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Izutsu
' is a classic Noh play written by Zeami, the dominant figure in the early history of Noh theatre. ''Izutsu'' is based on an old story, ''Tsutsu-Izutsu'' (筒井筒), from the ''Ise monogatari'', a 10th-century collection of stories, many of which are based on stories about the romantic encounters of a "certain man", traditionally identified as the poet Ariwara no Narihira. ''Tsutsu-Izutsu'' A boy and a girl knew each other from early childhood. They were good friends and one of their games was to see who was taller by measuring each other against the local well. As they grew older, they began to feel more self-conscious in each other's company and they drifted apart, although they continued to love each other. The girl's parents offered to find her a husband, but she declined as she still had feelings for the boy. The boy eventually composes a ''tanka'': : 筒井筒 井筒にかけし まろがたけ 生いにけらしな 妹見ざる間に :The wooden frame f t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Izutsu Song Book 1
' is a classic Noh play written by Zeami, the dominant figure in the early history of Noh theatre. ''Izutsu'' is based on an old story, ''Tsutsu-Izutsu'' (筒井筒), from the ''Ise monogatari'', a 10th-century collection of stories, many of which are based on stories about the romantic encounters of a "certain man", traditionally identified as the poet Ariwara no Narihira. ''Tsutsu-Izutsu'' A boy and a girl knew each other from early childhood. They were good friends and one of their games was to see who was taller by measuring each other against the local well. As they grew older, they began to feel more self-conscious in each other's company and they drifted apart, although they continued to love each other. The girl's parents omiai, offered to find her a husband, but she declined as she still had feelings for the boy. The boy eventually composes a ''Waka (poetry), tanka'': : 筒井筒 井筒にかけし まろがたけ 生いにけらしな 妹見ざる間に : ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariwara No Narihira
was a Japanese courtier and ''waka'' poet of the early Heian period. He was named one of both the Six Poetic Geniuses and the Thirty-Six Poetic Geniuses, and one of his poems was included in the ''Ogura Hyakunin Isshu'' collection. He is also known as Zai Go-Chūjō, Zai Go, Zai Chūjō or Mukashi-Otoko. There are 87 poems attributed to Narihira in court anthologies, though some attributions are dubious. Narihira's poems are exceptionally ambiguous; the compilers of the 10th-century ''Kokin Wakashū'' thus treated them to relatively long headnotes. Narihira's many renowned love affairs have exerted a profound influence on later Japanese culture. Legends have held that he had affairs with the high priestess of the Ise Grand Shrine and the poet Ono no Komachi, and that he fathered Emperor Yōzei. His love affairs inspired ''The Tales of Ise'', and he has ever since been a model of the handsome, amorous nobleman. Biography Birth and ancestry Ariwara no Narihira was b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ise Monogatari
is a Japanese ''uta monogatari'', or collection of ''waka (poetry), waka'' poems and associated narratives, dating from the Heian period. The current version collects 125 sections, with each combining poems and prose, giving a total of 209 poems in most versions. Concerning the exact date of composition and authorship there is only unresolved speculation. The identity of the nameless, idealised central character is unclear, though it is suggested to be Ariwara no Narihira (825–880). Thirty of the poems from ''The Tales of Ise'' appear in the ''Kokin Wakashū'' (905), with similar headnotes, all attributed to Narihira. The combination of these poems, and the similarity of some events in the tales to Narihira's life, have led to the additional suggestion that Narihira actually composed the work; however, the inclusion of material and events dating after 880 suggests otherwise. Title The late-eleventh centuryKeene 1999 : 518–519. work known as ''Sagoromo Monogatari, The Tale of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeami Motokiyo
(c. 1363 – c. 1443), also called , was a Japanese aesthetician, actor, and playwright. His father, Kan'ami Kiyotsugu, introduced him to Noh theater performance at a young age, and found that he was a skilled actor. Kan'ami was also skilled in acting and formed a family theater ensemble. As it grew in popularity, Zeami had the opportunity to perform in front of the Shōgun, Ashikaga Yoshimitsu. The Shōgun was impressed by the young actor and began to compose a love affair with him. Zeami was introduced to Yoshimitsu's court and was provided with an education in classical literature and philosophy while continuing to act. In 1374, Zeami received patronage and made acting his career. After the death of his father in 1385, he led the family troupe, a role in which he found greater success. Zeami mixed a variety of Classical and Modern themes in his writing, and made use of Japanese and Chinese traditions. He incorporated numerous themes of Zen Buddhism into his works and lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeami
(c. 1363 – c. 1443), also called , was a Japanese aesthetician, actor, and playwright. His father, Kan'ami Kiyotsugu, introduced him to Noh theater performance at a young age, and found that he was a skilled actor. Kan'ami was also skilled in acting and formed a family theater ensemble. As it grew in popularity, Zeami had the opportunity to perform in front of the Shōgun, Ashikaga Yoshimitsu. The Shōgun was impressed by the young actor and began to compose a love affair with him. Zeami was introduced to Yoshimitsu's court and was provided with an education in classical literature and philosophy while continuing to act. In 1374, Zeami received patronage and made acting his career. After the death of his father in 1385, he led the family troupe, a role in which he found greater success. Zeami mixed a variety of Classical and Modern themes in his writing, and made use of Japanese and Chinese traditions. He incorporated numerous themes of Zen Buddhism into his works and lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nara, Nara
is the capital city of Nara Prefecture, Japan. As of 2022, Nara has an estimated population of 367,353 according to World Population Review, making it the largest city in Nara Prefecture and sixth-largest in the Kansai region of Honshu. Nara is a core city located in the northern part of Nara Prefecture bordering the Kyoto Prefecture. Nara was the capital of Japan during the Nara period from 710 to 794 as the seat of the Emperor before the capital was moved to Kyoto. Nara is home to eight temples, shrines, and ruins, specifically Tōdai-ji, Saidai-ji, Kōfuku-ji, Kasuga Shrine, Gangō-ji, Yakushi-ji, Tōshōdai-ji, and the Heijō Palace, together with Kasugayama Primeval Forest, collectively form the Historic Monuments of Ancient Nara, a UNESCO World Heritage Site. Etymology By the Heian period, a variety of different characters had been used to represent the name Nara: , , , , , , , , , , , , , , , and . A number of theories for the origin of the name "Nara" have been pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Omiai
, or as it is properly known in Japan with the honorific prefix , is a Japanese traditional custom which relates closely to Western matchmaking, in which a woman and a man are introduced to each other to consider the possibility of marriage. The term is sometimes mistranslated as an " arranged marriage" but it can be described as a meeting opportunity with more serious considerations for the future as a process of courtship. According to the National Institute of Population and Social Security Research, in 2005 it was estimated that around 6.2% of marriages in Japan are arranged via .Ito, Masami,Marriage ever-changing institution, '' Japan Times'', November 3, 2009. History The practice of emerged in 16th century Japan among the samurai classes, with the intention to form and protect strong military alliances among warlords to ensure mutual support. Later, during the Tokugawa period (1603–1868), the practice of spread to other urban classes trying to emulate samurai cust ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre. Up to and during the compilation of the ''Man'yōshū'' in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the '' Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
