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Cloisonnist
Cloisonnism is a style of post-Impressionist painting with bold and flat forms separated by dark contours. The term was coined by critic Édouard Dujardin on the occasion of the Salon des Indépendants, in March 1888. Artists Émile Bernard, Louis Anquetin, Paul Gauguin, Paul Sérusier, and others started painting in this style in the late 19th century. The name evokes the technique of '' cloisonné'', where wires (''cloisons'' or "compartments") are soldered to the body of the piece, filled with powdered glass, and then fired. Many of the same painters also described their works as Synthetism, a closely related movement. In '' The Yellow Christ'' (1889), often cited as a quintessential cloisonnist work, Gauguin reduced the image to areas of single colors separated by heavy black outlines. In such works he paid little attention to classical perspective and eliminated subtle gradations of color—two of the most characteristic principles of post-Renaissance painting. The c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Gauguin
Eugène Henri Paul Gauguin (, ; ; 7 June 1848 – 8 May 1903) was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of colour and Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia. The paintings from this time depict people or landscapes from that region. His work was influential on the French avant-garde and many modern artists, such as Pablo Picasso and Henri Matisse, and he is well known for his relationship with Vincent and Theo van Gogh. Gauguin's art became popular after his death, partially from the efforts of dealer Ambroise Vollard, who organized exhibitions of his work late in his career and assisted in organizing two important posthumous exhibitions in Paris. Gauguin was an important figure in the Symbolist movement as a painter, sculptor, printmaker, ceramist, and writer. His expression of the inherent meaning of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gauguin Il Cristo Giallo
Eugène Henri Paul Gauguin (, ; ; 7 June 1848 – 8 May 1903) was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of colour and Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia. The paintings from this time depict people or landscapes from that region. His work was influential on the French avant-garde and many modern artists, such as Pablo Picasso and Henri Matisse, and he is well known for his relationship with Vincent and Theo van Gogh. Gauguin's art became popular after his death, partially from the efforts of dealer Ambroise Vollard, who organized exhibitions of his work late in his career and assisted in organizing two important posthumous exhibitions in Paris. Gauguin was an important figure in the Symbolist movement as a painter, sculptor, printmaker, ceramist, and writer. His expression of the inherent meaning of the su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-Impressionism
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906.Peter Morrin, Judith Zilczer, William C. Agee, ''The Advent of Modernism. Post-Impressionism and North American Art, 1900-1918'', High Museum of Art, 1986 Critic Frank Rutter in a review of the Salon d'Automne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Volpini Exhibition, 1889
The Volpini Exhibition was an exhibition of paintings arranged by Paul Gauguin and his circle held at the Café des Arts on the Champ de Mars, not far from the official art pavilion of the 1889 '' Exposition universelle'' in Paris. Lucie-Smith, Edward (1972). ''Symbolist Art''. London: Thames & Hudson, p. 94. A poster and an illustrated catalogue were printed, but the show of "Paintings by the Impressionist and Synthetist Group", held in June and early July 1889, was ignored by the press and proved to be a failure. Background The official art exhibition at the Académie des Beaux-Arts accompanying the ''Exposition universelle'' displayed works by invited artists only, and the selection of works to be exhibited had to pass the judgement of official juries. Neither Gauguin nor his friends could hope to enter this exhibition. However, by chance Emile Schuffenecker found another way that they might present their work to the public in conjunction with the exposition. Monsieur Volpi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Bernard Chronology
This is an Émile Bernard chronology of the life and career of French artist, art critic and writer Émile Bernard, based on documents hitherto published - however, most of the relevant sources remain unpublished. To a certain extent, these gaps can be filled by information derived from letters and biographies of e.g. Vincent van Gogh, Paul Gauguin and Émile Schuffenecker. Bernard and his work is associated with Post-Impressionism, Cloisonnism and Synthetism. : 1860s 1870s 1880s 1890s 1900s 1910s 1920s 1930s 1940s ''The Vanguard Years:'' 1884 1886 1887 1888 1889 1890 1891 1892 1893 1894 1895 1896 1897 __NOTOC__ 1860s *1868, April 26: born in Lille, to an employee of the textile industry 1870s *1870: Due to the Franco Prussian War, the family moved to St. Aignan (near Rouen) *1871, February 14: Birth of his sister Madeleine *1876: The family moved to Loos (near Lille) and prospered economically. *1877: Émile attended Collège de la Monnaie at Lille whilst staying with his mater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée D'Orsay
The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe. In 2021 the museum had one million visitors, up 30 percent from attendance in 2020, but far behind earlier years due to the COVID-19 pandemic. Despite the drop, it ranked fifteenth in the list of most-visited art museums in 2020. History The museum building was or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vision After The Sermon
''Vision after the Sermon (Jacob Wrestling with the Angel)'' is an oil painting by French artist Paul Gauguin, completed in 1888. It is now in the Scottish National Gallery, Edinburgh. It depicts a scene from the Bible in which Jacob wrestles an angel. It depicts this indirectly, through a vision that the women depicted see after a sermon in church. It was painted in Pont-Aven, Brittany, France. Background In the early part of his career as a painter, Gauguin had painted primarily landscapes ''en plein'' air in the Impressionist manner. By 1888, he had become dissatisfied with Impressionism, which did not satisfy his enthusiasm for archaic and primitive forms or his interest in the mystical. In 1888, during a visit to the artist's colony of Pont-Aven in Brittany, he met the young artist Émile Bernard, who had begun painting in a simplified style influenced by Japanese prints. Following Bernard's example but developing it further, Gauguin painted ''Vision After the Sermon'', wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The First Moderns
''The First Moderns: Profiles in the Origins of Twentieth-Century Thought'' is a book on Modernism by historian William Everdell, published in 1997 by the University of Chicago Press. A ''New York Times'' Notable Book of 1997, and included by the New York Public Library on its list of "25 Books to Remember from 1997," ''The First Moderns'' suggests that "the heart of Modernism is the postulate of ontological discontinuity." Background and overview Everdell, Dean of Humanities at Saint Ann's School in Brooklyn Heights, posits that Modernism first emerged in the field of mathematics rather than the arts, specifically in the work of German mathematician Richard Dedekind, who, in 1872, demonstrated that mathematicians operate without a continuum; this represents the formalization of Everdell's axiom of "ontological discontinuity," which he goes on to examine in a multiplicity of contexts. He examines this emerging framework of discreteness in science (Ludwig Boltzmann's mechanics, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Yellow Christ
''The Yellow Christ'' (in French: ''Le Christ jaune'') is a painting executed by Paul Gauguin in 1889 in Pont-Aven. Together with '' The Green Christ'', it is considered to be one of the key works of Symbolism in painting. Gauguin first visited Pont-Aven in 1886. He returned to the village in early 1888 to stay until mid-October, when he left to join Vincent van Gogh in Arles, for little more than two months. Early in 1889, Gauguin was back to Pont-Aven to stay there until spring 1890. It was only for a short visit in summer 1889 to Paris to see the Exposition universelle and to arrange the Volpini Exhibition that Gauguin interrupted this sojourn. Soon after his return to Pont-Aven he painted ''The Yellow Christ''. The painting is a symbolic piece that shows the crucifixion of Jesus Christ taking place in 19th-century northern France as Breton women are gathered in prayer. Gauguin relies heavily on bold lines to define his figures and reserves shading only for the women. The a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
