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Idiology
''Idiology'' is a studio album by German electronica duo Mouse on Mars. It was released in 2001. Critical reception At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, ''Idiology'' received an average score of 83% based on 14 reviews, indicating "universal acclaim". ''Pitchfork'' placed it at number 12 on the "Top 20 Albums of 2001" list. Track listing Personnel Credits adapted from liner notes. * Jan St. Werner – composition, production, lyrics * Andi Toma – composition, production, lyrics * Dodo Nkishi – vocals, lyrics * Matti Rouse – vocals * Harald Sack Ziegler – french horn, trumpet * Peter Stahlhofen – trumpet * Isolde Hermanns – clarinet, bass clarinet * Miriam Hardenberg – cello * Sebastian Reimann – violin * Hartmut Frank – viola * Matthew Herbert Matthew Herbert (born 1972), also known as Herbert, Doctor Rockit, Radio Boy, Mr. Vertigo, Transformer, and Wishmountain, is a British electron ...
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Mouse On Mars
Mouse on Mars is a German electronic music duo formed in 1993 by Jan St. Werner and Andi Toma. Their music is a blend of electronic genres including IDM, dub, krautrock, breakbeat and ambient, featuring heavy use of organic analog synth and cross-frequency modulation. Their music also features live instrumentation including strings, horns, drums, bass, and guitar. History St. Werner, from Cologne, and Toma, from Düsseldorf, are childhood friends who were born on the same day and in the same hospital. They both experimented with electronic music in the mid 1990s. On earlier recordings, their music was primarily krautrock, dub, techno and ambient, and did not feature vocals, but more recent recordings increasingly include vocals from featured guest artists, many of whom have toured with the duo. Their first album, ''Vulvaland'', was released in 1994 on the British record label Too Pure. Sean Cooper of ''AllMusic'' stated that it is "a wibbly, barely digital match of ambient ...
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Sonig
Mouse on Mars is a German electronic music duo formed in 1993 by Jan St. Werner and Andi Toma. Their music is a blend of electronic genres including IDM, dub, krautrock, breakbeat and ambient, featuring heavy use of organic analog synth and cross-frequency modulation. Their music also features live instrumentation including strings, horns, drums, bass, and guitar. History St. Werner, from Cologne, and Toma, from Düsseldorf, are childhood friends who were born on the same day and in the same hospital. They both experimented with electronic music in the mid 1990s. On earlier recordings, their music was primarily krautrock, dub, techno and ambient, and did not feature vocals, but more recent recordings increasingly include vocals from featured guest artists, many of whom have toured with the duo. Their first album, ''Vulvaland'', was released in 1994 on the British record label Too Pure. Sean Cooper of ''AllMusic'' stated that it is "a wibbly, barely digital match of ambient t ...
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Andi Toma
Mouse on Mars is a German electronic music duo formed in 1993 by Jan St. Werner and Andi Toma. Their music is a blend of electronic genres including IDM, dub, krautrock, breakbeat and ambient, featuring heavy use of organic analog synth and cross-frequency modulation. Their music also features live instrumentation including strings, horns, drums, bass, and guitar. History St. Werner, from Cologne, and Toma, from Düsseldorf, are childhood friends who were born on the same day and in the same hospital. They both experimented with electronic music in the mid 1990s. On earlier recordings, their music was primarily krautrock, dub, techno and ambient, and did not feature vocals, but more recent recordings increasingly include vocals from featured guest artists, many of whom have toured with the duo. Their first album, ''Vulvaland'', was released in 1994 on the British record label Too Pure. Sean Cooper of ''AllMusic'' stated that it is "a wibbly, barely digital match of ambient te ...
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Radical Connector
''Radical Connector'' is a studio album by German electronica duo Mouse on Mars. It was released in 2004. It features vocal contributions from Dodo Nkishi and Niobe. Critical reception At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, ''Radical Connector'' received an average score of 75% based on 21 reviews, indicating "generally favorable reviews". Heather Phares of AllMusic gave the album 4.5 stars out of 5, saying: "This may not be Mouse on Mars' most ambitious album, but it's among the group's most successful -- it's not at all difficult to feel a connection to this truly intelligent dance music." Mark Richardson of ''Pitchfork'' gave the album an 8.1 out of 10, describing it as "Mouse on Mars' most conventional album" and "their most predictable in structure." Meanwhile, Kareem Estefan of ''Stylus Magazine ''Stylus Magazine'' was an American online music and film magazine, launched in 2002 and co-founded by Todd L. Burn ...
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Niun Niggung
''Niun Niggung'' is a studio album by German electronica duo Mouse on Mars. It was released in 1999. It peaked at number 76 on the German Albums Chart. Critical reception Andrew Duke of ''Exclaim!'' gave the album a favorable review, describing it as "an album that immediately becomes a must-have for the electronic music enthusiast." ''The Wire'' named ''Niun Niggung'' the record of the year in its annual critics' poll. ''Spin'' placed it at number 16 on the "20 Best Albums of 2000" list. ''NME ''New Musical Express'' (''NME'') is a British music, film, gaming, and culture website and brand. Founded as a newspaper in 1952, with the publication being referred to as a 'rock inkie', the NME would become a magazine that ended up as a f ...'' named it the 33rd best album of 1999. Track listing Personnel Credits adapted from liner notes. * Jan St. Werner – composition, arrangement, production * Andi Toma – composition, arrangement, production * F.X.Randomiz – digit ...
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Domino Recording Company
Domino Recording Company or simply Domino is a British independent record label based in London. There is also a wing of the label based in Brooklyn, New York that handles releases in the United States, as well as a German division called Domino Deutschland and a French division called Domino France. In addition, Stephen Pastel presides over the subsidiary label Geographic Music, which releases more 'unusual' music from Britain and outside of the Western world. In 2011, the company announced that it was beginning a book publishing division, The Domino Press. History Founded in 1993, by Laurence Bell and Jacqui Rice, the label's first release was the Sebadoh EP '' Rocking the Forest'', licensed from Sub Pop records for release in the UK. Many of the early releases were by American artists who in the US were signed to Drag City (Smog, Will Oldham, Royal Trux), a relationship which continues to this day. Success was not immediate, as labels such as Domino, who were releasing ...
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Thrill Jockey
Thrill Jockey is an American independent record label established by former Atlantic Records A&R representative Bettina Richards and based in Chicago. History Richards started the label in 1992 with $35,000 of family and personal capital, while working at a Hoboken, New Jersey, record store, and ran the label from her apartment in New York City.Pareles, JonIt's Her Label and She'll Sign Who She Wants To New York Times September 23, 1998 accessdate = 2007-05-09 In 1995, she moved the label to Chicago, where "rent and taxes are considerably cheaper" according to Richards, and the independent label found some larger success. Thrill Jockey offers full-length streaming of every song on every release in its catalog. "I believe if people can listen to the albums, they tend to buy them," Richards said in a 2006 interview with ''Chicago Reader''. Artists who have recorded on the label include Double Dagger, Future Islands, Tortoise, The Sea and Cake, Bummer, High Places, Trans Am, Mous ...
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Post-rock
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. Artists such as Talk Talk and Slint have been credited with producing foundational works in the style in the early 1990s. The term post-rock itself was notably employed by journalist Simon Reynolds in a review of the 1994 Bark Psychosis album '' Hex''. It later solidified into a recognizable trend with the release of Tortoise's 1996 album ''Millions Now Living Will Never Die''. The term has ...
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Jan St
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number, a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * ''Joint Army-Navy'', US standards for electronic color codes, etc. * ''Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Mandarin as Jan in Wade–Giles * Ján, Slovak name Other uses * January, as an abbreviation for the first month of the year in the Gregorian calendar * Jan (cards), a term in some card games when a player loses without taking any tricks or scoring a mini ...
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Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ...
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Intelligent Dance Music
Intelligent dance music (commonly abbreviated as IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints.''"…the label 'IDM' (for avant-garde, 'intelligent dance music') seems to be based more on an association with individualistic experimentation than on a particular set of musical characteristics."'' Butler, M.J., ''Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music'', Indiana University Press, 2006, (p. 80). It emerged from the culture and sound palette of electronic and rave music styles such as ambient techno, acid house, Detroit techno and breakbeat;''"The electronic listening music of the nineties is a prime example of an art form derived from and stimulated by countless influences. Partisan analyses of this music claim a baffling variety of prime sources (Detroit techno, New York electro + Chicago acid, Eno + Bowie, Cage + Reich, Gary Numan + Tange ...
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Metacritic
Metacritic is a website that review aggregator, aggregates reviews of films, TV shows, music albums, video games and formerly, books. For each product, the scores from each review are averaged (a weighted arithmetic mean, weighted average). Metacritic was created by Jason Dietz, Marc Doyle, and Julie Doyle Roberts in 1999. The site provides an excerpt from each review and hyperlinks to its source. A color of green, yellow or red summarizes the critics' recommendations. It is regarded as the foremost online review aggregation site for the video game industry. Metacritic's scoring converts each review into a percentage, either mathematically from the mark given, or what the site decides subjectively from a qualitative review. Before being averaged, the scores are weighted according to a critic's popularity, stature, and volume of reviews. The website won two Webby Awards for excellence as an aggregation website. Criticism of the site has focused on the assessment system, the ass ...
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