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Itztapaltotec
In Aztec religion, Itztapaltotec (sometimes spelled Iztapaltotec) is an aspect of the fertility god Xipe Totec. In the Aztec calendar, he is one of the patrons of the trecena beginning with the day One Rabbit (''ce tochtli'' in Nahuatl), alongside Xiuhtecuhtli, the god of fire. Xipe Totec proper is the patron of the trecena beginning with the day One Dog (''ce itzcuintli''). Itztapaltotec is an obscure figure, known only from ''tonalamatl'' (calendars). Brief, confusing information about him is given in two related manuscripts, the Codex Telleriano-Remensis and the Codex Ríos (or Codex Vaticanus A). Itztapaltotec is probably related to Itztli, another figure of the Aztec calendar also depicted as a personified knife. __NOTOC__ Gallery Image:Itztapaltotec_borgia.jpg, Image:Itztapaltotec_vaticanus_b.jpg, Image:Itztapaltotec_tonalamatl_aubin.jpg, Image:Itztapaltotec_borbonicus.jpg, Image:Itztapaltotec_telleriano_remensis.jpg, Image:Itztapaltotec_rios.jpg, See also * Itztli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Itztapaltotec Vaticanus B
In Aztec religion, Itztapaltotec (sometimes spelled Iztapaltotec) is an aspect of the fertility god Xipe Totec. In the Aztec calendar, he is one of the patrons of the trecena beginning with the day One Rabbit (''ce tochtli'' in Nahuatl), alongside Xiuhtecuhtli, the god of fire. Xipe Totec proper is the patron of the trecena beginning with the day One Dog (''ce itzcuintli''). Itztapaltotec is an obscure figure, known only from ''tonalamatl'' (calendars). Brief, confusing information about him is given in two related manuscripts, the Codex Telleriano-Remensis and the Codex Ríos (or Codex Vaticanus A). Itztapaltotec is probably related to Itztli, another figure of the Aztec calendar also depicted as a personified knife. __NOTOC__ Gallery Image:Itztapaltotec_borgia.jpg, Image:Itztapaltotec_vaticanus_b.jpg, Image:Itztapaltotec_tonalamatl_aubin.jpg, Image:Itztapaltotec_borbonicus.jpg, Image:Itztapaltotec_telleriano_remensis.jpg, Image:Itztapaltotec_rios.jpg, See also * Itztli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xipe Totec
In Aztec mythology and religion, Xipe Totec (; nci-IPA, Xīpe Totēc, ˈʃiːpe ˈtoteːk(ʷ)) or Xipetotec ("Our Lord the Flayed One") was a life-death-rebirth deity, god of agriculture, vegetation, the east, spring, goldsmiths, silversmiths, liberation, and the seasons. Xipe Totec was also known by various other names, including Tlatlauhca (), Tlatlauhqui Tezcatlipoca () ("Red Smoking Mirror") and Yohuallahuan () ("the Night Drinker"), and Yaotzin ("revered enemy"). The Tlaxcaltecs and the Huexotzincas worshipped a version of the deity under the name of Camaxtli, and the god has been identified with Yopi, a Zapotec god represented on Classic Period urns.Miller & Taube 1993, 2003, p.188. The female equivalent of Xipe Totec was the goddess Xilonen- Chicomecoatl. Xipe Totec connected agricultural renewal with warfare. He flayed himself to give food to humanity, symbolic of the way maize seeds lose their outer layer before germination and of snakes shedding their skin. He is o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trecena
A trecena is a 13-day period used in pre-Columbian Mesoamerican calendars. The 260-day calendar (the '' tonalpohualli'') was divided into 20 trecenas. Trecena is derived from the Spanish chroniclers and translates to "a group of thirteen" in the same way that a dozen (or in Spanish ''docena'') relates to the number twelve. It is associated with the Aztecs, but is called different names in the calendars of the Maya, Zapotec, Mixtec, and others of the region. Many surviving Mesoamerican codices, such as Codex Borbonicus, are divinatory calendars, based on the 260-day year, with each page representing one trecena. See also * Aztec calendar * Maya calendar The Maya calendar is a system of calendars used in pre-Columbian Mesoamerica and in many modern communities in the Guatemalan highlands, Veracruz, Oaxaca and Chiapas, Mexico. The essentials of the Maya calendar are based upon a system which had ... * Tonalpohualli * K'atun Mesoamerican calendars {{Mesoamerica-stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aztec Religion
The Aztec religion is a monistic pantheism in which the Nahua concept of was construed as the supreme god , as well as a diverse pantheon of lesser gods and manifestations of nature. The popular religion tended to embrace the mythological and polytheistic aspects, and the Aztec Empire's state religion sponsored both the monism of the upper classes and the popular heterodoxies. The Aztec Empire officially recognized the most popular cults such that the deity was represented in the central temple precinct of the capital . The imperial cult was specifically that of the distinctive warlike patron god of the Mexica . Subjugated peoples were allowed to retain their own religious traditions in conquered provinces so long as they added the imperial god to their local pantheons, while the Empire would often incorporate practices from its new territories into the mainstream religion. In common with many other indigenous Mesoamerican civilizations, the Aztecs put great ritual emphasis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nahuatl
Nahuatl (; ), Aztec, or Mexicano is a language or, by some definitions, a group of languages of the Uto-Aztecan language family. Varieties of Nahuatl are spoken by about Nahua peoples, most of whom live mainly in Central Mexico and have smaller populations in the United States. Nahuatl has been spoken in central Mexico since at least the seventh century CE. It was the language of the Aztec/ Mexica, who dominated what is now central Mexico during the Late Postclassic period of Mesoamerican history. During the centuries preceding the Spanish and Tlaxcalan conquest of the Aztec Empire, the Aztecs had expanded to incorporate a large part of central Mexico. Their influence caused the variety of Nahuatl spoken by the residents of Tenochtitlan to become a prestige language in Mesoamerica. After the conquest, when Spanish colonists and missionaries introduced the Latin alphabet, Nahuatl also became a literary language. Many chronicles, grammars, works of poetry, administrative docu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xiuhtecuhtli
In Aztec mythology, Xiuhtecuhtli ("Turquoise Lord" or "Lord of Fire"), was the god of fire, day and heat. In historical sources he is called by many names, which reflect his varied aspects and dwellings in the three parts of the cosmos. He was the lord of volcanoes, the personification of life after death, warmth in cold (fire), light in darkness and food during famine. He was also named Cuezaltzin ("flame") and Ixcozauhqui , and is sometimes considered to be the same as Huehueteotl ("Old God"), although Xiuhtecuhtli is usually shown as a young deity.Matos Moctezuma & Solis Olguín 2002, p.476. His wife was Chalchiuhtlicue. Xiuhtecuhtli is sometimes considered to be a manifestation of Ometecuhtli, the Lord of Duality, and according to the Florentine Codex Xiuhtecuhtli was considered to be the father of the Gods, who dwelled in the turquoise enclosure in the center of earth.Matos Moctezuma 1988, p.94. Xiuhtecuhtli-Huehueteotl was one of the oldest and most revered of the indigeno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonalamatl
The ''tonalamatl'' is a divinatory almanac used in central Mexico in the decades, and perhaps centuries, leading up to the Spanish conquest. The word itself is Nahuatl in origin, meaning "pages of days". The ''tonalamatl'' was structured around the sacred 260-day year, the '' tonalpohualli''. This 260-day year consisted of 20 trecena of 13 days each. Each page of a ''tonalamatl'' represented one trecena, and was adorned with a painting of that trecena's reigning deity and decorated with the 13 day-signs and 13 other glyphs. These day-signs and glyphs were used to cast horoscopes and discern the future. The best surviving examples of ''tonalamatl'' are the Codex Borbonicus and the Codex Borgia The Codex Borgia ( The Vatican, Bibl. Vat., Borg.mess.1), also known as ''Codex Borgianus'', ''Manuscrit de Veletri'' and ''Codex Yohualli Ehecatl'', is a pre-Columbian Middle American pictorial manuscript from Central Mexico featuring calendrica .... See also * Aztec calendar Refe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Codex Telleriano-Remensis
The Codex Telleriano-Remensis, produced in sixteenth century Mexico on European paper, is one of the finest surviving examples of Aztec manuscript painting. Its Latinized name comes from Charles-Maurice Le ''Tellier'', archbishop of ''Reims'', who had possession of the manuscript in the late 17th century. The Codex is held at the Bibliothèque nationale de France in Paris. Contents The Codex Telleriano-Remensis is divided into three sections. The first section, spanning the first seven pages, describes the 365-day solar calendar, called the '' xiuhpohualli''. The second section, spanning pages 8 to 24, is a ''tonalamatl'', describing the 260-day '' tonalpohualli'' calendar. The third section is a history, itself divided into two sections which differ stylistically. Pages 25 to 28 are an account of migrations during the 12th and 13th centuries, while the remaining pages of the codex record historical events, such as the ascensions and deaths of rulers, battles, earthquakes, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Codex Ríos
''Codex Ríos'' is an Italian translation and augmentation of a Spanish colonial-era manuscript, Codex Telleriano-Remensis, that is partially attributed to Pedro de los Ríos, a Dominican Order, Dominican Dominican friar, friar working in Oaxaca and Puebla between 1547 and 1562. The codex itself was likely written and drawn in Italy after 1566. Description The manuscript is focused on the Tolteca-Chichimeca culture in the Tehuacan Valley in modern-day Puebla and Oaxaca. It can be divided into seven sections: :# Cosmological and mythological traditions with emphasis on the four epochs. :# An almanac, or ''tonalamatl'', for the 260-day divinatory year common in Mesoamerica. :# Calendar tables for the years 1558 through 1619, without drawings. :# An 18-month festival calendar, with drawings of the gods of each period. :# Ritual customs, with portraits of Indians. :# Pictorial chronicles for the years 1195-1549 beginning with the migration from Chicomoztoc and covering later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Codex Borgia
The Codex Borgia ( The Vatican, Bibl. Vat., Borg.mess.1), also known as ''Codex Borgianus'', ''Manuscrit de Veletri'' and ''Codex Yohualli Ehecatl'', is a pre-Columbian Middle American pictorial manuscript from Central Mexico featuring calendrical and ritual content, dating from the 16th century. It is named after the 18th century Italian Cardinal, Stefano Borgia, who owned it before it was acquired by the Vatican Library after the Cardinal's death in 1804. The Codex Borgia is a member of, and gives its name to, the Borgia Group of manuscripts. It is considered to be among the most important sources for the study of Central Mexican gods, ritual, divination, calendar, religion and iconography. It is one of only a handful of pre-Columbian Mexican codices that were not destroyed during the conquest in the 16th century; it was perhaps written near Cholula, Tlaxcala, Huejotzingo or the Mixtec region of Puebla. Its ethnic affiliation is unclear, and could either have been produced by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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