India Since The 90s
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India Since The 90s
India Since the 90s is a six-volume collection of texts and images produced over the last three decades, in social theory, performance, moving image practices, urban studies, museum studies and photography. The six titles in the series are ''The Hunger of the Republic: Our Present in Retrospect'' (edited by Ashish Rajadhyaksha), ''Improvised Futures: Encountering the Body in Performance'' (edited by: Ranjana Dave), ''The Vanishing Point: Moving Images After Video'' (edited by: Rashmi Devi Sawhney), ''Cities on the Ground: The New ‘Urban’ Experience'' (edited by Solomon Benjamin and the Frozen Fish Collective), ''Another Lens: Photography Practices and Image Cultures'' (edited by: Rahaab Allana) and ''Ghosts of Future Nations: Gods, Migrants and Tribals in the Late-Modern Museum'' (edited by: Kavita Singh (scholar), Kavita Singh). The series, conceptualised by Series Editor Ashish Rajadhyaksha, and designed by Gauri Nagpal, was conceived in collaboration with the Shanghai-based We ...
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Kavita Singh (scholar)
Kavita Singh (5 November 1964 – 30 July 2023) was an Indian art historian. A professor of art history, she served as the dean at the School of Arts and Aesthetics of Jawaharlal Nehru University. Education Kavita Singh obtained her Bachelor of Arts degree at Lady Shri Ram College, her MFA in 1987 from M.S. University, Baroda and her PhD in 1996 from Punjab University. Career Singh was appointed to Jawaharlal Nehru University (JNU) in 2001, where she was a co-founder of the internationally recognized School of Art and Aesthetics. She served there as a professor till her death.. Her research interests covered the history of Indian painting, particularly the Mughal and Rajput schools, and the history and politics of museums, with a special focus on India. Before joining JNU, Singh taught at the College of Art, Delhi and the National Institute of Technology Delhi. She was also a research editor for Marg Publications, and a visiting guest curator at the San Diego Museum of A ...
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Jayanth Kaikini
Jayanth Kaikini (born 24 January 1955) is a poet, short story writer, playwright, columnist in Kannada and a lyricist in Kannada Cinema. He has so far published six anthologies of short stories, four books of poetry, three plays and a collection of essays. He is valued as one of the best writers in Kannada literature and has revolutionized the field by giving it a fresh new perspective. He has bagged in many notable awards like ' Karnataka Sahitya Academy' award. Kaikini is regarded as one of the most significant writers in Kannada today. Kaikini has been conferred the honorary doctorate from Tumkur University. Early life Dr Kaikini was born in Gokarna to Gourish Kaikini, a thinker, litterateur and teacher, and Shanta Kaikini, a social worker. After studying a M.Sc. in Biochemistry from Karnataka University, Dharwad, he moved to Mumbai where he worked as a chemist for many years. Jayanth Kaikini began his career working as a production chemist, eventually working also as a c ...
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Navtej Johar
Navtej Singh Johar (born 8 August 1959) is an Indian Sangeet Natak Akademi award-winning Bharatnatyam exponent and choreographer. He is also an LGBTQ activist. Life and career Johar is faculty at Ashoka University, Sonipat. He is trained in Bharatanatyam at Kalakshetra, a dance school of Rukmini Arundale at Chennai, and with Leela Samson at the Shriram Bharatiya Kala Kendra in New Delhi. He also studied later at the Department of Performance Studies, New York University. He has received numerous fellowships for his research such as Times of India Fellowship (1995), the Charles Wallace Fellowship (1999). Johar has collaborated with composers Stephen Rush, Shubha Mudgal and installation artist Sheba Chhachhi among others. He has also acted in ''Earth'' by Deepa Mehta and ''Khamosh Pani'' by Sabiha Sumar. He is among the few male dancers of classical form in India and first Sikh to have taken to the art form. Activism In June 2016, Johar and five others, all members of the ...
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ISSN (identifier)
An International Standard Serial Number (ISSN) is an eight-digit serial number used to uniquely identify a serial publication, such as a magazine. The ISSN is especially helpful in distinguishing between serials with the same title. ISSNs are used in ordering, cataloging, interlibrary loans, and other practices in connection with serial literature. The ISSN system was first drafted as an International Organization for Standardization (ISO) international standard in 1971 and published as ISO 3297 in 1975. ISO subcommittee TC 46/SC 9 is responsible for maintaining the standard. When a serial with the same content is published in more than one media type, a different ISSN is assigned to each media type. For example, many serials are published both in print and electronic media. The ISSN system refers to these types as print ISSN (p-ISSN) and electronic ISSN (e-ISSN). Consequently, as defined in ISO 3297:2007, every serial in the ISSN system is also assigned a linking ISSN (ISS ...
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Chandralekha (dancer)
Chandralekha Prabhudas Patel (6 December 1928 – 30 December 2006), commonly known as Chandralekha, was a dancer and choreographer from India. The niece of Vallabhbhai Patel, India's first deputy Prime Minister, she was an exponent of performances fusing Bharatanatyam with Yoga and martial arts like Kalarippayattu. She was conferred the highest award of the Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama, the Sangeet Natak Akademi Fellowship in 2004. Early life and education She was born to an agnostic doctor father and a devout Hindu mother in Vada, Maharashtra. She spent her childhood in her native Gujarat and in Maharashtra. Career After completing high school, Chandralekha studied law, but quit her studies midway to learn dance instead. She started with Dasi Attam, a form of dance practiced by temple dancers in southern India, under the tutelage of Ellappa Pillai. She was also influenced by Balasaraswati and Rukmini Devi Arundale in her dance ...
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Vol 2 Cover
Vol or Vols may refer to: * Vol (command), a computer operating system command * Vol (heraldry), a heraldic charge * Volatility (finance) * Volume (other) * Volunteer (Irish republican) * Nashville Vols, an American minor league baseball team * Tennessee Volunteers, the sports teams of the University of Tennessee * Republic of Upper Volta, a country in Africa now called Burkina Faso * Vigilantes of Love, an American rock band * Volans, a constellation * Volapük, a constructed international auxiliary language * Volunteer State Community College, a community college in Gallatin, Tennessee * Vol, Iran, a village in Kurdistan Province, Iran * Vol Dooley (1927-2014), former sheriff of Bossier Parish, Louisiana * "Vol", a 2021 song by Merel Baldé See also * Völs (other) Völs may refer to: * Völs, Tyrol, a town in the district of Innsbruck-Land in Tyrol, Austria *Völs am Schlern, a town located in South Tyrol, Italy *Gerd Völs Gerd Völs (22 ...
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Ritwik Ghatak
Ritwik Kumar Ghatak (; 4 November 19256 February 1976) was a noted Indian film director, screenwriter, and playwright. Along with prominent contemporary Bengali filmmakers Satyajit Ray, Tapan Sinha and Mrinal Sen, his cinema is primarily remembered for its meticulous depiction of social reality, partition and feminism. He won the National Film Award's Rajat Kamal Award for Best Story in 1974 for his ''Jukti Takko Aar Gappo'' and Best Director's Award from Bangladesh Cine Journalist's Association for ''Titash Ekti Nadir Naam''. The Government of India honoured him with the Padma Shri for Arts in 1970. Family Ritaban Ghatak, his son, is also a filmmaker and is involved in the Ritwik Memorial Trust. He has restored Ritwik's ''Bagalar Banga Darshan'', ''Ronger Golam'' and completed his unfinished documentary on Ramkinkar. He made a film titled ''Unfinished Ritwik''. He is working on adapting Bibhutibhushan Bandopadhyay's novel ''Ichhamati''. Ghatak's elder daughter Samhita, made ...
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1989 Bhagalpur Violence
The Bhagalpur violence of 1989 took place between Hindus and Muslims in the Bhagalpur district of Bihar, India. The violence started on 24 October 1989, and the violent incidents continued for 2 months, affecting the Bhagalpur city and 250 villages around it. Over 1,000 people were killed (around 900 of which were Muslims), and another 50,000 were displaced as a result of the violence. It was the worst instance of Hindu-Muslim violence in independent India at the time. Background Bhagalpur has a history of communal violence, and in 1989, the Hindu-Muslims tensions had escalated during the Muharram and Bisheri Puja festivities in August. In 1989, as part of the Ram Janmabhoomi campaign, which aimed to construct a Hindu temple at Ayodhya in place of the Babri mosque, the Vishwa Hindu Parishad (VHP) had organized a "Ramshila" procession in Bhagalpur. The procession aimed to collect bricks (''shilas'') for the proposed Ram temple at Ayodhya. One such procession passing throug ...
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Section 377
Section 377 of the British colonial penal code criminalized all sexual acts "against the order of nature". The law was used to prosecute people engaging in oral and anal sex along with homosexual activity. The penal code remains in many former colonies, such as India (but has been repealed in Singapore) and has been used to criminalize third gender people, such as the '' apwint'' in Myanmar. In 2018, British Prime Minister Theresa May acknowledged how the legacies of British colonial anti-sodomy laws continue to persist today in the form of discrimination, violence, and death. History Although the act of sodomy was sometimes prosecuted in England under British common law, it was first codified in the British empire as Section 377 in the Indian Penal Code as "carnal intercourse against the order of nature" in 1860. Section 377 was then exported to other colonies and even to England itself, providing the legal model for the act of ' buggery' in the Offenses Against the Person Act ( ...
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Atul Dodiya
Atul Dodiya (born 20 January 1959, in Ghatkopar, Mumbai, India) is an Indian artist. Biography Atul began exhibiting and selling his work in the early 1980s following his graduation from Sir J. J. School of Art in Mumbai where he received a Bachelor of Fine Arts degree. He furthered his academic training at the École des Beaux-Arts in Paris from 1991 to 1992 subsequent to a scholarship awarded by the French Government. Atul has had several solo shows in India and exhibited at 'Reflections and Images' Vadehra Art Gallery, New Delhi and Mumbai, 1993 and 'Trends and Images' CIMA, Calcutta, 1993. Outside India, he has exhibited at Gallery Lund, Amsterdam in 1993, participated in 'The Richness of the Spirit' Kuwait and Rome in 1986–89, 'India - Contemporary Art' World Trade Center, Amsterdam 1989, 'Exposition Collective' Cite Internationale Des Arts, Paris 1992. Atul Dodiya represented as one of the artists at India Pavilion, Venice Biennale 2019, showcasing an installation titl ...
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Vivan Sundaram
Vivan Sundaram (born 28 May 1943) is an Indian contemporary artist. His parents were Kalyan Sundaram, Chairman of Law Commission of India from 1968 to 1971, and Indira Sher-Gil, sister of noted Indian modern artist Amrita Sher-Gil. He is married to art historian and critic Geeta Kapur. Training Sundaram was educated at The Doon School, the Faculty of Fine Arts, Maharaja Sayajirao University of Baroda, and at Slade School of London. In London he met the British-American painter R. B. Kitaj, under whom he trained for some time. Work Sundaram works in many different media, including painting, sculpture, printmaking, photography, installation and video art, and his work is politically conscious and highly intertextual in nature. His works in the 1980s showed a tendency towards figurative representations, and dealt with problems of identity. His works constantly refer to social problems, popular culture, problems of perception, memory and history. He was among the first India ...
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Riyas Komu
Riyas Komu born in Kerala is a multimedia artist and curator based in Mumbai. He has invested his time in art education and developing art infrastructure in India. Komu's works are inspired by social conflicts and political movements and topics like migration and displacement. His hyper-realistic oil portraits of people resemble socialist-realist propaganda art, with one of his portraits titled “Why Everybody should Look Like Mao”. In 2007, Komu was one of two artists from India selected for the 52nd Venice Biennale by curator Robert Storr. Later, he went on to represent the Iranian Pavilion at the Venice Biennale in 2015. Komu also participated in the Jogja Biennale, Indonesia, 2011. Riyas born in 1971 in a small town in Thrissur District of Kerala. He lives and works in Mumbai. Early life Riyas completed his Bachelors & Masters in Painting from the J.J. School of Art in Mumbai in 1999. He is the Ideator of Kochi- Muziris Biennale and Co-Founder of Kochi-Muziris Biennal ...
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