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Recorda Me
"Recorda Me", which translates to "Remember Me" from Portuguese'','' is a jazz standard by the saxophonist Joe Henderson. It was introduced on Henderson's debut album '' Page One'', in 1963. This album also featured the first recording of the jazz standard "Blue Bossa", written by trumpeter Kenny Dorham. English lyrics were later written by vocalist Kelley Johnson under the title "Remember Me.' History The saxophonist wrote the composition at the age of 15 in a Latin style but later modified it with a bossa nova rhythm. It was recorded by Henderson on subsequent albums, including an uptempo version named "Não Me Esqueça"—"Do Not Forget Me" in Portuguese—on '' In Pursuit of Blackness'' and an arrangement named "Recuérdame" (Spanish) on the ''Big Band'' album. He recorded live versions on '' Joe Henderson Quintet at the Lighthouse'' and in the 1985 film and recording ''One Night with Blue Note'' with Freddie Hubbard, Herbie Hancock, Ron Carter and Tony Williams. The compositio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Henderson
Joe Henderson (April 24, 1937 – June 30, 2001) was an American jazz tenor saxophonist. In a career spanning more than four decades, Henderson played with many of the leading American players of his day and recorded for several prominent labels, including Blue Note, Milestone, and Verve. Biography Early life Born in Lima, Ohio, United States, Henderson was one of fourteen children. He was encouraged by his parents Dennis and Irene (née Farley) and older brother James T. to study music. He dedicated his first album to them "for being so understanding and tolerant" during his formative years. Early musical interests included drums, piano, saxophone and composition. According to Kenny Dorham, two local piano teachers who went to school with Henderson's brothers and sisters, Richard Patterson and Don Hurless, gave him a knowledge of the piano.Original liner notes to '' Page One'' by Kenny Dorham He was particularly enamored of his brother's record collection. It seems that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Hubbard
Frederick Dewayne Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. Career beginnings Hubbard started playing the mellophone and trumpet in his school band at Arsenal Technical High School in Indianapolis, Indiana. Trumpeter Lee Katzman, former sideman with Stan Kenton, recommended that he begin studying at the Arthur Jordan Conservatory of Music (now the Jordan College of the Arts at Butler University) with Max Woodbury, the principal trumpeter of the Indianapolis Symphony Orchestra. In his teens, Hubbard worked locally with brothers Wes and Monk Montgomery, and worked with bassist Larry Ridley and saxophonist James Spaulding. In 1958, at the age of 20, he moved to New York and began playing with some of the best jazz players of the era, including Philly Joe Jones, Sonny Rollin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tierney Sutton
Tierney Sutton (born June 28, 1963) is an American jazz singer. Career Sutton was born in Omaha, Nebraska, but grew up in Milwaukee, Wisconsin. She received a bachelor's degree from Wesleyan University in Middletown, Connecticut, and attended the Berklee College of Music in Boston. For over 20 years, Sutton has led the Tierney Sutton Band with pianist Christian Jacob, bassists Trey Henry and Kevin Axt, and drummer Ray Brinker. The band is an incorporated unit and makes all musical and business decisions together. They tour throughout the world and have headlined at Carnegie Hall, The Hollywood Bowl, and Jazz at Lincoln Center. Sutton has been a Bahaʼi since 1981 and explains her band's arranging style as "based on the principle of consultation – the band is very much run on Baha'i principles. There is very much a sense that what we do is essentially a spiritual thing and everyone's voice needs to be heard." ''Paris Sessions'' (Varèse Sarabande, 2014), featuring guit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greg Osby
Greg Osby (born August 3, 1960) is an American saxophonist and composer. Biography Born in St. Louis, Missouri, Osby studied at Howard University, then at the Berklee College of Music. He moved to New York City in 1982, where he played with Jaki Byard, Jim Hall, Muhal Richard Abrams, Andrew Hill, Jack DeJohnette, Dizzy Gillespie, and Herbie Hancock. In 1985, he joined DeJohnette's group Special Edition. With Geri Allen, Steve Coleman, Gary Thomas, and Cassandra Wilson, he was a founding member of the M-Base Collective. Osby began recording albums under his own name for JMT Records in the mid-1980s, then signed with Blue Note in 1989. In 2007, he formed his own label, Inner Circle Music. He gave exposure to young pianist Jason Moran, who appeared on most of Osby's 1990s albums, including ''Further Ado'', ''Zero'', ''Banned in New York'' and ''Symbols of Light'', a double quartet featuring the addition of a string quartet to the band. He has also played with Phil Lesh and Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Farmer
Arthur Stewart Farmer (August 21, 1928 – October 4, 1999) was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition "Farmer's Market" in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player. As Farmer's reputation grew, he expanded from bebop into more experimental forms through working with composers such as George Russell and Teddy Charles. He went on to join Gerry Mulligan's quartet and, with Benny Golson, to co-found the Jazztet. Continuing to develop his own sound, Farmer switched from trumpet to the warmer flugelhorn in the early 1960s, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Reunion
''New York Reunion'' is a 1991 album by McCoy Tyner released on the Chesky label. It was recorded in April 1991 and features performances by Tyner with tenor saxophonist Joe Henderson, bassist Ron Carter and drummer Al Foster. The AllMusic review by Scott Yanow states that "The advanced hard bop music is as rewarding as one would expect". Track listing # "Recorda Me" (Henderson) - 9:47 # "Miss Bea (Dedicated to Mother)" (Tyner) - 7:09 # " What Is This Thing Called Love?" ( Porter) - 8:03 # " My Romance" ( Hart, Rodgers) - 6:37 # "Ask Me Now" (Monk) - 12:11 # "Beautiful Love" ( Gillespie, King, Van Alstyne, Young) - 9:13 # "A Quick Sketch" (Carter) - 10:36 # "Home" (Tyner) - 10:58 Personnel * McCoy Tyner - piano * Joe Henderson - tenor saxophone * Ron Carter - bass * Al Foster - drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McCoy Tyner
Alfred McCoy Tyner (December 11, 1938March 6, 2020) was an American jazz piano, jazz pianist and composer known for his work with the John Coltrane Quartet (from 1960 to 1965) and his long solo career afterwards. He was an NEA Jazz Masters, NEA Jazz Master and five-time Grammy award winner. Unlike many of the jazz keyboardists of his generation, Tyner very rarely incorporated Electronic keyboard, electric keyboards or synthesizers into his work. Tyner has been widely imitated, and is one of the most recognizable and influential pianists in jazz history. Early life and family Tyner was born on December 11, 1938, in Philadelphia, Pennsylvania, the eldest of three children of Jarvis and Beatrice (Stevenson) Tyner. His younger brother Jarvis Tyner was the executive vice-chairman of the Communist Party USA. Tyner was encouraged to study piano by his mother, who had installed a piano at her beauty salon. He began piano lessons at age 13 at the Granoff School of Music where he had als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steps Ahead
Steps Ahead is an American jazz fusion group. History The group arose out of spontaneous sessions at Seventh Avenue South, a jazz club in New York City owned by saxophonist Michael Brecker and trumpeter brother Randy Brecker. The first three albums were released under the name Steps, later changed to Steps Ahead, on Nippon Columbia in Japan, starting with the debut live album ''Smokin' in the Pit'' (1980), followed by ''Step By Step'' (1981) and ''Paradox'' (1982). The shifting roster has included vibraphonist Mike Mainieri, saxophonists Michael Brecker, Bob Berg, Bendik Hofseth, Bill Evans, Ernie Watts, and Donny McCaslin; pianists Don Grolnick, Eliane Elias, Warren Bernhardt and Rachel Z; guitarists Mike Stern, Chuck Loeb, and Steve Khan; bassists Eddie Gomez, Darryl Jones, Tony Levin, Victor Bailey, Richard Bona, and Marc Johnson; and drummers Steve Gadd, Peter Erskine, Steve Smith, and Dennis Chambers. Steps Ahead was active during the 1970s and 1980s, intermittently dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AB Form
Binary form is a musical form in 2 related sections, both of which are usually repeated. Binary is also a structure used to choreograph dance. In music this is usually performed as A-A-B-B. Binary form was popular during the Baroque period, often used to structure movements of keyboard sonatas. It was also used for short, one-movement works. Around the middle of the 18th century, the form largely fell from use as the principal design of entire movements as sonata form and organic development gained prominence. When it is found in later works, it usually takes the form of the theme in a set of variations, or the Minuet, Scherzo, or Trio sections of a "minuet and trio" or "scherzo and trio" movement in a sonata, symphony, etc. Many larger forms incorporate binary structures, and many more complicated forms (such as the 18th-century sonata form) share certain characteristics with binary form. Structure A typical example of a piece in binary form has two large sections of rough ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Real Book
The ''Real Book'' is a musicians' fake book – a compilation of lead sheets for jazz standards. Fake books had been around at least since the late 1920s, but their organization was haphazard, and their content did not always keep pace with contemporary musical styles. The Real Book was initially produced by two students at the Berklee College of Music in the 1970s, as an updated fake book. It became so popular that the books was eventually "legitimized" by publisher Hal Leonard, and re-released in a series of editions and transpositions for various instruments. Background For years, musicians had been producing "lead sheets", so called because they contained only rough outlines of music pieces rather than fully notated scores. These lead sheets were collected together in volumes and sold to other musicians. These books gave the musician enough basic information – melody, chord symbols, structure, lyrics – to "fake" his way thorough the tune, that is, to perform a cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Education
Each style and era of jazz adopted new techniques to help educate younger musicians. Early forms of jazz education were more informal. Since the first degree program was founded in 1947, the rise of institutionalized jazz education, resulted in jazz education becoming more formalized and more structured.Worthy Formalized jazz education has brought a new wave of interest in jazz.JazzTimes.comcurrently lists 492 collegiate jazz programs globally. This database is exclusive to just schools that offer majors and does not include the number of schools that also offer jazz courses in their curriculum."Jazz Education" The formalization of jazz was and still is a controversial subject. Many professional musicians believe that it has harmed the spirit of the music, while others maintain that it has been beneficial for the art form.Ake, 104 Early jazz education Jazz has long been celebrated for its roots as an aural tradition. This defined early jazz education in New Orleans, where the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
