an epic high-fantasy novel by English author and scholar J. R. R. Tolkien. Set in Middle-earth, intended to be Earth at some time in the distant past, the story began as a sequel to Tolkien's 1937 children's book ''The Hobbit'', but eventually developed into a much larger work. Written in stages between 1937 and 1949, ''The Lord of the Rings'' is one of the best-selling books ever written, with over 150 million copies sold. The title refers to the story's main antagonist, the Dark Lord Sauron, who, in an earlier age, created the One Ring to rule the other Rings of Power given to Men, Dwarves, and Elves, in his campaign to conquer all of Middle-earth. From homely beginnings in the Shire, a hobbit land reminiscent of the English countryside, the story ranges across Middle-earth, following the quest to destroy the One Ring mainly through the eyes of the hobbits Frodo, Sam, Merry and Pippin. Although often called a trilogy, the work was intende ...
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Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna Hall, Susanna, and twins Hamnet Shakespeare, Hamnet and Judith Quiney, Judith. Sometime between 1585 and 1592, ...
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England In Middle-earth
England and Englishness are represented in multiple forms within J. R. R. Tolkien's Middle-earth writings; it appears, more or less thinly disguised, in the form of the Shire and the lands close to it; in kindly characters such as Treebeard, Faramir, and Théoden; in its industrialised state as Isengard and Mordor; and as Anglo-Saxon England in Rohan. Lastly, and most pervasively, Englishness appears in the words and behaviour of the hobbits, both in ''The Hobbit'' and in ''The Lord of the Rings''. Tolkien has often been supposed to have spoken of wishing to create "a mythology for England"; though it seems he never used the actual phrase, commentators have found it appropriate as a description of much of his approach in creating Middle-earth, and the legendarium that lies behind ''The Silmarillion''. England An English Shire England and Englishness appear in Middle-earth, more or less thinly disguised, in the form of the Shire and the lands close to it, including ...
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Downfall Of Númenor
''The Silmarillion'' () is a collection of myths and stories in varying styles by the English writer J. R. R. Tolkien. It was edited and published posthumously by his son Christopher Tolkien in 1977, assisted by the fantasy author Guy Gavriel Kay. It tells of Eä, a fictional universe that includes the Blessed Realm of Valinor, the once-great region of Beleriand, the sunken island of Númenor, and the continent of Middle-earth, where Tolkien's most popular works—''The Hobbit'' and ''The Lord of the Rings''—are set. After the success of ''The Hobbit'', Tolkien's publisher Stanley Unwin requested a sequel, and Tolkien offered a draft of the writings that would later become ''The Silmarillion''. Unwin rejected this proposal, calling the draft obscure and "too Celtic", so Tolkien began working on a new story that eventually became ''The Lord of the Rings''. ''The Silmarillion'' has five parts. The first, ''Ainulindalë'', tells in mythic style of the creation of Eä, the "worl ...
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Historical Document
Historical documents are original documents that contain important historical information about a person, place, or event and can thus serve as primary sources as important ingredients of the historical methodology. Significant historical documents can be deeds, laws, accounts of battles (often given by the victors or persons sharing their viewpoint), or the exploits of the powerful. Though these documents are of historical interest, they do not detail the daily lives of ordinary people, or the way society functioned. Anthropologists, historians and archeologists generally are more interested in documents that describe the day-to-day lives of ordinary people, indicating what they ate, their interaction with other members of their households and social groups, and their states of mind. It is this information that allows them to try to understand and describe the way society was functioning at any particular time in history. Greek ostraka provide good examples of historical docum ...
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Middle-earth
Middle-earth is the fictional setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the ''Miðgarðr'' of Norse mythology and ''Middangeard'' in Old English works, including ''Beowulf''. Middle-earth is the human-inhabited world, that is, the central continent of the Earth, in Tolkien's imagined mythological past. Tolkien's most widely read works, ''The Hobbit'' and ''The Lord of the Rings'', are set entirely in Middle-earth. "Middle-earth" has also become a short-hand term for Tolkien's legendarium, his large body of fantasy writings, and for the entirety of his fictional world. Middle-earth is the main continent of Earth (Arda) in an imaginary period of the Earth's past, ending with Tolkien's Third Age, about 6,000 years ago. Tolkien's tales of Middle-earth mostly focus on the north-west of the continent. This part of Middle-earth is suggestive of Europe, the north-west of the Old World, with the environs of the Shire reminiscent of ...
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The Monsters And The Critics
"''Beowulf'': The Monsters and the Critics" was a 1936 lecture given by J. R. R. Tolkien on literary criticism on the Old English language, Old English heroic epic poem ''Beowulf''. It was first published as a paper in the ''Proceedings of the British Academy'', and has since been reprinted in many collections. Tolkien argues that the original poem has almost been lost under the weight of the scholarship on it; that ''Beowulf'' must be seen as a poem, not just as a historical document; and that the quality of its verse and its structure give it a powerful effect. He rebuts suggestions that the poem is an epic or exciting narrative, likening it instead to a strong masonry structure built of blocks that fit together. He points out that the poem's theme is a serious one, mortality, and that the poem is in two parts: the first on Beowulf as a young man, defeating Grendel and his mother; the second on Beowulf in old age, going to his death fighting The dragon (Beowulf), the dragon. ...
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Troilus And Criseyde
''Troilus and Criseyde'' () is an epic poem by Geoffrey Chaucer which re-tells in Middle English the tragic story of the lovers Troilus and Criseyde set against a backdrop of war during the siege of Troy. It was written in '' rime royale'' and probably completed during the mid-1380s. Many Chaucer scholars regard it as the poet's finest work. As a finished long poem it is more self-contained than the better known but ultimately unfinished ''The Canterbury Tales''. This poem is often considered the source of the phrase: "all good things must come to an end" (3.615). Although Troilus is a character from Ancient Greek literature, the expanded story of him as a lover was of Medieval origin. The first known version is from Benoît de Sainte-Maure's poem ''Roman de Troie'', but Chaucer's principal source appears to have been Boccaccio, who re-wrote the tale in his ''Il Filostrato''. Chaucer attributes the story to a "Lollius" (whom he also mentions in ''The House of Fame''), although ...
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Geoffrey Chaucer
Geoffrey Chaucer (; – 25 October 1400) was an English poet, author, and civil servant best known for ''The Canterbury Tales''. He has been called the "father of English literature", or, alternatively, the "father of English poetry". He was the first writer to be buried in what has since come to be called Poets' Corner, in Westminster Abbey. Chaucer also gained fame as a philosopher and astronomer, composing the scientific ''A Treatise on the Astrolabe'' for his 10-year-old son Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament. Among Chaucer's many other works are ''The Book of the Duchess'', ''The House of Fame'', ''The Legend of Good Women'', and ''Troilus and Criseyde''. He is seen as crucial in legitimising the literary use of Middle English when the dominant literary languages in England were still Anglo-Norman French and Latin. Chaucer's contemporary Thomas Hoccleve hailed him as "the firste fyndere of our ...
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Morte D'Arthur
' (originally written as '; inaccurate Middle French for "The Death of Arthur") is a 15th-century Middle English prose reworking by Sir Thomas Malory of tales about the legendary King Arthur, Guinevere, Lancelot, Merlin and the Knights of the Round Table, along with their respective folklore. In order to tell a "complete" story of Arthur from his conception to his death, Malory compiled, rearranged, interpreted and modified material from various French and English sources. Today, this is one of the best-known works of Arthurian literature. Many authors since the 19th-century revival of the legend have used Malory as their principal source. Apparently written in prison at the end of the medieval English era, ''Le Morte d'Arthur'' was completed by Malory around 1470 and was first published in a printed edition in 1485 by William Caxton. Until the discovery of the Winchester Manuscript in 1934, the 1485 edition was considered the earliest known text of ''Le Morte d'Arthur'' and that ...
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Thomas Malory
Sir Thomas Malory was an English writer, the author of '' Le Morte d'Arthur'', the classic English-language chronicle of the Arthurian legend, compiled and in most cases translated from French sources. The most popular version of '' Le Morte d'Arthur'' was published by the famed London printer William Caxton in 1485. Much of Malory's life history is obscure, but he identified himself as a "knight prisoner", apparently reflecting that he was either a criminal or a prisoner-of-war. Malory's identity has never been confirmed. However, since modern scholars began researching his identity the most widely accepted candidate has been Sir Thomas Malory of Newbold Revel in Warwickshire, who was imprisoned at various times for criminal acts and possibly also for political reasons during the Wars of the Roses. Identity Most of what is known about Malory stems from the accounts describing him in the prayers found in the Winchester Manuscript of ''Le Morte d'Arthur''. He is described as a "" ...
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Gergely Nagy (scholar)
Gergely Nagy is a Hungarian medievalist and Tolkien scholar. Biography Gergely Nagy was born in Szeged, Hungary. Nagy gained his PhD at the University of Szeged, where he teaches on Tolkien and Plato. Nagy has written numerous papers of Tolkien criticism. He contributed nine entries to the 2006 ''J. R. R. Tolkien Encyclopedia'', and a chapter on ''The Silmarillion'' to the 2014 ''A Companion to J. R. R. Tolkien''. He has been described as an "especially well-known figure" in Tolkien scholarship who had made an "excellent contribution" to the book ''Sub-creating Arda. World-building in J.R.R. Tolkien's Work'' with his "usual skill and insight". Works Nagy's many articles of Tolkien scholarship include: * 2002The Great Chain of Reading: (Inter)Textual Relations and the Technique of Mythopoesis in the Túrin Story, In: Jane Chance (ed) ''Tolkien the Medievalist''. London: Routledge, pp. 239-258. * 2004The Adapted Text: The Lost Poetry of Beleriand, ''Tolkien Studies'' 1: pp. ...
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