Il Filostrato
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Il Filostrato
"Il Filostrato" is a poem by the Italian writer Giovanni Boccaccio, and the inspiration for Geoffrey Chaucer's ''Troilus and Criseyde'' and, through Chaucer, the Shakespeare play ''Troilus and Cressida''. It is itself loosely based on '' Le Roman de Troie'', by 12th-century poet Benoît de Sainte-Maure. ''Il Filostrato'' is a narrative poem on a classical topic written in "royal octaves" (''ottava rima'') and divided into eight cantos. The title, a combination of Greek and Latin words, can be translated approximately as "laid prostrate by love". The poem has a mythological plot: it narrates the love of Troilo (Troilus), a younger son of Priam of Troy, for Criseida (Cressida), daughter of Calcas (Calchas). Although its setting is Trojan, Boccaccio's story is not taken from Greek myth, but from the ''Roman de Troie'', a twelfth-century French medieval re-elaboration of the Trojan legend by Benoît de Sainte-Maure known to Boccaccio in the Latin prose version by Guido delle Colonne ...
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Poem
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskrit ' ...
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Roman à Clef
''Roman à clef'' (, anglicised as ), French for ''novel with a key'', is a novel about real-life events that is overlaid with a façade of fiction. The fictitious names in the novel represent real people, and the "key" is the relationship between the nonfiction and the fiction. This metaphorical key may be produced separately—typically as an explicit guide to the text by the author—or implied, through the use of epigraphs or other literary techniques. Madeleine de Scudéry created the ''roman à clef'' in the 17th century to provide a forum for her thinly veiled fiction featuring political and public figures. The reasons an author might choose the ''roman à clef'' format include satire; writing about controversial topics and/or reporting inside information on scandals without giving rise to charges of libel; the opportunity to turn the tale the way the author would like it to have gone; the opportunity to portray personal, autobiographical experiences without having ...
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Medieval Italian Literature
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the Post-classical, post-classical period of World history (field), global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern history, modern period. The medieval period is itself subdivided into the Early Middle Ages, Early, High Middle Ages, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the ...
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14th-century Poems
As a means of recording the passage of time, the 14th century was a century lasting from 1 January 1301 ( MCCCI), to 31 December 1400 ( MCD). It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire. West Africa experienced economic growth and prosperity. In Europe, the Black Death claimed 25 million lives wiping out one third of the European population while the Kingdom of England and the Kingdom of France fought in the protracted Hundred Years' War after the death of Charles IV, King of France led to a claim to the French throne by Edward III, King of England. This period is considered the height of chivalry and marks the beginning of strong separate identities for both England and France as well as the foundation of the Italian Renaissance and Ottoman Empire. In Asia, Tamerlane (Timur), established the Timurid Empire, history's third largest empire to have been ever establish ...
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Achilles
In Greek mythology, Achilles ( ) or Achilleus ( grc-gre, Ἀχιλλεύς) was a hero of the Trojan War, the greatest of all the Greek warriors, and the central character of Homer's ''Iliad''. He was the son of the Nereid Thetis and Peleus, king of Phthia. Achilles' most notable feat during the Trojan War was the slaying of the Trojan prince Hector outside the gates of Troy. Although the death of Achilles is not presented in the ''Iliad'', other sources concur that he was killed near the end of the Trojan War by Paris, who shot him with an arrow. Later legends (beginning with Statius' unfinished epic ''Achilleid'', written in the 1st century AD) state that Achilles was invulnerable in all of his body except for one heel, because when his mother Thetis dipped him in the river Styx as an infant, she held him by one of his heels. Alluding to these legends, the term " Achilles' heel" has come to mean a point of weakness, especially in someone or something with an otherwise strong ...
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Deiphobus
In Greek mythology, Deiphobus ( grc, , Dēḯphobos) was a son of Priam and Hecuba. He was a prince of Troy, and the greatest of Priam's sons after Hector and Paris. Deiphobus killed four men of fame in the Trojan War. Description Deiphobus was described by the chronicler Malalas in his account of the ''Chronography'' as " above average stature, keen-eyed, somewhat snub-nosed, dark-skinned, flat-faced, brave, good beard". Meanwhile, in the account of Dares the Phrygian, he was illustrated as ". . .looked like his father .e. a handsome face He was the man of forceful action". Mythology According to the ''Iliad'' (books XII, XIV, XXII), in the Trojan War Deiphobus, along with his brother Helenus, led a group of soldiers at the siege of the newly constructed Argive wall and killed many, and wounded the Achaean hero Meriones. As Hector was fleeing Achilles, Athena took the shape of Deiphobus and goaded Hector to make a stand and fight. Hector, thinking it was his brother ...
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Diomedes
Diomedes (Jones, Daniel; Roach, Peter, James Hartman and Jane Setter, eds. ''Cambridge English Pronouncing Dictionary''. 17th edition. Cambridge UP, 2006.) or Diomede (; grc-gre, Διομήδης, Diomēdēs, "god-like cunning" or "advised by Zeus") is a hero in Greek mythology, known for his participation in the Trojan War. He was born to Tydeus and Deipyle and later became King of Argos, Peloponnese, Argos, succeeding his maternal grandfather, Adrastus. In Homer's ''Iliad'' Diomedes is regarded alongside Ajax the Great and Agamemnon, after Achilles, as one of the best warriors of all the Achaeans (Homer), Achaeans in prowess (which is especially made clear in Book 7 of the ''Iliad'' when Ajax the Greater, Diomedes, and Agamemnon are the most wished for by the Achaeans to fight Hector out of nine volunteers, who included Odysseus and Ajax the Lesser). Subsequently, Diomedes founded ten or more Italian cities and, after his death, was worshipped as a divine being under various ...
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Antenor
__NOTOC__ Antenor ( grc-gre, Ἀντήνωρ, ''Antḗnōr'';  BC) was an Ancient Athens, Athenian Ancient Greek sculpture, sculptor. He is recorded as the creator of the Harmodius and Aristogeiton (sculpture), joint statues of the tyrannicides Harmodius and Aristogeiton funded by the Athenians on the expulsion of Hippias (tyrant), Hippias. These statues were carried away to Susa by Xerxes I of Persia, Xerxes I of Achaemenid Empire, Persia during the Greco-Persian Wars. Archaeologists have also established that a basis signed by "Antenor son of Eumares" belonged to a set of female figures in an archaic style which were displayed in the Acropolis of Athens, acropolis. The sculptor of the ''Harmodius and Aristogeiton'' is usually listed as the son of Euphranor. See also *Harmodius and Aristogeiton *Harmodius and Aristogeiton (sculpture), Harmodius and Aristogeiton in sculpture *Antenor Kore *Severe style *Ancient Greek sculpture Notes References

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Pandarus
Pandarus or Pandar (Ancient Greek: Πάνδαρος ''Pándaros'') is a Trojan aristocrat who appears in stories about the Trojan War. In Homer's ''Iliad'' he is portrayed as an energetic and powerful warrior, but in medieval literature he becomes a witty and licentious figure who facilitates the affair between Troilus and Cressida. In Shakespeare's play ''Troilus and Cressida'', he is portrayed as an aged degenerate and coward who ends the play by telling the audience he will bequeath them his "diseases". Classical literature In Homer's ''Iliad'', Pandarus is a renowned archer and the son of Lycaon. Pandarus, who fought on the side of Troy in the Trojan War and led a contingent from Zeleia, first appeared in Book Two of the ''Iliad''. In Book Four, he is tricked by Athena, who wishes for the destruction of Troy and assumes the form of Laodocus, son of Antenor, to shoot and wound Menelaus with an arrow, sabotaging a truce that could potentially have led to the peaceful ret ...
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Palladium (classical Antiquity)
In Greek mythology, Greek and Roman mythology, the Palladium or Palladion (Greek Παλλάδιον (Palladion), Latin ''Palladium'') was a cult image of great antiquity on which the safety of Troy and later Rome was said to depend, the wooden statue (''xoanon'') of Pallas Athena that Odysseus and Diomedes stole from the citadel of Troy and which was later taken to the future site of Rome by Aeneas. The Roman story is related in Virgil's ''Aeneid'' and other works. Rome possessed an object regarded as the actual Palladium for several centuries; it was in the care of the Vestal Virgins for nearly all this time. Since around 1600, the word Palladium (protective image), palladium has been used figuratively to mean anything believed to provide protection or safety, and in particular in Christian contexts a sacred relic or icon believed to have a protective role in military contexts for a whole city, people or nation. Such beliefs first become prominent in the Eastern church in the ...
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Hector
In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He was ultimately killed in single combat by Achilles, who later dragged his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * grc, ἕχειν, hékhein, label=none ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. Description Hector was described by the chronicler Malalas in his account of the ''Chronography'' as "dark-skinned, tall, very stoutly built, strong, good nose, wooly-haired, good beard, sq ...
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