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Ivanhoé
''Ivanhoé'' is an 1826 pastiche opera in three acts with music by Gioachino Rossini to a French-language libretto by Émile Deschamps and Gabriel-Gustave de Wailly, after Walter Scott's 1819 novel of the same name. The music was adapted, with the composer's permission, by the music-publisher Antonio Pacini from Rossini's operas, namely ''Semiramide'', ''La Cenerentola'', ''La gazza ladra'', and ''Tancredi'' in order to introduce his music to Paris. An examination of the score shows that Pacini also used music from '' Bianca e Faliero'', ''Armida'', ''Maometto II'', ''Aureliano in Palmira'', ''Sigismondo'', ''Torvaldo e Dorliska'', ''Mosè in Egitto'' and an amount of newly composed music including fanfares and the gallop that was later to become famous from its inclusion in ''Guglielmo Tell''. The work was premiered on 15 September 1826, at the Odéon Theatre. It was performed in England in 1829 as ''The Maid of Judah'' with music arranged by Michael Rophino Lacy who also t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivanhoe
''Ivanhoe: A Romance'' () by Walter Scott is a historical novel published in three volumes, in 1819, as one of the Waverley novels. Set in England in the Middle Ages, this novel marked a shift away from Scott’s prior practice of setting stories in Scotland and in the more recent past. ''Ivanhoe'' became one of Scott’s best-known and most influential novels. Set in 12th-century England, with colourful descriptions of a tournament, outlaws, a witch trial, and divisions between Jews and Christians, Normans and Saxons, ''Ivanhoe'' was credited by many, including Thomas Carlyle and John Ruskin, with inspiring increased interest in chivalric romance and medievalism. As John Henry Newman put it, Scott "had first turned men's minds in the direction of the Middle Ages". ''Ivanhoe'' was also credited with influencing contemporary popular perceptions of historical figures such as Richard the Lionheart, King John, and Robin Hood. Composition and sources In June 1819, Walter Scott ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave De Wailly
Gustave de Wailly, full name Gabriel Gustave de Wailly, (13 June 1804 – 27 April 1878 ) was a 19th-century French playwright and Latinist. Léon de Wailly was his brother. Biography Brought up in a family of writers and academics, master of requests at the Conseil d’État (1830), he became inspector general of the former civil list and was known for his dramas. He is buried at Père Lachaise Cemetery (20th division). Works Some of his works were published under the pseudonym Mme Marie Senan.Georges d'Heylli, ''Dictionnaire des pseudonymes'', 1869, (p. 312) *1825: ''La Mort dans l'embarras'', comédie nouvelle, in 3 acts and in verse, with Léon de Wailly *1826: ''Amour et intrigue'', drama in 5 acts and in verss, imitated from Schiller *1826: ''Ivanhoé'', opera in 3 acts, music by Gioacchino Rossini *1827: ''La Folle, ou Le testament d'un Anglaise'', comedy *1827: ''Anglais et français'', comedy in 1 act and in prose, with Jean-François-Alfred Bayard *1827: '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasticcio
In music, a ''pasticcio'' or ''pastiche'' is an opera or other musical work composed of works by different composers who may or may not have been working together, or an adaptation or localization of an existing work that is loose, unauthorized, or inauthentic. Etymology The term is first attested in the 16th century referring both to a kind of pie containing meat and pasta (''see pastitsio'') and to a literary mixture; for music, the earliest attestation is 1795 in Italian and 1742 in English. It derives from the post-classical Latin ''pasticium'' (13th century), a pie or pasty.''Oxford English Dictionary'', March 2008 revision, ''s.v.'' pasticcio In opera In the 18th century, opera ''pasticcios'' were frequently made by composers such as Handel, for example ''Oreste'' (1734), ''Alessandro Severo'' (1738) and ''Giove in Argo'' (1739), as well as Gluck, and Johann Christian Bach. These composite works would consist mainly of portions of other composers' work, although they could ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torvaldo E Dorliska
''Torvaldo e Dorliska'' is an operatic dramma semiserio in two acts by Gioachino Rossini to an Italian libretto by Cesare Sterbini, based on the novel/memoir ' (1787–1790) by the revolutionary Jean-Baptiste Louvet de Couvrai, whose work was the source of the '' Lodoïska'' libretto set by Luigi Cherubini (1791), and ''Lodoiska'' set by Stephen Storace (1794), and Simon Mayr (1796). ''Torvaldo e Dorliska'' is a rescue opera with an eventual happy ending. The inclusion of buffo roles is the reason for its designation as a 'semiserio' work, similar to Rossini's ''La gazza ladra''. Performance history ''Torvaldo and Dorliska'' was first performed at the Teatro Valle, Rome, on 26 December 1815. It remained in the repertory and appeared in several Italian cities including Venice for the next twenty five years, though it was never a great critical success. While there were no productions staged in London nor New York, it was staged in ten European cities in the ten years after its Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamic (record Label)
Dynamic is an Italian independent record label located in Genoa. Founded in 1978, it specialises in classical music and opera, especially rarely performed works and has produced several world premiere recordings. The Dynamic catalogue contains over 400 titles, with about 25 new titles added each year and is distributed in 32 countries. History Dynamic was founded in 1978 by Pietro Mosetti Casaretto and his wife Marisa. Mosetti Casaretto, a surgeon and amateur violinist, took over a small label founded by the musicologist Edward Neill. In the beginning, Dynamic was a small family business. Mosetti Casaretto and his wife recorded in local churches, oratories and villas. The first recordings were issued on vinyl, the very first one being Paganini's ''Barucabà Variations'' played by Salvatore Accardo. In 1985 the company moved to its current site in the Villa Quartana on the Righi hill overlooking Genoa, where it set up a recording hall that could house a small chamber orchestra. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festival Della Valle D'Itria
The ''Festival della Valle d'Itria'' is a summer opera festival held in the south eastern Italian town of Martina Franca in the Apulia region. The Festival was founded in 1975 and performances are given in July and August each summer on a specially constructed stage in the outdoor courtyard of the Palazzo Ducale.''The Rough Guide to Italy'' Robert Andrews, Martin Dunford - 2011- Page 821 1848367171 "Southern Italy's top performing-arts festival, the Festival della Valle d'Itria (T080.480.5100, www.festivaldellavalleditria.it), takes place in Martina Franca in late July / early August every year. On a par with the Maggio Musicale in Florence (see" The primary aim of the festival is to present obscure, neglected or rarely performed works, and often works in the standard operatic repertoire are given in their original versions (such as Verdi's original 1857 version of ''Simon Boccanegra''). Notable revivals include: *33rd Festival 2007 Marcella by Umberto Giordano *34th Festival 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
