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Ichikawa Danjūrō V
also known as , was one of the most famous and popular Japanese Kabuki actors of all time. Throughout his career, Danjūrō would hold some of the highest ranks in the '' hyōbanki'', an annual Edo publications which evaluated actors and performances. At one point in 1782, he was even granted the rank of . He is depicted in countless '' ukiyo-e'' actor prints ('' yakusha-e''), and unlike many actors who focus on one type of role, Danjūrō excelled at many types of roles, playing heroes, villains, samurai, peasants, and beautiful women with equal skill. One of his most famous roles is that of the hero in '' Shibaraku'', a scene contained within full plays. Names Like most kabuki actors, and many artists, of his time, Danjūrō had a number of names. He was the fifth to be called Ichikawa Danjūrō, and though not the first to be known as Ichikawa Ebizō, he used different kanji (characters) than his predecessors in writing the name. He was a member of the guilds Naritaya and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shibaraku
''Shibaraku'' (暫, しばらく) is a play in the Kabuki repertoire, and one of the celebrated ''Kabuki Jūhachiban'' ("Eighteen Great Plays"). The play is noted for its flamboyantly dramatic costumes and makeup (''kumadori''). {{citation needed, date=May 2017 The English translation of the title is akin to "Stop a Moment!" Originally staged by Ichikawa Danjūrō I in 1697 at the Nakamura-za, it was very popular, and quickly began to be included at the annual '' kaomise'' celebrations of each theatre in Edo. For a time, the main role was frequently different, depending on the whims of the theatre and the troupe. The piece was standardized somewhat in the early 19th century by Danjūrō VII, and reworked again by Danjūrō IX at the end of that century. This version has been performed since then. A scene of roughly 50 minutes, ''Shibaraku'' is not a play unto itself, but a short drama inserted during interludes or in between full plays to provide variety and maintain a certa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nakamura-za
was one of the three main ''kabuki'' theatres of Edo alongside the Morita-za and Ichimura-za. History It was founded in 1624 by Nakamura Kanzaburō 1st. The Nakamura-za relocated to the new capital Tokyo in 1868 and reopened under Nakamura Kanzaburō I's last direct descendant Nakamura Kanzaburo XIII (1828–1895) as zamoto. It was later also called the Miyako-za (). A real-size replica of the Nakamura-za is located at the Edo-Tokyo Museum The is a historical museum located at 1-4-1 Yokoami, Sumida, Tokyo, Sumida-Ku, Tokyo in the Ryōgoku, Ryogoku district. The museum opened in March 1993 to preserve Edo's cultural heritage, and features city models of Edo and Tokyo between 1 .... References External links Nakamura-za at Kabuki21.com Former kabuki theatres Nihonbashi, Tokyo {{Japan-hist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1806 Deaths
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commonl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1741 Births
Events January–March * January 13 – Lanesborough, Massachusetts is created as a township. *February 13 – Sir Robert Walpole, the Prime Minister of Great Britain, popularizes the term "the balance of power" in a speech in Parliament. *February 14 – Irish-born actor Charles Macklin makes his London stage debut as Shylock in ''The Merchant of Venice'' at the Theatre Royal, Drury Lane, pioneering a psychologically realistic style with Shakespeare's text revived, replacing George Granville's melodramatic adaptation ''The Jew of Venice''. *March 9 – Prussian troops bring down the Austrian fortress of Glogau (modern-day Głogów in Poland). *March 13 – The British Royal Navy takes 180 warships, frigates and transport vessels, led by Admiral Edward Vernon, to threaten Cartagena, Colombia, with more than 27,000 crew against the 3,600 defenders. April–June * April 6 – The New York Slave Insurrection, a plot to set fire to New Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki Actors
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shūmei
''Shūmei'' (, "name succession") are grand naming ceremonies held in kabuki theatre. Most often, a number of actors will participate in a single ceremony, taking on new stage-names. These stagenames, most often those of the actor's father, grandfather, or teacher, are passed down between generations of actors' lineages, and hold great honor and importance. Many names are associated with certain roles or acting styles, and the new possessor of each name must live up to these expectations; there is the feeling almost of the actor not only taking a name, but embodying the spirit, style, or skill of each actor to previously hold that name. Many actors will go through at least three names over the course of their career, their participation in a ''shūmei'' representing their passage into a new chapter of their performing career. The ''shūmei'' usually is followed by a performance significant to the actors' new names; these might involve larger parts, a new play, or roles traditiona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kawarazaki-za
The was one of the major kabuki theatres in Edo (modern-day Tokyo) during the Edo period and into the Meiji period. Not being one of the four theatres formally licensed by the Tokugawa shogunate, the theatre was largely inactive for long stretches of time, operating only when the Morita-za, facing financial difficulties or physical destruction of its theatre building, temporarily lent its license to the Kawarazaki-za. It was established in 1656 and was managed by members of the Kawarazaki family of actors until 1875. History The Kawarazaki-za was opened in 1656 by Kawarazaki Gonnosuke I. In 1670, the shogunate issued licenses to four theatres in the city, forbidding the others, including the Kawarazaki-za, from operating. The Kawarazaki-za was, therefore, largely inactive until 1735, when it obtained the license from the bankrupt Morita-za, losing it once more in 1744. The theatre then reacquired the Morita-za's license from 1790 to 1797, producing a number of plays including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiri-za
The was a major kabuki theatre in the Japanese capital of Edo (later, Tokyo), for much of the Edo period, and into the 20th century. It was first opened in 1634 and was run by members of the Ichimura family for much of the following nearly three centuries before it was destroyed by fire in 1932. It has not been rebuilt. History The theatre which would later be known as the Ichimura-za was founded as the Murayama-za, by Murayama Matasaburō I in March 1634.Shōriya, Asagoro. "Ichimuraza." Kabuki21.com Accessed 15 November 2008. After it was destroyed by fire in 1641 and rebuilt, the theatre, now controlled by Murayama's son-in-law Murata Kuroemon, with the help of Ichimura Uzaemon III, was renamed the Ichimura-za in 1643. Uzaemon became the official manager of the theatre in 1652, upon Kuroemon's death. The Ichimura-za was destroyed by fire and rebuilt numerous times over the years, including during the famous 1657 "Furisode Fire" or " Great Fire of Meireki". Ichimura Uzaemon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryō
The was a gold currency unit in the shakkanhō system in pre- Meiji Japan. It was eventually replaced with a system based on the ''yen''. Origins The ''ryō'' was originally a unit of weight from China, the ''tael.'' It came into use in Japan during the Kamakura period. By the Azuchi–Momoyama period it had become nearly uniform throughout Japan, about 4.4 ''monme'' as a unit of weight (about the same as 16.5 grams). During the Sengoku period, various local ''daimyō'' began to mint their own money. One of the best known and most prestigious of these private coins was the ''koshukin'' issued by the warlord Takeda Shingen, who had substantial gold deposits within his territories. The value of the koshukin was based on its weight, with one ''koshukin'' equal to one ryō of gold, and thus stamped with its weight (about 15 grams). During the Tenshō period (1573–1592), one ryō was equal to four ''koku'' of rice, or 1000 brass coins. Tokugawa period The Tokugawa shogunate at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morita-za
{{Infobox Theatre , name = Morita-za森田座 , image = Stele of Morita-za site 02.jpg , caption = Stele of Saruwaka-machi Morita-za in Asakusa , address = , city = Edo , country = {{flagicon, Japan Japan , designation = Licensed theatre , latitude = , longitude = , architect = , owner = Morita family, later Shōchiku , capacity = , type = Kabuki theatre , opened = January 1660 , yearsactive = , rebuilt = 1704, numerous other times , closed = 1923 , othernames = Morita-za (守田座), Shintomi-za , production = , currentuse = , website = The Morita-za (森田座・守田座), also known later as the Shintomi-za (新富座), was one of the major Kabuki theaters in Edo (modern-day Tokyo) during the Edo period and into the beginning of the 20th century. It was established in January 1660, and run by the Morita family of actors until its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nue No Mori Ichiyō No Mato
The Nue (鵺, 鵼, 恠鳥, or 奴延鳥) is a legendary yōkai or mononoke. Appearance In the '' Tale of Heike'', it is described as a Japanese chimera having the head of a monkey, the limbs of a tiger, the body of a Japanese raccoon dog and the front half of a snake for a tail. In other writings nothing is stated about its torso, so it is sometimes depicted to have the torso of a tiger. The ''Genpei Jōsuiki'' describes it as having the back of a tiger, the limbs of a tanuki, the tail of a fox, the head of a cat, and the torso of a chicken. Due to its appearance, it is sometimes referred to as a Japanese chimera. It is said to make terribly eerie bird cry "hyoo hyoo" noises that resemble that of the scaly thrush. In the movie '' Akuryōtō'' (originally by Seishi Yokomizo), the catchphrase "nights where the nue cry are dreadful" refers to this fact. The nue is also said to have the ability of shape-shifting, often into the form of a black cloud that can flNue – Mysterio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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