|
Il Guarany
''Il Guarany'' (''The Guarany'') is an opera ballo composed by Antônio Carlos Gomes, based on the novel '' O Guarani'' by José de Alencar. Its libretto, in Italian rather than Gomes' native Portuguese, was written by and . The work is notable as the first Brazilian opera to gain acclaim outside Brazil.Volpe, Maria Alice, "Remaking the Brazilian Myth of National Foundation: ''Il Guarany''" (Autumn–Winter 2002). '' Latin American Music Review''/''Revista de Música Latinoamericana'', 23 (2): pp. 179–194. Maria Alice Volpe has analysed the historical subtext of the indianism movement behind ''Il Guarany''. The operatic version of the story takes place near Rio de Janeiro in 1560, and the plot centers around an interracial love story between Pery, a Guarani indian prince, and Cecilia, the daughter of a Portuguese nobleman. The work emphasizes the Romanticized concept of the "noble savage" in an exotic Brazilian tropical setting as well as the concept of racial miscegenation, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antônio Carlos Gomes
Antônio Carlos Gomes (; July 11, 1836 in Campinas – September 16, 1896 in Belém) was the first New World composer whose work was accepted by Europe. He was the only non-European who was successful as an opera composer in Italy, during the "golden age of opera", contemporary to Verdi and Puccini and the first composer of non-European lineage to be accepted into the Classic tradition of music. Younger than Verdi, yet older than Puccini, Carlos Gomes achieved his first major success in a time when the Italian audiences were eager for a new name to celebrate and Puccini had not yet officially started his career. After the successful premiere of ''Il Guarany'', Gomes was considered the most promising new composer. Verdi said his work was an expression of "true musical genius". Liszt said that “it displays dense technical maturity, full of harmonic and orchestral maturity.” Cernicchiaro, Vincenzo (1926) Storia della Musica nel Brasile (p. 359) Milano: Fratelli Riccioni. Life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmy Destinn
Emmy Destinn ( (); 26 February 1878 – 28 January 1930) was a Czech operatic soprano with a strong and soaring lyric-dramatic voice. She had a career both in Europe and at the New York Metropolitan Opera. Biography Destinn was born Emílie Pavlína Věnceslava Kittlová () in Prague, in what was then the Austria-Hungary, Austro-Hungarian Empire. Her voice teacher since age thirteen had been Marie Maria von Dreger Loewe-Destinn, and the young singer began using her teacher's surname as a tribute. She was let go after the short engagement at the Semperoper, Dresden Opera and declined by Prague National Theatre in 1897. She debuted on 19 July 1898 at the Berlin State Opera, Berlin Court Opera as Santuzza in ''Cavalleria rusticana''. She made such progress that the intendant of the Berlin Court Opera engaged her at once when she was brought to intendant's notice. She was only nineteen at the time, but her voice and her acting soon won the Berlin public. Her engagement in Berl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Béhague
Gerard Henri Béhague (November 2, 1937 – June 13, 2005) was an eminent Franco-American ethnomusicologist and professor of Latin American music. His specialty was the music of Brazil and the Andean countries and the influence of West Africa on the music of the Caribbean and South America, especially candomblé music. His lifelong work earned him recognition as the leading scholar of Latin American ethnomusicology. Biography Béhague was born in Montpellier, France and raised in Rio de Janeiro, Brazil. There he studied piano, music theory and composition at the National School of Music of the University of Brazil and the Brazilian Conservatory of Music. He earned a diploma from the latter (1959), a master's degree in musicology from the University of Paris (Sorbonne; 1962), and a Ph.D. in musicology from Tulane University (1966), where he studied under the noted music historian Gilbert Chase. In 1962, Béhague married Cecilia Pareja, a daughter of Ecuadorian writer and di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Jane Phillips-Matz
Mary Jane Phillips-Matz (January 30, 1926 – January 19, 2013) was an American biographer and writer on opera. She is mainly known for her biography of Giuseppe Verdi, a result of 30 years' research and published in 1992 by Oxford University Press. Born in Lebanon, Ohio and educated at Smith College and Columbia University, she lived for many years in Italy, and even after her return to the United States in the early 1970s spent her summers in Verdi's hometown of Busseto where she continued her exhaustive research into his life. She died in New York City at the age of 86, survived by three of her five children. Biography Mary Jane Phillips was born in Lebanon, Ohio to William Mason Phillips and Hazel Spencer Phillips. Her mother was the author of several books on Ohio history and folklore. She grew up in Dayton and acquired her interest in opera as a child from family excursions to the Cincinnati Zoo where the price of admission included a free performance by Cincinnati Opera in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Maurel
Victor Maurel (17 June 184822 October 1923) was a French operatic baritone who enjoyed an international reputation as a great singing actor. Biography Maurel was born in Marseille. Educated in music and stagecraft at the Paris Conservatory, he made his debut in opera in 1867, in the city of his birth. The following year, he performed on stage in Paris for the first time. New York first heard him in 1873, when he performed at the Academy of Music. Later, he would sing at New York's Metropolitan Opera (in 1894-96 and 1898–99). Other famous venues at which he appeared included London's Royal Opera House, Covent Garden — in 1873–79, 1891–95 and 1904 — and the Paris Opera, where he was on the roster of singers from 1879 to 1894. Maurel was renowned in Europe and the United States for his vivid stage presence and exceptional acting and make-up skills; but his voice, while well trained and of good quality, was not considered to be as impressive as that of his chief Frenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Constance Sasse
Marie may refer to: People Name * Marie (given name) * Marie (Japanese given name) * Marie (murder victim), girl who was killed in Florida after being pushed in front of a moving vehicle in 1973 * Marie (died 1759), an enslaved Cree person in Trois-Rivières, New France * ''Marie'', Biblical reference to Holy Mary, mother of Jesus * Marie Curie, scientist Surname * Jean Gabriel Marie (other) * Peter Marié (1826–1903), American socialite from New York City, philanthropist, and collector of rare books and miniatures * Rose Marie (1923–2017), American actress and singer * Teena Marie (1956–2010), American singer, songwriter, and producer Places * Marie, Alpes-Maritimes, commune of the Alpes-Maritimes department, France * Lake Marie, Umpqua Lighthouse State Park, Winchester Bay, Oregon, U.S. * Marie, Arkansas, U.S. * Marie, West Virginia, U.S. Art, entertainment, and media Music * "Marie" (Cat Mother and the All Night Newsboys song), 1969 * "Marie" (Johnny Hally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
