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Zauberflöte
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papageno
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magic Flute Part Two
''The Magic Flute Part Two'' (German: ''Der Zauberflöte zweyter Theil'') is a fragmentary closet libretto by Johann Wolfgang von Goethe, which is inspired by Mozart's ''The Magic Flute''. Parts were published in 1802 by , but its final form was published by Goethe in 1807. Development history In 1795, four years after the premiere of ''The Magic Flute'', Goethe began to plan a sequel to Mozart's opera. Originally Goethe had envisaged his ''Magic Flute II'' for a great success on stage. But his working process was consistently interrupted, thus the development was protracted. Besides Goethe already stated worries about finding the right composer in 1795. Another negative factor was that Emanuel Schikaneder, the librettist of Mozart's ''The Magic Flute'', published his own sequel in cooperation with the composer Peter Winter. Goethe's ''The Magic Flute Part Two'' was published for the first time by Friedrich Wilmans in 1802. The subtitle ''Draft of a Dramatic Fairy Tale'' shows ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Labyrinth
("The Labyrinth or The Struggle with the Elements. The Magic Flute's Second Part") is a "grand heroic-comic opera" in two acts composed in 1798 by Peter von Winter to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue. The opera is a sequel of Mozart's ''The Magic Flute''. Performance history The opera premiered at the suburban Freihaus-Theater auf der Wieden in Vienna on 12 June 1798. Schikaneder himself played Papageno, while the role of the Queen of the Night was sung by Mozart's sister-in-law Josepha Hofer-Mayer. Schikaneder was the librettist of Mozart's opera and he was considered to have been "one of the most original and most influential theatre persons of his time". Both artists were reprising their roles from ''The Magic Flute''. Alexandra Liedtke, the director of the Salzburg Festival production in 2012, interpreted the story and Schikaneder's libretto "as one fthe great fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emanuel Schikaneder
Emanuel Schikaneder (born Johann Joseph Schickeneder; 1 September 1751 – 21 September 1812) was a German impresario, dramatist, actor, singer, and composer. He wrote the libretto of Wolfgang Amadeus Mozart's opera ''The Magic Flute'' and was the builder of the Theater an der Wien. Peter Branscombe called him "one of the most talented theatre men of his era". Aside from Mozart, he worked with Salieri, Haydn and Beethoven. Early years Schikaneder was born in Straubing in Bavaria to Joseph Schickeneder and Juliana Schiessl. Both of his parents worked as domestic servants and were extremely poor.Dent (1956, 16) They had a total of four children: Urban (born 1746), Johann Joseph (died at age two), Emanuel (born 1751 and also originally named Johann Joseph), and Maria (born 1753). Schikaneder's father died shortly after Maria's birth, at which time his mother returned to Regensburg, making a living selling religious articles from a wooden shed adjacent to the local cathedral. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto Of The Magic Flute
''The Magic Flute'' is a celebrated opera composed in 1791 by Wolfgang Amadeus Mozart. Mozart employed a libretto written by his close colleague Emanuel Schikaneder, the director of the Theater auf der Wieden at which the opera premiered in the same year. (He also played the role of Papageno). Grout and Williams describe the libretto thus: Schikaneder, a kind of literary magpie, filched characters, scenes, incidents, and situations from others' plays and novels and with Mozart's assistance organized them into a libretto that ranges all the way from buffoonery to high solemnity, from childish faerie to sublime human aspiration – in short from the circus to the temple, but never neglecting an opportunity for effective theater along the way. Sources The sources for the work fall into (at least) four categories: works of literature, earlier productions of Schikaneder's theater company, Freemasonry, and the 18th-century tradition of popular theater in Vienna. Literary sources * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Winter
Peter Winter, later Peter von Winter, (baptised 28 August 1754 – 17 October 1825) was a German violinist, conductor and composer, especially of operas. He began his career as a player at the Mannheim court, and advanced to conductor. When the court moved to Munich, he followed and later became kapellmeister of the opera there. His opera ''Das Labyrinth'', a sequel to Mozart's ''Die Zauberflöte'', was premiered in Vienna in 1798, and his '' Maometto'' at La Scala in Milan in 1817. His work has been regarded as a bridge between Mozart and Weber in the development of German opera. Career Winter was born in Mannheim. He was a child prodigy on the violin, who occasionally played in the Mannheim court orchestra, from age ten, both violin and double bass. He studied violin in Mannheim with Wilhelm Cramer and Thaddäus Hampel, and later composition with Georg Joseph Vogler. Winter was engaged as a violinist in the orchestra from 1776. He also conducted from 1777. When the court mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberon (Seyler)
''Oberon, or The Elf King'' (german: Oberon oder König der Elfen), or simply ''Oberon'', originally known as ''Huon and Amanda'' (german: Hüon und Amande), is a romantic Singspiel in five acts by Friederike Sophie Seyler, inspired by the poem ''Oberon'' by Christoph Martin Wieland, which itself was based on the epic romance ''Huon of Bordeaux'', a French medieval tale. It has been named for two of its central characters, the knight Huon and the fairy king Oberon, respectively. Musicologist Thomas Bauman describes the work as "an important impulse for the creation of a generation of popular spectacles trading in magic and the exotic. ''Die Zauberflöte'' he Magic Flutein particular shares many features with ''Oberon'', musical as well as textual." The opera was published in "Flensburg, Schleswig and Leipzig" in 1789, the year Seyler died. Seyler was married to the prominent theatre director Abel Seyler, the founder of the Seyler Theatre Company and a noted promoter of both Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophie Seyler
Friederike Sophie Seyler (1738, Dresden – 22 November 1789, Schleswig; née Sparmann, formerly married Hensel) was a German actress, playwright and librettist. Alongside Friederike Caroline Neuber, she was widely considered Germany's greatest actress of the 18th century; Gotthold Ephraim Lessing described her in his ''Hamburg Dramaturgy'' as "incontestably one of the best actresses that German theatre has ever seen."''Hamburgische Dramaturgie'', Viertes Stück. In: Lessings Werke', published by Georg Witkowski, Vol. 4, p. 355, 1766 The granddaughter of the architect Matthäus Daniel Pöppelmann, she ran away from an abusive uncle under the threat of a forced marriage to join the theatre at the age of sixteen in 1754. She established herself as one of Germany's leading actresses in the 1760s and was acclaimed for her portrayal of passionate, majestic, tragic heroines. From 1767 she was professionally and personally associated with the theatre director Abel Seyler, whom she marri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Köchel Catalogue
The Köchel catalogue (german: Köchel-Verzeichnis, links=no) is a chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated ''K.'', or ''KV''. The numbers of the Köchel catalogue reflect the continuing establishment of a complete chronology of Mozart's works, and provide a shorthand reference to the compositions. According to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated ''K. 626''; Köchel's original catalogue (1862) has been revised twice; catalogue numbers from the sixth edition are indicated either by parentheses or by superscript: K. 49 (47d) or K. 47d. History In the decades after Mozart's death there were several attempts to catalogue his compositions, for example by Franz Gleißner and Johann Anton André (published in 1833), but it was not until 1862 that Ludwig von Köchel succeeded in producing a comprehensive listing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Prominent Operas
Since the origins of opera in late 16th century Italy, a central repertoire has developed, shepherded by major opera composers. The earliest major opera composer is generally considered to be Claudio Monteverdi, who wrote the first prominent opera, ''L'Orfeo'', followed by two others. Throughout the later 17th century, his successor Francesco Cavalli and the Englishman Henry Purcell wrote numerous prominent operas. The early 18th century was dominated by the operas of George Frideric Handel, while other important works include Pepusch's ''The Beggar's Opera'', Pergolesi's' ''La serva padrona'', and various works by Jean-Philippe Rameau. This list provides a guide to the most prominent operas, as determined by their presence on a majority of selected compiled lists, which date from between 1984 and 2000. The operas included cover all important genres, and include all operas regularly performed today, from seventeenth-century works to late twentieth-century operas. The brief accom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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