|
Introdução Aos Chôros
''Introdução aos Chôros'': Abertura (Introduction to the Chôros: Overture), is a composition for guitar and orchestra by the Brazilian composer Heitor Villa-Lobos, composed in 1929 as an overture to precede a complete performance of his series of fourteen ''Chôros ''Chôros'' is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929. Origin and conception The word ''chôro'' (; nowadays spelled simply ''choro'') is Portuguese for "weeping", "cry", ...''. A performance of just the ''Introdução'' lasts about thirteen minutes. History According to Villa-Lobos, a complete presentation of his series of ''Chôros'' should be preceded by the ''Introdução aos Choros'' and concluded by the duet for violin and cello called '' Chôros bis'', as a sort of encore. According to the official account, the ''Introdução aos Chôros'' was composed in Rio de Janeiro and Paris in 1929. Instrumentation The work is scored for so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his ''Bachianas Brasileiras'' (Brazilian Bachian-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Raúl, was a civil servant, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chôros
''Chôros'' is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929. Origin and conception The word ''chôro'' (; nowadays spelled simply ''choro'') is Portuguese for "weeping", "cry", and came to be the name used for music played by an ensemble of Brazilian street musicians (called ''chorões'') using both African and European instruments, who improvise in a free and often dissonant kind of counterpoint called ''contracanto''. In this context, the term does not refer to any definite form of composition, but rather includes a variety of Brazilian types. Villa-Lobos described the basic concept of his ''Chôros'' as a "brasilofonia"—an extension of the popular street-musicians' Choro, chôro to a pan-Brazilian synthesis of native folklore, both Indian and popular. The tenth work in the series is for mixed choir and large orchestra, and quotes at length from a popular song, originally composed as an instrumental schottisc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chôros Bis
''Chôros bis'', or ''Dois Chôros (bis)'' (Two Chôros encores), first published with the title in French, ''Deux Chôros (bis)'', is a two-movement duo for violin and cello by the Brazilian composer Heitor Villa-Lobos, peripherally related to his numbered series of fourteen ''Chôros''. A performance typically lasts between eight and nine minutes. History Villa-Lobos composed the ''Chôros bis'' in Paris in 1928–29, and they were first given a private reading on 29 June 1929 at the residence of Mme Frédéric Moreau in Paris, performed by Tony Close (violin) and André Asselin (cello) under the provisional title ''Duo (Chôros bis)''. The public premiere was given by the same performers on 14 March 1930 at the Salle Chopin, Paris, as part of the Festival de Musique Moderne, in a concert that also included the world premieres of the '' Quinteto (em forma de chôros)'', the ''Cirandas'' for piano, and the ''Chansons typiques brésiliennes''. The manuscript scores of the two mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chôros No
''Chôros'' is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929. Origin and conception The word ''chôro'' (; nowadays spelled simply ''choro'') is Portuguese for "weeping", "cry", and came to be the name used for music played by an ensemble of Brazilian street musicians (called ''chorões'') using both African and European instruments, who improvise in a free and often dissonant kind of counterpoint called ''contracanto''. In this context, the term does not refer to any definite form of composition, but rather includes a variety of Brazilian types. Villa-Lobos described the basic concept of his ''Chôros'' as a "brasilofonia"—an extension of the popular street-musicians' chôro to a pan-Brazilian synthesis of native folklore, both Indian and popular. The tenth work in the series is for mixed choir and large orchestra, and quotes at length from a popular song, originally composed as an instrumental schottische, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turibio Santos
Turibio Soares Santos (born March 7, 1943) is a Brazilian classical guitarist, musicologist, and composer, who established himself as a performer with a wide repertoire of pieces by Heitor Villa-Lobos, Ernesto Nazareth, Francisco Mignone, and by accompanying musicians like Clara Sverner, Paulo Moura and Olivia Byington on many CDs. Life and career Turibio Santos was born in São Luís, Maranhão, and at the age of 10 was attracted to the classical guitar. His first teacher was Antonio Rebello , and later he studied with Oscar Càceres . He also studied composition with Edino Krieger . In 1962, he gave his first recital in Rio de Janeiro, followed by a series of concerts all over Brazil. In the following year, the Villa-Lobos Museum invited him to play the Brazilian composer's ''Twelve Etudes'' for guitar and the ''Mystic Sextet'', given its first public hearing. 1964 marked the formation of a duo with Oscar Càceres and several tours of South America. Turibio Santos decided to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Heitor Villa-Lobos
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
