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Ingenuity (Crespi)
''Ingenuity'' (Italian: ''L'Ingegno'') is an allegorical Baroque painting by the Bolognese painter Giuseppe Maria Crespi. The painting is also known as ''Amor Victorious''. It is on display in the Musée des Beaux-Arts of Strasbourg, France, to which it had been donated by the collectors Othon Kaufmann and François Schlageter. Its inventory number is 994-1-1, or 44.994.1.1. The painting, one of the long-lived Crespi's most monumental and expressive, was painted in the early years of his mature period, although a precise dating has proved impossible. Its texture may have been inspired by Rembrandt, its subject by Caravaggio's '' Triumphant Cupid'', although this winged young man with the helmet, the bow and arrow, and the armillary sphere behind him, also stands for the classical allegory of ingenuity (the faculty of finding clever solutions). The painting once hung in Palazzo Magnani, Bologna, where it was seen and described by Joshua Reynolds, around 1750 ("A young man like ...
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Giuseppe Crespi
Giuseppe Maria Crespi (March 14, 1665 – July 16, 1747), nicknamed Lo Spagnuolo ("The Spaniard"), was an Italian late Baroque painter of the Bolognese School. His eclectic output includes religious paintings and portraits, but he is now most famous for his genre paintings. Giuseppe Crespi, together with Giambattista Pittoni, Giovan Battista Tiepolo, Giovan Battista Piazzetta, Canaletto and Francesco Guardi forms the traditional great Old Masters painters of that period. Biography Crespi was born in Bologna to Girolamo Crespi and Isabella Cospi. His mother was a distant relation of the noble Cospi family, which had ties to the Florentine House of Medici. He was nicknamed "the Spanish One" (Lo Spagnuolo) because of his habit of wearing tight clothes characteristic of Spanish fashion of the time. By age 12 years, he apprenticed with Angelo Michele Toni (1640–1708). From the age of 15–18 years, he worked under the Bolognese Domenico Maria Canuti. The Roman painter Carlo ...
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Amor Vincit Omnia (Caravaggio)
''Amor Vincit Omnia'' ("Love Conquers All" in Latin, known in English by a variety of names including ''Amor Victorious'', ''Victorious Cupid'', ''Love Triumphant'', ''Love Victorious'', or ''Earthly Love'') is a painting by the Italian Baroque artist Caravaggio. ''Amor Vincit Omnia'' shows Amor, the Roman Cupid, wearing dark eagle wings, half-sitting on or climbing down from what appears to be a table. Scattered around are the emblems of all human endeavors – violin and lute, armor, coronet, square and compasses, pen and manuscript, bay leaves, and flower, tangled and trampled under Cupid's foot. The painting illustrates the line from Virgil's ''Eclogues'', ''Omnia Vincit Amor et nos cedamus amori'' ("Love conquers all; let us all yield to love"). A musical manuscript on the floor shows a large "V". It has therefore been suggested also that the picture is a reference to the achievements of Marchese Vincenzo Giustiniani. Giustiniani is said to have prized it above all other ...
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Baroque Paintings
Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival,Counter Reformation
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but the existence of important Baroque art and in non-absolutist and states throughout Western Europe underscores its w ...
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Allegorical Paintings By Italian Artists
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ...
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Paintings In The Collection Of The Musée Des Beaux-Arts De Strasbourg
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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1690s Paintings
Year 169 ( CLXIX) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Senecio and Apollinaris (or, less frequently, year 922 ''Ab urbe condita''). The denomination 169 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcomannic Wars: Germanic tribes invade the frontiers of the Roman Empire, specifically the provinces of Raetia and Moesia. * Northern African Moors invade what is now Spain. * Marcus Aurelius becomes sole Roman Emperor upon the death of Lucius Verus. * Marcus Aurelius forces his daughter Lucilla into marriage with Claudius Pompeianus. * Galen moves back to Rome for good. China * Confucian scholars who had denounced the court eunuchs are arrested, killed or banished from the capital of Luoyang and official life duri ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ...
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Joshua Reynolds
Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769. Early life Reynolds was born in Plympton, Devon, on 16 July 1723 the third son of the Rev. Samuel Reynolds, master of the Plympton Free Grammar School in the town. His father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. One of his sisters was Mary Palmer (1716–1794), seven years his senior, author of ''Devonshire Dialogue'', whose fondness for drawing is said to have had much influence on him when a boy. In 1740 she provided £60, half of the premium paid to Thomas Hudson the portrait-painter, for Joshua's pupilage, and nine years later a ...
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Palazzo Magnani, Bologna
Palazzo Magnani is a Renaissance palace located on Via Zamboni number 20 in central Bologna, region of Emilia Romagna, Italy, built by the Magnani noble family with the same name. Construction on the palace began in 1577 under architect Domenico Tibaldi until his death in 1583. Floriano Ambrosini then took over the architectural duties. In 1797 the palace became a property of the Guidotti family. In the late 19th century they sold it to the Malvezzi Campeggi family whose coat of arms is still visible on the façade. The Palazzo Malvezzi Campeggi rises adjacent to this one, just northeast along Via Zamboni. Subsequently, Palazzo Magnani was inhabited by the Salem family. Currently it is the local office for the Unicredit (was a headquarter of Rolo Banca and Credito Romagnolo ). Among the most important artworks in the interior is the frescoed frieze of ''Histories of the Foundation of Rome'' executed in 1590 by the painters Ludovico, Annibale and Agostino Carracci in the salon ...
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Armillary Sphere
An armillary sphere (variations are known as spherical astrolabe, armilla, or armil) is a model of objects in the sky (on the celestial sphere), consisting of a spherical framework of rings, centered on Earth or the Sun, that represent lines of celestial longitude and latitude and other astronomically important features, such as the ecliptic. As such, it differs from a celestial globe, which is a smooth sphere whose principal purpose is to map the constellations. It was invented separately first in ancient China during the 4th century BC and ancient Greece during the 3rd century BC, with later uses in the Islamic world and Medieval Europe. With the Earth as center, an armillary sphere is known as ''Ptolemaic''. With the Sun as center, it is known as '' Copernican''. The flag of Portugal features an armillary sphere. The armillary sphere is also featured in Portuguese heraldry, associated with the Portuguese discoveries during the Age of Exploration. Manuel I of Portugal, for ...
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Bow And Arrow
The bow and arrow is a ranged weapon system consisting of an elastic launching device (bow) and long-shafted projectiles ( arrows). Humans used bows and arrows for hunting and aggression long before recorded history, and the practice was common to many prehistoric cultures. They were important weapons of war from ancient history until the early modern period, where they were rendered increasingly obsolete by the development of the more powerful and accurate firearms. Today, bows and arrows are mostly used for hunting and sports. Archery is the art, practice, or skill of using bows to shoot arrows.Paterson ''Encyclopaedia of Archery'' p. 17 A person who shoots arrows with a bow is called a bowman or an archer. Someone who makes bows is known as a bowyer,Paterson ''Encyclopaedia of Archery'' p. 31 someone who makes arrows is a fletcher,Paterson ''Encyclopaedia of Archery'' p. 56 and someone who manufactures metal arrowheads is an arrowsmith.Paterson ''Encyclopaedia of Arche ...
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Helmet
A helmet is a form of protective gear worn to protect the head. More specifically, a helmet complements the skull in protecting the human brain. Ceremonial or symbolic helmets (e.g., a policeman's helmet in the United Kingdom) without protective function are sometimes worn. Soldiers wear combat helmets, often made from Kevlar or other lightweight synthetic fibers. The word ''helmet'' is derived from ''helm'', an Old English word for a protective head covering. Helmets are used for recreational activities and sports (e.g., jockeys in horse racing, American football, ice hockey, cricket, baseball, camogie, hurling and rock climbing); dangerous work activities such as construction, mining, riot police, military aviation, and in transportation (e.g. motorcycle helmets and bicycle helmets). Since the 1990s, most helmets are made from resin or plastic, which may be reinforced with fibers such as aramids. Designs Some British gamekeepers during the 18th and 19th centuries wore he ...
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