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Irma Beilke
Irma Beilke (24 August 1904 – 20 December 1989) was a German operatic soprano, concert singer and academic voice teacher. A member of the Städtische Oper Berlin for decades, and also a member of the Vienna State Opera, she appeared in leading roles of the coloratura soprano and lyric soprano repertoire at major opera houses and festivals internationally, such as Mozart's Blonde and Verdi's ''La traviata''. She took part in world premieres, including '' Capriccio'' by Richard Strauss. In 1945, she appeared in the first opera performance in Berlin after World War II, as Marzelline in Beethoven's ''Fidelio''. Life Born in Berlin, the daughter of a businessman, Beilke received her musical education in Berlin from H. T. Dreyer and Gertrud Wirthschaft. She made her stage debut as a bridesmaid in Weber's ''Der Freischütz'' at the Städtische Oper Berlin in 1926, where she remained until 1928. She then moved to the Oldenburgisches Staatstheater and further in 1930 to the Leipzig Op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Kärntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as ''Leonore''. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirroring con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amelia Goes To The Ball
''Amelia al ballo'' (''Amelia Goes to the Ball'') is a one-act ''opera buffa'' by Gian Carlo Menotti, who set his own Italian libretto. Composed during 1936 when Menotti was in his mid-twenties, it was the composer's first mature opera and first critical success. The opera recounts a series of farcical events as a young Italian socialite overcomes obstacles to her attendance at the first ball of the season. Performance history Menotti secured a premiere for the work in Philadelphia. This required, however, a translation into English of the original libretto. George Mead prepared the translation and Menotti made minor revisions to the music to fit the new English words. Staged by the Curtis Institute of Music, ''Amelia Goes to the Ball'' premiered on April 1, 1937, at the Philadelphia Academy of Music under the direction of Austrian composer, librettist, and stage director Ernst Lert, with set and costume designs by Tony Award-winning designer Donald Oenslager. The opera was presen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Nozze Di Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salzburg Festival
The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amadeus Mozart. One highlight is the annual performance of the play '' Jedermann'' (''Everyman'') by Hugo von Hofmannsthal. Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals had been held in Salzburg at irregular intervals since 1877 held by the International Mozarteum Foundation but were discontinued in 1910. Although a festival was planned for 1914, it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preußisches Märchen
''Preußisches Märchen'' (Prussian Legend) is a 1952 opera buffa with simultaneous ballet by Boris Blacher to a libretto by Heinz von Cramer based on the real life con-man '' Captain of Köpenick'' and Zuckmayer's play of the same title. The opera was the composer's first comic opera, premiered in West Berlin 23 September 1952. Recordings *Lisa Otto (Vater Fadenkreutz), Ivan Sardi (Mutter Fadenkreutz), Manfred Röhrl (Wilhelm), Gerti Zeumer (Auguste), Donald Grobe (Assessor Birkhahn), Victor von Halem (Bürgermeister), 1974 Deutsche Oper Berlin The Deutsche Oper Berlin is a German opera company located in the Charlottenburg district of Berlin. The resident building is the country's second largest opera house (after Munich's) and also home to the Berlin State Ballet. Since 2004, the De ... Caspar Richter (conductor) & Winfried Bauernfeind (stage director) DVD Heribert Henrich, Thomas Eickhoff, ''Boris Blacher'' Akademie der Künste Stiftung Archiv - 2003 Page 100 1974 wurde B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winfried Zillig
Winfried Zillig (1 April 1905 – 18 December 1963) was a German composer, music theorist, and conductor. Zillig was born in Würzburg. After leaving school, Zillig studied law and music. One of his teachers there was Hermann Zilcher. In Vienna he was a private pupil of Arnold Schönberg, later following him to Berlin. His first compositions date from this time. In 1927 he became the assistant of Erich Kleiber at the Berlin State Opera. A short time later he became repetiteur to the Oldenburg Opera. In the years 1932 to 1937, he acted as repetiteur and Kapellmeister at the Düsseldorf Opera. Positions followed as Kapellmeister in Essen and at the beginning of the 1940s as the musical leader of the Posen Opera. After the end of World War II he became the first Kapellmeister of the Düsseldorfer Oper. In the years 1947 to 1951 he occupied the position of conductor at the HR-Sinfonieorchester. He also acted as guest conductor of the Radio Éireann Symphony Orchestra in the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Weismann
Julius Weismann (26 December 1879 – 22 December 1950) was a German pianist, conductor, and composer.See LCCN. Biography Weismann was born in Freiburg im Breisgau. He studied with Josef Rheinberger and Ludwig Thuille. As a composer, he left over 150 opus numbers and numerous works without opus number. His works include six operas, three symphonies, three piano concertos, four violin concerto A violin concerto is a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble (customarily orchestra). Such works have been written since the Baroque period, when the solo concerto form was first developed, up thro ...s, eleven string quartets (two of these recently recorded in string orchestra arrangement on a Classic Produktion Osnabrück, cpo recording), piano music, chamber works (including a violin sonata) and about 200 lieder. Weismann's six operas were: * ''Schwanenweiß'' (1920, premiered 1923), libretto after August Strindberg * ''Ein Traumspi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Stieber
Hans Albert Oskar Stieber (1 March 1886 – 18 October 1969) was a German conductor, composer and violinist. He was the founding director of the Hochschule für Theater und Musik in Halle an der Saale. Life Origin and family Stieber was born in Naumburg an der Saale in the Prussian Province of Saxony as the eldest of four sons of the lawyer Paul Stieber (1856–1944) and his wife Elsbeth (Else) (1861–1940), ''née'' Biermann. His maternal great-grandmother Friederike Komitsch, ''née'' Schaffner, was an actress at the Schauspielhaus Berlin and married the actor Ludwig Devrient in her first marriage. His grandfather was the jurist Wilhelm Stieber and worked as a police director, privy councillor and head of the ''Central-Nachrichten-Bureaus'' at the in Berlin. His father made it to the 1st director of the Norddeutsche 's pension fund in Halle an der Saale. He also made a name for himself as the founder of a sanatorium. He too was the business manager of the Luther Festival an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zauberflöte
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
