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If You're Not Part Of The Solution, You're Part Of The Problem
''If You're Not Part of the Solution, You're Part of the Problem'' is the eleventh album by American jazz tenor saxophonist Joe Henderson. It was rereleased in 2004 as ''At the Lighthouse'', with an alternative album cover listing the personnel in place of the original title and several extra tracks. Henderson’s live band includes trumpeter Woody Shaw, keyboardist George Cables, bassist Ron McClure, tumbador Tony Waters and drummer Lenny White. Reception The AllMusic review by Scott Yanow states that "this live session from the legendary Lighthouse features a particularly strong version of the Joe Henderson Quintet" and contains "excellent remakes of 'Mode for Joe' and 'Blue Bossa' ... and a fine rendition of Round Midnight'." ''The Penguin Guide to Jazz'' commented that "Henderson and Shaw play some of the leader's choicest compositions in a steaming live showcase, one of the most fondly remembered Henderson albums of the period."Cook, Richard and Morton, Brian (2008) ''The P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Henderson
Joe Henderson (April 24, 1937 – June 30, 2001) was an American jazz tenor saxophonist. In a career spanning more than four decades, Henderson played with many of the leading American players of his day and recorded for several prominent labels, including Blue Note, Milestone, and Verve. Biography Early life Born in Lima, Ohio, United States, Henderson was one of fourteen children. He was encouraged by his parents Dennis and Irene (née Farley) and older brother James T. to study music. He dedicated his first album to them "for being so understanding and tolerant" during his formative years. Early musical interests included drums, piano, saxophone and composition. According to Kenny Dorham, two local piano teachers who went to school with Henderson's brothers and sisters, Richard Patterson and Don Hurless, gave him a knowledge of the piano.Original liner notes to '' Page One'' by Kenny Dorham He was particularly enamored of his brother's record collection. It seems that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'Round Midnight (song)
"Round Midnight" (sometimes titled "Round About Midnight") is a 1943 composition by American jazz pianist Thelonious Monk that quickly became a jazz standard and has been recorded by a wide variety of artists. A version recorded by Monk's quintet was added to the Grammy Hall of Fame in 1993. It is one of the most recorded jazz standards composed by a jazz musician. Composition and Monk's first recording It is thought that Monk composed the song sometime in 1940 or 1941. However, Monk's longtime manager Harry Colomby claims the pianist may have written an early version around 1936 (at the age of 19). The song was copyrighted September 24, 1943 in C minor under the title "I Need You So", with lyrics by a friend of Monk's named Thelma Murray. The first recording was made by Cootie Williams on August 22, 1944, after the pianist Bud Powell persuaded Williams to record the tune. Monk first recorded the song on November 21, 1947. It later appeared on the Blue Note album '' Genius of Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Bass
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck The neck is the part of the body on many vertebrates that connects the head with the torso. The neck supports the weight of the head and protects the nerves that carry sensory and motor information from the brain down to the rest of the body. In ... and Scale length (string instruments), scale length, and typically four to six string (music), strings or Course (music), courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a plectrum, pick. To be heard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Piano
An electronic piano is a keyboard instrument designed to simulate the timbre of a piano (and sometimes a harpsichord or an organ) using analog circuitry. "Electronic Piano" was also the trade name used for Wurlitzer's popular line of electric pianos, which were produced from the 1950s to the 1980s, although this was not actually what is now commonly known as an electronic piano. Electronic pianos work similarly to analog synthesizers in that they generate their tones through oscillators, whereas electric pianos are mechanical, their sound being electrified by a pickup and then amplified through an internal or external amplifier. The first electronic pianos date from the 1970s and were mostly made in Italy , although similar models were made concurrently in Japan. An exception is the range of instruments made by RMI in the United States from 1967 to approximately 1980, which was used by Genesis, Yes, Deep Purple, Elton John and Rick Wakeman . These early electronic pianos (inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronisław Kaper
Bronisław Kaper (; February 5, 1902 – April 26, 1983) was a Polish film composer who scored films and musical theater in Germany, France, and the USA. The American immigration authorities misspelled his name as Bronislau Kaper. He was also variously credited as Bronislaw Kaper, Bronislaw Kapper, Benjamin Kapper, and Edward Kane. Kaper is perhaps best remembered as the composer of the jazz standards " On Green Dolphin Street" (lyrics by Ned Washington) and " Invitation" (lyrics by Paul Francis Webster) which were the respective title songs for the Metro-Goldwyn-Mayer films '' Green Dolphin Street'' (1947) and '' Invitation'' (1952). He also scored the MGM film musical ''Lili'' (1953) for which he received the Academy Award for Best Original Score. Kaper's later works include ''Mutiny on the Bounty'' (1962) and the TV series ''The F.B.I.'' (1965–1974). Biography Bronisław Kaper was born in Warsaw, Poland, to an Ashkenazi Jewish family, and began playing the piano at the age o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Invitation (song)
"Invitation" is a song by Bronisław Kaper with lyrics by Paul Francis Webster, originally used in the film ''A Life of Her Own'' (1950). Though it was nominated for a Golden Globe award for Best Score in the original film, it only became a jazz standard after being used as the theme in the 1952 film '' Invitation''. Tony Thomas notes that it was selected for the film for its degree of poignance. It is considered to be Kaper's second best known song after " On Green Dolphin Street". Jazzstandards.com describes it as a "lush and haunting score", and notes that it is most associated with John Coltrane, who recorded it in 1958. Howard Morgen, who arranged it for guitar, writes that the "haunting" tune has "long been recognized by jazz players for its potential as an interesting mood piece" and "still sounds fresh and contemporary today". George Shearing was responsible for arranging the song for piano, while Frank Mantooth arranged a Latin version of it. Dakota Staton covered it on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recorda Me
"Recorda Me", which translates to "Remember Me" from Portuguese'','' is a jazz standard by the saxophonist Joe Henderson. It was introduced on Henderson's debut album '' Page One'', in 1963. This album also featured the first recording of the jazz standard "Blue Bossa", written by trumpeter Kenny Dorham. English lyrics were later written by vocalist Kelley Johnson under the title "Remember Me.' History The saxophonist wrote the composition at the age of 15 in a Latin style but later modified it with a bossa nova rhythm. It was recorded by Henderson on subsequent albums, including an uptempo version named "Não Me Esqueça"—"Do Not Forget Me" in Portuguese—on '' In Pursuit of Blackness'' and an arrangement named "Recuérdame" (Spanish) on the ''Big Band'' album. He recorded live versions on '' Joe Henderson Quintet at the Lighthouse'' and in the 1985 film and recording ''One Night with Blue Note'' with Freddie Hubbard, Herbie Hancock, Ron Carter and Tony Williams. The compositio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Dorham
McKinley Howard "Kenny" Dorham (August 30, 1924 – December 5, 1972) was an American jazz trumpeter, singer, and composer. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham's name has become "virtually synonymous with ''underrated''." Dorham composed the jazz standard "Blue Bossa", which first appeared on Joe Henderson's album ''Page One''. Biography Dorham was one of the most active bebop trumpeters. He played in the big bands of Lionel Hampton, Billy Eckstine, Dizzy Gillespie, and Mercer Ellington and the quintet of Charlie Parker. He joined Parker's band in December 1948. He was a charter member of the original cooperative The Jazz Messengers, Jazz Messengers. He also recorded as a sideman with Thelonious Monk and Sonny Rollins, and he replaced Clifford Brown in the Max Roach Quintet af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
