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Intermission LCCN2012645960
An intermission, also known as an interval in British and Indian English, is a recess between parts of a performance or production, such as for a theatrical play, opera, concert, or film screening. It should not be confused with an entr'acte (French: "between acts"), which, in the 18th century, was a sung, danced, spoken, or musical performance that occurs between any two acts, that is unrelated to the main performance, and that thus in the world of opera and musical theater became an orchestral performance that spans an intermission and leads, without a break, into the next act. Jean-François Marmontel and Denis Diderot both viewed the intermission as a period in which the action did not in fact stop, but continued off-stage. "The interval is a rest for the spectators; not for the action," wrote Marmontel in 1763. "The characters are deemed to continue acting during the interval from one act to another." However, intermissions are more than just dramatic pauses that are pa ...
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Intermission LCCN2012645960
An intermission, also known as an interval in British and Indian English, is a recess between parts of a performance or production, such as for a theatrical play, opera, concert, or film screening. It should not be confused with an entr'acte (French: "between acts"), which, in the 18th century, was a sung, danced, spoken, or musical performance that occurs between any two acts, that is unrelated to the main performance, and that thus in the world of opera and musical theater became an orchestral performance that spans an intermission and leads, without a break, into the next act. Jean-François Marmontel and Denis Diderot both viewed the intermission as a period in which the action did not in fact stop, but continued off-stage. "The interval is a rest for the spectators; not for the action," wrote Marmontel in 1763. "The characters are deemed to continue acting during the interval from one act to another." However, intermissions are more than just dramatic pauses that are pa ...
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Julius Caesar (play)
''The Tragedy of Julius Caesar ''(First Folio title: ''The Tragedie of Ivlivs Cæsar'') is a history play and tragedy by William Shakespeare first performed in 1599. In the play, Brutus joins a conspiracy led by Cassius to assassinate Julius Caesar, to prevent him from becoming a tyrant. Caesar's right-hand man Antony stirs up hostility against the conspirators and Rome becomes embroiled in a dramatic civil war. Characters * Julius Caesar ''Triumvirs after Caesar's death'' * Octavius Caesar * Mark Antony * Lepidus ''Conspirators against Caesar'' * Marcus Brutus (Brutus) * Cassius * Casca * Decius Brutus * Cinna * Metellus Cimber * Trebonius * Caius Ligarius ''Tribunes'' * Flavius * Marullus ''Roman Senate Senators'' * Cicero * Publius * Popilius Lena ''Citizens'' * Calpurnia – Caesar's wife * Portia – Brutus' wife * Soothsayer – a person supposed to be able to foresee the future * Artemidorus – sophist from Knidos * Cinna – poet * Cobbler * C ...
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Let's All Go To The Lobby
''Let's All Go to the Lobby'' (officially known as ''Technicolor Refreshment Trailer No. 1'') is a 1957 animated musical advertisement played in theaters before the beginning of the main film or before intermission, featuring animated food items urging the audience to buy snacks sold in the theater lobby. It was produced for Filmack Studios and directed by Dave Fleischer. Filmack has continued selling copies in the decades since its production. The company estimates that 80% of independent theaters have screened the film at various points, and it is likely the most viewed snipe. In 2000, ''Let's All Go to the Lobby'' was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Content The film consists of six shots. The most recognizable of these depicts four animated food items (from left to right: candy bar, popcorn, candy, and a soft drink) singing and walking leftwar ...
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Drive-in Theater
A drive-in theater or drive-in cinema is a form of movie theater, cinema structure consisting of a large outdoor movie screen, a projection booth, a concession stand, and a large parking area for automobiles. Within this enclosed area, customers can view movies from the privacy and comfort of their cars. Some drive-ins have small playgrounds for children and a few picnic tables or benches. The screen can be as simple as a painted white wall, or it can be a steel truss, truss structure with a complex finish. Originally, the movie's Sound recording and reproduction, sound was provided by Loudspeaker, speakers on the screen and later by individual speakers hung from the window of each car, which was attached to a small pole by a wire. These speaker systems were superseded by the more practical method of microbroadcasting the soundtrack to car radios. This also has the advantage of the film soundtrack to be heard in stereophonic sound, stereo on car stereo systems, which are typically ...
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Snipe (theatrical)
A snipe in the motion picture exhibition business refers to a few things: * Any material before the feature presentation other than a trailer. "Welcome to our theater," courtesy trailers ("no smoking, littering, talking"), promotions for the snackbar, and "daters", that announce the date for an upcoming show, are the most common kinds of snipes. * A printed sticker or material that is made for the purpose of being pasted over other print material, such as posters or souvenir programs, in order to alter or add to information. * In a rare type, sometimes snipes do local events, places or merchants while music tracks play during intermissions. See also * Snipe (graphic), or Promo * ''Let's All Go to the Lobby ''Let's All Go to the Lobby'' (officially known as ''Technicolor Refreshment Trailer No. 1'') is a 1957 animated musical advertisement played in theaters before the beginning of the main film or before intermission, featuring animated food items ...'' References Fi ...
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Concession Stand
A concession stand (American English, Canadian English), snack kiosk or snack bar (British English, Irish English) is a place where patrons can purchase snacks or food at a cinema, amusement park, zoo, aquarium, circus, fair, stadium, beach, swimming pool, concert, sporting event, or other entertainment venue. Some events or venues contract the right to sell food to third parties. Those contracts are often referred to as a concession — hence the name for a stand where food is sold. Usually prices for goods at concession stands are greater than elsewhere for the convenience of being close to an attraction, with outside food and drink being prohibited, and they often contribute significant revenue to the venue operator (especially in the case of movie theaters). History Concession stands were not originally operated by the movie theaters, and food was often sold by people attending the film or by vendors outside of the theater. Movie theaters were at first hostile to food be ...
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New York City
New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the List of United States cities by population density, most densely populated major city in the United States, and is more than twice as populous as second-place Los Angeles. New York City lies at the southern tip of New York (state), New York State, and constitutes the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the world by urban area, urban landmass. With over 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York is one of the world's most populous Megacity, megacities, and over 58 million people live within of the city. New York City is a global city, global Culture of New ...
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Lyceum Theatre (Broadway)
The Lyceum Theatre ( ) is a Broadway theater at 149 West 45th Street, between Seventh Avenue and Sixth Avenue, in the Theater District of Midtown Manhattan in New York City. Opened in 1903, the Lyceum Theatre is one of the oldest surviving Broadway venues, as well as the oldest continuously operating legitimate theater in New York City. The theater was designed by Herts & Tallant in the Beaux-Arts style and was built for impresario Daniel Frohman. It has 922 seats across three levels and is operated by The Shubert Organization. The facade became a New York City designated landmark in 1974, and the lobby and auditorium interiors were similarly designated in 1987. The theater maintains most of its original Beaux-Arts design. Its 45th Street facade has an undulating glass-and-metal marquee shielding the entrances, as well as a colonnade with three arched windows. The lobby has a groin-vaulted ceiling, murals above the entrances, and staircases to the auditorium's balcony level ...
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Sarah Bernhardt
Sarah Bernhardt (; born Henriette-Rosine Bernard; 22 or 23 October 1844 – 26 March 1923) was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including '' La Dame Aux Camelias'' by Alexandre Dumas ''fils''; ''Ruy Blas'' by Victor Hugo, ''Fédora'' and ''La Tosca'' by Victorien Sardou, and '' L'Aiglon'' by Edmond Rostand. She also played male roles, including Shakespeare's Hamlet. Rostand called her "the queen of the pose and the princess of the gesture", while Hugo praised her "golden voice". She made several theatrical tours around the world, and was one of the first prominent actresses to make sound recordings and to act in motion pictures. She is also linked with the success of artist Alphonse Mucha, whose work she helped to publicize. Mucha would become one of the most sought-after artists of this period for his Art Nouveau style. Biography Early life Henriette-Rosine Bernard was born at 5 rue de L ...
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Les Amours De La Reine Élisabeth
''Les Amours de la reine Élisabeth'' (''The Loves of Queen Elizabeth''), ''Les Amours d'Élisabeth, Reine d'Angleterre'' (''The Loves of Elizabeth, Queen of England'') or ''La reine Élisabeth'' (''Queen Elizabeth'') is a 1912 feature 4-reel French silent film based on the love affair between Elizabeth I of England and the Earl of Essex. It was condensed from a play of the same name and directed by Louis Mercanton and Henri Desfontaines. It was shot in Paris and starred Sarah Bernhardt as Elizabeth and Lou Tellegen as Essex. Bernhardt by then was 68 and said of the film "This is my last chance at immortality". She and Tellegen were already romantically involved, and this was their second film together. Its production company, L’Histrionic Film, was forced into liquidation by Pathé Frères during the film's production, but it was completed with funds from Adolph Zukor. Zukor also brought it to New York City, where it premiered at the Lyceum Theatre on Broadway. The film's U ...
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Reel
A reel is an object around which a length of another material (usually long and flexible) is wound for storage (usually hose are wound around a reel). Generally a reel has a cylindrical core (known as a '' spool'') with flanges around the ends (known as the ''rims'') to retain the material wound around the core. In most cases the core is hollow in order to pass an axle and allow the reel to rotate like a wheel, and crank or handles may exist for manually turning the reel, while others are operated by (typically electric) motors. Construction The size of the core is dependent on several factors. A smaller core will obviously allow more material to be stored in a given space. However, there is a limit to how tightly the stored material can be wound without damaging it and this limits how small the core can be. Other issues affecting the core size include: * Mechanical strength of the core (especially with big reels) * Acceptable turning speed (for a given rate of material ...
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Kyōgen
is a form of traditional Japanese comic theater. It developed alongside ''Noh'', was performed along with ''Noh'' as an intermission of sorts between ''Noh'' acts on the same stage, and retains close links to ''Noh'' in the modern day; therefore, it is sometimes designated ''Noh-kyōgen''. Its contents are nevertheless not at all similar to the formal, symbolic, and solemn ''Noh'' theater; ''kyōgen'' is a comic form, and its primary goal is to make its audience laugh. ''Kyōgen'' together with ''Noh'' is part of '' Nōgaku'' theatre. ''Kyōgen'' is sometimes compared to the Italian comic form of commedia dell'arte, which developed around the same period (14th century) and likewise features stock characters. It also has parallels with the Greek satyr play, a short, comical play performed between tragedies. History One of the oldest ancestors of kyogen is considered to be a comical mimicry, which was one of the arts constituting Sangaku ( :ja:散楽), and Sangaku was intro ...
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