Internationale Händel-Akademie
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Internationale Händel-Akademie
The Internationale Händel-Akademie in Karlsruhe is one of the institutions dedicated to the cultivation of the work of Baroque composer George Frideric Handel and his time. Since 1986, parallel to the Karlsruhe Handel Festival, the international Handel Festival Karlsruhe of the Badisches Staatstheater Karlsruhe offers master classes in historical performance practice and a scientific symposium. Again and again, lecturers and courses at the Academy provided important impulses for the performance practice of the Festival. For example, the director gave gesture courses in historical performance practice before her directorial work in the context of the successes with ''Lotario'' and especially with ''Radamisto'' gesture courses in the International Handel Academy. Many members of the Deutsche Händel-Solisten give or have given courses. In 2016, for the first time, participants of the Academy worked as trainees in the orchestra at the Händel-Festspiele Karlsruhe. The artistic ...
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Karlsruhe
Karlsruhe ( , , ; South Franconian: ''Kallsruh'') is the third-largest city of the German state (''Land'') of Baden-Württemberg after its capital of Stuttgart and Mannheim, and the 22nd-largest city in the nation, with 308,436 inhabitants. It is also a former capital of Baden, a historic region named after Hohenbaden Castle in the city of Baden-Baden. Located on the right bank of the Rhine near the French border, between the Mannheim/ Ludwigshafen conurbation to the north and Strasbourg/Kehl to the south, Karlsruhe is Germany's legal center, being home to the Federal Constitutional Court (''Bundesverfassungsgericht''), the Federal Court of Justice (''Bundesgerichtshof'') and the Public Prosecutor General of the Federal Court of Justice (''Generalbundesanwalt beim Bundesgerichtshof''). Karlsruhe was the capital of the Margraviate of Baden-Durlach (Durlach: 1565–1718; Karlsruhe: 1718–1771), the Margraviate of Baden (1771–1803), the Electorate of Baden (1803–1806), th ...
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Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ...
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George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ...
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Handel Festival Karlsruhe
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical brea ...
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Badisches Staatstheater Karlsruhe
The Badisches Staatstheater Karlsruhe is a theatre and opera house in Karlsruhe, Germany. It has existed in its present form and place at Ettlinger Tor since 1975. Achim Thorwald became the Intendant in summer 2002 and held that post until the end of the 2010/11 season. Peter Spuhler succeeded him at the beginning of the 2011/12 season and continues to serve in that post. The Staatstheater is a ''Dreisparten'' venue, housing three performance genres: musical theatre, ballet and theatre, as well as the studio stage in Karlstraße. The ''Badische Staatskapelle'' (orchestra) and the ''Badische Staatsopernchor'' (opera chorus) are resident companies of the theatre. History City architect Friedrich Weinbrenner constructed the first predecessor of the ''Badisches Staatstheater'' in 1808 near the castle. In 1810, it became the ''Großherzogliches Hoftheater'' (Grand Ducal court theatre). During a performance on 28 February 1847, a fire broke out destroying the building which had been ...
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Master Class
A master class is a Class (education), class given to students of a particular Academic discipline, discipline by an expert of that discipline—usually music, but also science, painting, drama, games, or on any other occasion where skills are being developed. "Masterclass" is also used in a figurative sense to describe a display of great skill in a context where education was not the primary intention; e.g., “his last few laps were a ''masterclass'' in overtaking” (referencing a race around a track). Around music The difference between a normal class and a ''master class'' is typically the setup. In a master class, all the students (and often spectators) watch and listen as the master takes one student at a time. The student (typically intermediate or advanced, depending on the status of the master) usually performs a single piece (music), piece which they have prepared, and the master will give them advice on how to play it, often including anecdotes about the composer, ...
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Lecturer
Lecturer is an List of academic ranks, academic rank within many universities, though the meaning of the term varies somewhat from country to country. It generally denotes an academic expert who is hired to teach on a full- or part-time basis. They may also conduct research. Comparison The table presents a broad overview of the traditional main systems, but there are universities which use a combination of those systems or other titles. Note that some universities in Commonwealth countries have adopted the American system in place of the Commonwealth system. Uses around the world Australia In Australia, the term lecturer may be used informally to refer to anyone who conducts lectures at a university or elsewhere, but formally refers to a specific academic rank. The academic ranks in Australia are similar to those in the UK, with the rank of associate professor roughly equivalent to reader in UK universities. The academic levels in Australia are (in ascending academic level) ...
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Historical Performance Practice
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no sound recordings exist of music before the late 19th century, historically informed performance is largely derived from musicological analysis of texts. Historical treatises, pedagogic tutor books, and concert critiques, as well as addi ...
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Lotario (Handel)
''Lotario'' ("Lothair", HWV 26) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was adapted from Antonio Salvi's '' Adelaide''.The opera was first given at the King's Theatre in London on 2 December 1729. The story of the opera is a fictionalisation of some events in the life of Holy Roman Empress Adelaide of Italy. Performance history Paolo Rolli commented in a letter at the time to Giuseppe Riva that "everyone thinks (''Lotario'') a very bad opera". There were 10 performances, but it was not repeated. Handel reused pieces in later operas. As with all Baroque opera seria, ''Lotario'' went unperformed for many years, but with the revival of interest in Baroque music and historically informed musical performance since the 1960s, ''Lotario'', like all Handel operas, receives performances at festivals and opera houses today. Among other performances, ''Lotario'' was staged at the London Handel Festival in 1999, by the Handel Festiv ...
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Radamisto
''Radamisto '' ( HWV 12) is an opera seria in three acts by George Frideric Handel to an Italian libretto by Nicola Francesco Haym, based on ''L'amor tirannico, o Zenobia'' by Domenico Lalli and ''Zenobia'' by Matteo Noris. It was Handel's first opera for the Royal Academy of Music. The opera's plot is loosely based on incidents from Tacitus's '' Annals of Imperial Rome''. Performance history It was first performed at the King's Theatre, London on 27 April 1720, a performance attended by King George I and his son, the Prince of Wales, and was judged to be a success, resulting in 10 further performances. A revised version with different singers including the internationally renowned castrato Senesino in the first of many roles he performed in Handel's works was written for a revival on 28 December 1720. More revisions followed for yet another version presented in 1721. In 1728 ''Radamisto'' was again revised for another revival featuring the two famous prima donnas Cuzzoni a ...
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Artistic Director
An artistic director is the executive of an arts organization, particularly in a theatre or dance company, who handles the organization's artistic direction. They are generally a producer and director, but not in the sense of a mogul, since the organization is generally a non-profit organization. The artistic director of a theatre company is the individual with the overarching artistic control of the theatre's production choices, directorial choices, and overall artistic vision. In smaller theatres, the artistic director may be the founder of the theatre and the primary director of its plays. In larger non-profit theatres (often known in Canada and the United States as regional theatres), the artistic director may be appointed by the board of directors. Overview The artistic director of a performing dance company is similar to the musical director of an orchestra, the primary person responsible for planning a company's season. The artistic director's responsibilities can in ...
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Thomas Seedorf
Thomas Seedorf (born 1960) is a German musicologist and university lecturer. Life Born in Bremerhaven, Seedorf studied school music, Germanistics and literature at Leibniz University Hannover. He then studied musicology and pedagogy as well as singing at the Hochschule für Musik, Theater und Medien Hannover (doctorate: 1988 with a dissertation on the compositional Mozart reception in the early 20th century). From 1988 to 2006, Seedorf was a research associate at the Musicology Seminar of the University of Freiburg. Since 2006, he has been Professor of musicology at the Institute for Musicology and Music Informatics at the University of Music Karlsruhe. Seedorf researches primarily in the fields of music theory, music of the 20th century, Lied history and analysis, historically informed performance as well as in particular on the theory and history of bel canto. Together with , he is artistic director of the Händel-Festspiele Karlsruhe as well as the Internationale Hände ...
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