Interior Of A Restaurant In Arles
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Interior Of A Restaurant In Arles
''Interior of a Restaurant in Arles'' is a colored oil painting by Dutch artist Vincent van Gogh on an industrially primed canvas of size 25 ''(Toile de 25 figure)'' in Arles, France, late August, 1888. Accurately dating ''Interior of a Restaurant in Arles'' has been difficult, largely because van Gogh never mentioned it in any existing letter. Pierre Leprohon placed it in late August, 1888, due in part to the blossoming sunflowers; this has been generally accepted by authorities such as 20th century van Gogh scholar Jan Hulsker.Hulsker p. 356 It is one of two studies van Gogh created of the restaurant, the other being ''Interior of the Restaurant Carrel in Arles''. Long assumed to be a view from inside the Hotel Carrel, de la Faille remarks they were probably the interior of the restaurant next to the Yellow House''. Genesis While certainly a representation of diners in Arles (regardless of the cafe), in his article ''Van Gogh's Last Supper: Transforming "the guise of obser ...
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Vincent Van Gogh
Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionism, Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include Trees and Undergrowth (Van Gogh series), landscapes, Still life paintings by Vincent van Gogh (Paris), still lifes, Portraits by Vincent van Gogh, portraits and Portraits of Vincent van Gogh, self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive paintwork, brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven. Born into an upper-middle class family, Van Gogh drew as a child and was serious, quiet, and thoughtful. As a young man, he worked as an ar ...
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Pollaxe
The poleaxe (also pollaxe, pole-axe, pole axe, poleax, polax) is a European polearm that was widely used by medieval infantry. Etymology Most etymological authorities consider the ''poll''- prefix historically unrelated to "pole", instead meaning "head". However, some etymologists, including Eric Partridge, believe that the word is derived from "pole". Types of poleaxe The poleaxe design arose from the need to breach the plate armour of men at arms during the 14th and 15th centuries. Generally, the form consisted of a wooden haft some long, mounted with a steel head. It seems most schools of combat suggested a haft length comparable to the height of the wielder, but in some cases hafts appear to have been created up to in length. The design of the head varied greatly with a variety of interchangeable parts and rivets. Generally, the head bore an axe blade or hammer head upon the damaging 'face', with a spike, hammer, or fluke on the reverse. In addition, there was a s ...
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Paintings Of Arles By Vincent Van Gogh
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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Café Terrace At Night
''Café Terrace at Night'' is an 1888 oil painting by the Dutch artist Vincent van Gogh. It is also known as ''The Cafe Terrace on the Place du Forum'', and, when first exhibited in 1891, was entitled ''Coffeehouse, in the evening'' (''Café, le soir''). Van Gogh painted ''Café Terrace at Night'' in Arles, France, in mid-September 1888. The painting is not signed, but described and mentioned by the artist in three letters. Visitors to the site can stand at the north eastern corner of the ''Place du Forum'', where the artist set up his easel. The site was refurbished in 1990 and 1991 to replicate van Gogh's painting. He looked south towards the artificially lit terrace of the popular coffee house, as well as into the enforced darkness of the ''rue du Palais'' which led up to a building structure (to the left, not pictured) and, beyond this structure, the tower of a former church which is now ''Musée Lapidaire''. Towards the right, Van Gogh indicated a lighted shop and some bran ...
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Vincent Van Gogh's Décoration For The Yellow House
Vincent ( la, Vincentius) is a male given name derived from the Roman name Vincentius, which is derived from the Latin word (''to conquer''). People with the given name Artists *Vincent Apap (1909–2003), Maltese sculptor *Vincent van Gogh (1853–1890), Dutch Post-Impressionist painter * Vincent Munier (born 1976), French wildlife photographer Saints *Vincent of Saragossa (died 304), deacon and martyr, patron saint of Lisbon and Valencia *Vincent, Orontius, and Victor (died 305), martyrs who evangelized in the Pyrenees * Vincent of Digne (died 379), French bishop of Digne *Vincent of Lérins (died 445), Church father, Gallic author of early Christian writings *Vincent Madelgarius (died 677), Benedictine monk who established two monasteries in France *Vincent Ferrer (1350–1419), Valencian Dominican missionary and logician *Vincent de Paul (1581–1660), Catholic priest who served the poor *Vicente Liem de la Paz (Vincent Liem the Nguyen, 1732–1773), Vincent Duong, Vin ...
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The Roulin Family (Van Gogh Series)
''The Roulin Family'' is a group of portrait paintings Vincent van Gogh executed in Arles in 1888 and 1889 on Joseph, his wife Augustine and their three children: Armand, Camille and Marcelle. This series is unique in many ways. Although Van Gogh loved to paint portraits, it was difficult for financial and other reasons for him to find models. So, finding an entire family that agreed to sit for paintings — in fact, for several sittings each — was a bounty. Joseph Roulin became a particularly good, loyal and supporting friend to Van Gogh during his stay in Arles. To represent a man he truly admired was important to him. The family, with children ranging in age from four months to seventeen years, also gave him the opportunity to produce works of individuals in several different stages of life. Rather than making photographic-like works, Van Gogh used his imagination, colours and themes artistically and creatively to evoke desired emotions from the audience. Background Th ...
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Apostle John
John the Apostle ( grc, Ἰωάννης; la, Ioannes ; Ge'ez: ዮሐንስ;) or Saint John the Beloved was one of the Twelve Apostles of Jesus according to the New Testament. Generally listed as the youngest apostle, he was the son of Zebedee and Salome. His brother James was another of the Twelve Apostles. The Church Fathers identify him as John the Evangelist, John of Patmos, John the Elder, and the Beloved Disciple, and testify that he outlived the remaining apostles and was the only one to die of natural causes, although modern scholars are divided on the veracity of these claims. John the Apostle is traditionally held to be the author of the Gospel of John, and many Christian denominations believe that he authored several other books of the New Testament (the three Johannine epistles and the Book of Revelation, together with the Gospel of John, are called the Johannine works), depending on whether he is distinguished from, or identified with, John the Evangelist, John th ...
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The Last Supper (da Vinci)
''The Last Supper'' ( it, Il Cenacolo or ) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to . The painting represents the scene of the Last Supper of Jesus with the Twelve Apostles, as it is told in the Gospel of Johnspecifically the moment after Jesus announces that one of his apostles will betray him. Its handling of space, mastery of perspective, treatment of motion and complex display of human emotion has made it one of the Western world's most recognizable paintings and among Leonardo's most celebrated works. Some commentators consider it pivotal in inaugurating the transition into what is now termed the High Renaissance. The work was commissioned as part of a plan of renovations to the church and its convent buildings by Leonardo's patron Ludovico Sforza, Duke of Milan. In order to permit his inconsistent painting schedule and frequent revisions, it is painted with materials that allowed for regular alterations: tempera on gesso ...
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Leonardo Da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he also became known for #Journals and notes, his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo is widely regarded to have been a genius who epitomized the Renaissance humanism, Renaissance humanist ideal, and his List of works by Leonardo da Vinci, collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary, Michelangelo. Born Legitimacy (family law), out of wedlock to a successful Civil law notary, notary and a lower-class woman in, or near, Vinci, Tuscany, Vinci, he was educated in Florence by the Italian painter and sculptor ...
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Simon Peter
) (Simeon, Simon) , birth_date = , birth_place = Bethsaida, Gaulanitis, Syria, Roman Empire , death_date = Between AD 64–68 , death_place = probably Vatican Hill, Rome, Italia, Roman Empire , parents = John (or Jonah; Jona) , occupation = Fisherman, clergyman , feast_day = , venerated = All Christian denominations that venerate saints and in Islam , canonized_date = Pre-Congregation , attributes = Keys of Heaven, Red Martyr, pallium, papal vestments, rooster, man crucified upside down, vested as an Apostle, holding a book or scroll, Cross of Saint Peter , patronage = Patronage list , shrine = St. Peter's Basilica Saint Peter; he, שמעון בר יונה, Šimʿōn bar Yōnāh; ar, سِمعَان بُطرُس, translit=Simʿa̅n Buṭrus; grc-gre, Πέτρος, Petros; cop, Ⲡⲉⲧⲣⲟⲥ, Petros; lat, Petrus; ar, شمعون الصفـا, Sham'un al-Safa, Simon the Pure.; tr, Aziz Petrus (died between AD 64 and 68), also known as Peter the Apostle, ...
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Cloisonnist
Cloisonnism is a style of post-Impressionist painting with bold and flat forms separated by dark contours. The term was coined by critic Édouard Dujardin on the occasion of the Salon des Indépendants, in March 1888. Artists Émile Bernard, Louis Anquetin, Paul Gauguin, Paul Sérusier, and others started painting in this style in the late 19th century. The name evokes the technique of '' cloisonné'', where wires (''cloisons'' or "compartments") are soldered to the body of the piece, filled with powdered glass, and then fired. Many of the same painters also described their works as Synthetism, a closely related movement. In '' The Yellow Christ'' (1889), often cited as a quintessential cloisonnist work, Gauguin reduced the image to areas of single colors separated by heavy black outlines. In such works he paid little attention to classical perspective and eliminated subtle gradations of color—two of the most characteristic principles of post-Renaissance painting. The c ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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