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Ipomadon
The Anglo-Norman romance '' Ipomedon'' by Hue de Rotelande, composed near Hereford around 1180, survives in three separate Middle English versions, a long poem ''Ipomadon'' composed in tail-rhyme verse, possibly in the last decade of the fourteenth century, a shorter poem ''The Lyfe of Ipomydon'', dating to the fifteenth century and a prose version, ''Ipomedon'', also of the fifteenth century. In each case, the story is taken independently from the Anglo-Norman romance ''Ipomedon'', written in Old French by Hue de Rotelande "not long after 1180", possibly in Herefordshire, England. It is included in a list of the popular English romances by Richard Hyrde in the 1520s. The earliest Middle English version is found uniquely in MS Chetham 8009 (Manchester), probably composed in West Yorkshire in the north of England. The tale of ''Ipomadon'' is "packed with elaborate description and detail"Ousby, Ian. 1993, reprinted 2003, p 474. and follows the adventures of a young knight, Ipom ...
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Libeaus Desconus
''Libeaus Desconus'' is a 14th-century Middle English version of the popular " Fair Unknown" story. Its author is thought to be Thomas Chestre. The story matter displays strong parallels to that of Renaut de Beaujeu's ''Le Bel Inconnu''; both versions describe the adventures of Gingalain, the son of King Arthur's knight Gawain and a fay who raises him ignorant of his parentage and his name. As a young man, he visits Arthur's court to be knighted, and receives his nickname; in this case Sir Libeaus Desconus, before setting forth on a series of adventures which consolidate his new position in society. He eventually discovers who is his father, and marries a powerful lady. Other versions of the story include the Middle High German romance ''Wigalois'' (1204–1209) by Wirnt von Gravenberc. The "Fair Unknown" story has parallels in the tale of La Cote Male Taile, Chrétien de Troyes' '' Conte du Graal'', Sir Thomas Malory's ''Tale of Sir Gareth'' from ''Le Morte d'Arthur'', and the ...
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Romance (heroic Literature)
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medieva ...
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Medieval Romance
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medieva ...
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Ipomedon
''Ipomedon'' is a romance composed in Anglo-Norman verse by Hue de Rotelande in the late 12th century at Credenhill near Hereford. In the sequel '' Protheselaus'', which must have been composed slightly later, Hue acknowledges as his patron Gilbert fitzBaderon, lord of Monmouth. Gilbert's death in or just before 1191 gives an approximate terminus ante quem to both romances. ''Ipomedon'' is comparatively rich in references to the real world in which the poet lived. He names himself in full ''Hue de Rotelande'' (line 33 and two other places) and confirms that his house was at Credenhill: ''A Credehulle a ma meisun'' (line 10571). He mentions the siege of Rouen by King Louis VII of France in 1174 (lines 5351-5352), and also names a Welsh king called "''Ris''", almost certainly Rhys ap Gruffydd (line 8942). He has a backhanded compliment for the well-known writer Walter Map, evidently a friend or rival: ''Sul ne sai pas de mentir l'art: Walter Map reset ben sa part'' ("I am not the onl ...
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Hue De Rotelande
Hue de Rotelande was an important Cambro-Norman poet writing in Old French at the end of the 12th century. Life He was a cleric and a native of Rhuddlan. He wrote in Credenhill, Herefordshire. Gilbert de Monmouth Fitz Baderon, a grandson of Gilbert Fitz Richard, was his patron. Works His works are ''Ipomedon'' and ''Protheselaus'', two long metrical romances from the 1180s of over 10,000 lines, in octosyllables. The names, at least, were from the mid-century '' Le Roman de Thèbes''; the romances are set in Italy. Protheselaus has been poorly regarded for its lack of narrative. The story describes the heroes journeys after hearing that ''Medea'' had rejected him as an admirer. He risks death, serves at the court of Medea and in imprisoned, but he is eventually reunited with Medea and they marry. Several Middle English translations (''Ipomadon'', cited as ''Ippomedon'' in Thomas Warton, ''The History of English Poetry'') were made A sixteenth century translation ''The Life of Ip ...
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Tail Rhyme
Tail rhyme is a family of stanzaic verse forms used in poetry in French and especially English during and since the Middle Ages, and probably derived from models in medieval Latin versification. Michael Drayton's "Ballad of Agincourt", first published in 1605, offers a simple English example, rhymed AAABCCCB; the shorter (dimeter) B-lines form the 'tail' lines and appear at regular intervals among the longer (trimeter) lines: Fair stood the wind for France, When we our sails advance, Nor now to prove our chance, Longer will tarry; But putting to the main, At Caux, the mouth of Seine, With all his martial train, Landed King Harry. (lines 1–8) However, tail rhyme stanzas can take many forms, potentially containing either more or fewer lines than this example. Tail rhyme is a principle of construction, not one set pattern; the "Burns stanza" is an example of a specific pattern which forms a sub-type of tail rhyme. __TOC__ Form A tail rhyme stanza is united by intermittent line ...
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Richard Hyrde
Richard Hyrde or Hirt (died 1528) was an English humanist scholar, translator and tutor. He was closely associated with the household of Thomas More, and with the contemporary discussion of female education. He graduated at the University of Oxford in 1518, possibly having been supported in his education by More.E. E. Reynolds, ''Margaret Roper'' (1960), p. 14; https://archive.org/stream/margaretroper031616mbp#page/n29/mode/2up He worked in the 1520s on the English translation of the Latin work ''De institutione foeminae Christianae'' by Juan Luis Vives, commissioned by Catherine of Aragon. Hyrde's translation was printed later (around 1540) as ''The Instruction of a Christen Woman'' . It became a popular conduct book. One aspect of the teaching of Vives was the restriction of women's reading of romances. To the list of texts Vives supplied, none in English, Hyrde added others: " Parthenope, Genarides, Hippomadon, William and Melyour, Libius and Arthur, Guye, Beuis and others". ...
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Venison
Venison originally meant the meat of a game animal but now refers primarily to the meat of antlered ungulates such as elk or deer (or antelope in South Africa). Venison can be used to refer to any part of the animal, so long as it is edible, including the internal organs. Venison, much like beef or pork, is categorized into specific cuts, including roast, sirloin, and ribs. Etymology The word derives from the Latin ''venari'', meaning "to hunt or pursue". This term entered the English language through Norman French ''venaison'' in the 11th century, following the Norman conquest of England and the establishment of Royal Forests. Definition ''Venison'' originally described meat of any game animal killed by hunting and was applied to any animal from the families ''Cervidae'' (true deer), ''Leporidae'' (rabbits and hares), ''Suidae'' (wild boar) and certain species of the genus ''Capra'' (goats and ibex). In southern Africa, the word ''venison'' refers to the meat of antelope, a ...
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Deer
Deer or true deer are hoofed ruminant mammals forming the family Cervidae. The two main groups of deer are the Cervinae, including the muntjac, the elk (wapiti), the red deer, and the fallow deer; and the Capreolinae, including the reindeer (caribou), white-tailed deer, the roe deer, and the moose. Male deer of all species (except the water deer), as well as female reindeer, grow and shed new antlers each year. In this they differ from permanently horned antelope, which are part of a different family (Bovidae) within the same order of even-toed ungulates (Artiodactyla). The musk deer (Moschidae) of Asia and chevrotains (Tragulidae) of tropical African and Asian forests are separate families that are also in the ruminant clade Ruminantia; they are not especially closely related to Cervidae. Deer appear in art from Paleolithic cave paintings onwards, and they have played a role in mythology, religion, and literature throughout history, as well as in heraldry, such as ...
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Jousting
Jousting is a martial game or hastilude between two horse riders wielding lances with blunted tips, often as part of a tournament (medieval), tournament. The primary aim was to replicate a clash of heavy cavalry, with each participant trying to strike the opponent while riding towards him at high speed, breaking the lance on the opponent's shield or jousting armour if possible, or unhorsing him. The joust became an iconic characteristic of the knight (stock character), knight in Romantic medievalism. The participants experience close to three and a quarter times their body weight in G-forces when the lances collide with their armour. The term is derived from Old French , ultimately from Latin "to approach, to meet". The word was loaned into Middle English around 1300, when jousting was a very popular sport among the Anglo-Normans, Anglo-Norman knighthood. The synonym tilt (as in tilting at windmills) dates . Jousting is based on the military use of the lance by heavy cavalry. ...
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Tournament
A tournament is a competition involving at least three competitors, all participating in a sport or game. More specifically, the term may be used in either of two overlapping senses: # One or more competitions held at a single venue and concentrated into a relatively short time interval. # A competition involving a number of matches, each involving a subset of the competitors, with the overall tournament winner determined based on the combined results of these individual matches. These are common in those sports and games where each match must involve a small number of competitors: often precisely two, as in most team sports, racket sports and combat sports, many card games and board games, and many forms of competitive debating. Such tournaments allow large numbers to compete against each other in spite of the restriction on numbers in a single match. These two senses are distinct. All golf tournaments meet the first definition, but while match play tournaments meet the second, ...
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