Institute For The Intellectual Development Of Children And Young Adults
Center for the Intellectual Development of Child and Adolescent (CIDCA, fa, کانون پرورش فکری کودک و نوجوان , ''Kānoon-e Parvaresh-e Fekri-e Koodakān va Nojavānān'', better known as Kanoon or Kānoon) is an Iranian institution with a wide range of cultural and artistic activities in the field of mental and cultural development for children and young adults. The organization was at the center of the vanguard of cultural production in the late 60s and early 1970s and is the platform through which many of Iran's most regarded artists and filmmakers, such as Abbas Kiarostami and Morteza Momayez and Babak Niktalab, launched their careers. History Early years Founded in 1965, Kanoon was originally one of the many cultural initiatives that fell under the broad purview of Farah Diba. Its initial ambitions were educational and social in nature; the program, led by one of Farah's close friends Lili Amir-Arjomand, involved building a network of both permanent ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cultural
Culture () is an umbrella term which encompasses the social behavior, institutions, and Social norm, norms found in human Society, societies, as well as the knowledge, beliefs, arts, laws, Social norm, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculturalism, monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Traveler (1974 Film)
''The Traveler'' ( fa, مسافر, Mosāfer) is a 1974 Iranian drama film directed by Abbas Kiarostami. The film depicts a troubled but resourceful boy's quest to attend a football match at any cost, and his indifference to the effects of his actions on other people, even those closest to him. Thematically, the film explores childhood, societal conventions, and the origins of moral and amoral behavior. Visually, it affords a candid glimpse of Iranian life in the early 1970s. Plot Qassem Julayi (Ghāsem Jolā'i), played by Hassan Darabi, is a football-obsessed 12-year-old in the small city of Malayer, who would rather compete in the alley of his impoverished neighborhood after school than do his homework. His illiterate mother constantly berates him, but Qassem has long since learned to invent excuses for his poor school performance. In one early scene, we see him arriving late to school after going out of his way to purchase a football fan magazine. He appears with a bandage aroun ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Animation Studios
Animation is a method by which still figures are manipulated to appear as moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Today, most animations are made with computer-generated imagery (CGI). Computer animation can be very detailed 3D animation, while 2D computer animation (which may have the look of traditional animation) can be used for stylistic reasons, low bandwidth, or faster real-time renderings. Other common animation methods apply a stop motion technique to two- and three-dimensional objects like paper cutouts, puppets, or clay figures. A cartoon is an animated film, usually a short film, featuring an exaggerated visual style. The style takes inspiration from comic strips, often featuring anthropomorphic animals, superheroes, or the adventures of human protagonists. Especially with animals that form a natural predator/prey relationship (e.g. cats and mice, coyo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Film Production Companies Of Iran
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sohrab Shahid-Saless
Sohrab Shaheed Salles or Sohrab Shahid-Saless ( fa, سهراب شهید ثالث; June 28, 1944 in Tehran, Iran – July 2, 1998 in Chicago, Illinois) was an Iranian film director and screenwriter and one of the most celebrated figures in Iranian cinema in the 20th century. After 1976 he worked in the cinema of Germany and was an important component of the film diaspora working in the German industry. Film career After the revolution aftermaths in Iran and with restrictions faced by film makers and the difficulties of acquiring raw 35 mm film rolls, he made his first feature, the milestone film ''A Simple Event'' (1973), he describes the everyday life of a ten-year-old boy living in a small town with an ill mother and a father struggling to make a living smuggling fish. In contrast, ''Still Life'' (1974) explores the monotony in the life of an old railway switchman – a film that won many prizes, including one at the 1974 Berlinale. In 1975 Sohrab directed ''Far from Home ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Majid Majidi
Majid Majidi ( fa, مجید مجیدی, ; born 17 April 1959) is an Iranian film director, producer, and screenwriter, who started his film career as an actor. In his films, Majidi has touched on many themes and genres and has won numerous international awards. Biography Born in an Iranian middle-class family, he grew up in Tehran and at the age of 14 he started acting in amateur theater groups. He then studied at the Institute of Dramatic Arts in Tehran. After the Iranian Revolution in 1979, his interest in cinema brought him to act in various films, most notably Mohsen Makhmalbaf's ''Boycott'' in 1985. In 1997, Majidi directed ''Children of Heaven'', which was nominated to receive the Academy Award for Best Foreign Language Film. Though it lost to the Italian film ''Life Is Beautiful'' by Roberto Benigni, ''Children of Heaven'' is the first Iranian film to have been nominated by the academy. Majidi has directed several other feature films since ''Children of Heaven'': '' Th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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And Life Goes On
''And Life Goes On'' ( fa, زندگی و دیگر هیچ ''Zendegi va digar hich''; also called ''Life, and Nothing More...'') is a 1992 Iranian film directed by Abbas Kiarostami. It was screened in the Un Certain Regard section at the 1992 Cannes Film Festival. It is considered the second film in Kiarostami's Koker trilogy. After the 1990 earthquake in Iran that killed over 30,000 people, Kiarostami went to search for the stars of his previous film '' Where Is the Friend's Home?''. This film is a semi-fictional work based on these events, shot in a documentary-style. It shows a director (played by Farhad Kheradmand) on this journey through the country in the aftermath of the earthquake. Plot A film director and his son, Pouya, start a journey towards Koker, where approximately half of '' Where Is the Friend's Home?'' took place, seeking out information on the star of the picture. During the first half, they search for a highway to the village, as most of the roads have been d ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bahram Beyzai
Bahrām Beyzāêi (also spelt Beizāi, Beyzāêi, fa, بهرام بیضائی; born 26 December 1938) is an Iranian playwright, theatre director, screenwriter, film editor, and '' ostād'' ("master") of Persian letters, arts and Iranian studies. Beyzaie is the son of the poet Ne'matallah Beyzai (best known by his literary pseudonym "Zokā'i"). The celebrated poet Adib Beyzai, known as one of the most profound poets of 20th-century Iran, is Bahram's paternal uncle. Bahram Beyzaie's paternal grandfather, Mirzā Mohammad-Rezā Ārāni ("Ebn Ruh"), and paternal great-grandfather, the mulla Mohammad-Faqih Ārāni ("Ruh'ol-Amin"), were also notable poets. In spite of his somewhat belated start in cinema, Beyzai is often considered a pioneer of a generation of filmmakers whose works are sometimes described as the Iranian New Wave. His ''Bashu, the Little Stranger'' (1986) was voted "Best Iranian Film of all time" in November 1999 by a Persian movie magazine ''Picture World'' poll of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bashu, The Little Stranger
''Bashu, the Little Stranger'' ( fa, باشو غریبه کوچک, translit=Bashu, Gharibeye Koochak), is a 1986 Iranian drama film directed by Bahram Beizai. The film was produced in 1986, and was released in 1989. This multi-ethnic film was the first Iranian film to make use Gilaki, a northern language of Iran, in a serious context rather than comic relief. Susan Taslimi playing the main character, Naii, is a Gilak herself. The cast included Farrokhlagha Houshmand (playing the sister in law). The Institute for Intellectual Development of Children and Young Adults (IIDCYA) helped produce the film.'',Bashu, the Little Stranger'' was voted the " Best Iranian Film of all time" in November 1999 by a Persian movie magazine "Picture world" poll of 150 Iranian critics and professionals. The 2004 Malayalam movie ''Kaazhcha'' was reported to be inspired by this movie. Plot The film is about a young Afro-Iranian boy from Khuzestan province, in the south of Iran, during the Iran–Iraq W ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Where Is The Friend's Home?
''Where Is the Friend's House?'' ( fa, خانه دوست کجاست, italic=yes, ''Khane-ye dust kojast'') is a 1987 Iranian drama film written and directed by Abbas Kiarostami. It depicts a conscientious schoolboy's attempt to return his friend's school notebook to his home in a neighboring village, to prevent the friend from being expelled if he fails to hand it in the next day. The title derives from a poem by Sohrab Sepehri. The film is the first installment in Kiarostami's ''Koker'' trilogy, followed by ''And Life Goes On'' and ''Through the Olive Trees'', all of which take place in Koker, Iran. Plot As the film opens Ahmad (Babak Ahmadpour), a grade schooler, watches as his teacher (Khodabakhsh Defai) berates a fellow student, Mohammad Reza, for repeatedly failing to use his notebook for his homework, threatening expulsion on the next offense. When Ahmad returns home, he realizes he's accidentally taken Mohammad Reza's notebook. Against his mother's orders, he sets out ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ebrahim Forouzesh
Ebrahim Forouzesh (persian: ابراهیم فروزش, born 1939, in Tehran) is an Iranian film director, and a former manager of the cinema department at the Institute for the Intellectual Development of Children and Young Adults (1971-1978) where he oversaw the production of many films, shorts, features and animations. He has collaborated with Ali Akbar Sadeghi and Abbas Kiarostami. His second movie The Jar (خمره) won the Golden Leopard for the best Movie at Locarno Film Festival. Filmography * '' Kelid (the key)'', 1987, written by Abbas Kiarostami * ''The Jar'', 1992 * ''The Little Man'', 2000 * ''Children of Petroleum'', 2001 * ''Hamoon and Darya'', 2008 * ''Zamani baraye doust dashtan'', 2008 * ''First Stone'', 2010 * ''Shir too Shir'', 2012 See also * Persian cinema * Institute for the Intellectual Development of Children and Young Adults Center for the Intellectual Development of Child and Adolescent (CIDCA, fa, کانون پرورش فکری کودک و نوج ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Key (1987 Film)
''The Key'' ( fa, کلید, Kelīd) is a 1987 Iranian drama film directed by Ebrahim Forouzesh and written by Abbas Kiarostami. See also *List of Iranian films A list of films produced in Iran ordered by year of release. For an alphabetical list of Iranian films see :Iranian films. * List of Iranian films before 1960 * List of Iranian films of the 1960s * List of Iranian films of the 1970s * List of ... External links * 1987 films 1987 drama films 1980s Persian-language films Films set in Iran Abbas Kiarostami Iranian drama films {{1980s-drama-film-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |