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Index Of Semiotics Articles
The following is a list of semiotics terms; that is, those words used in discussion, classification, criticism, and analysis of the study of sign processes (semiosis), analogy, metaphor, signification and communication, signs and symbols. Note: in order to help the reader this page also includes terms which are not part of semiotic theory per se but which are commonly found alongside their semiotic brethren - these terms come from linguistics, literary theory and narratology. A *Addressee (Imported from linguistic theory) B *Biosemiotics C *Codes *Connotation * Commutation tests D *Decode *Denotation E *Ecosemiotics *Encode F *Film semiotics G H I *Iconicity *Indexicality *Interpretant (Peircean semeiotic system) J K L *Lexical M * Meaning *Modality N *Narrator (Imported term from narratology) O * P *Paradigmatic analysis *Paradigms *Paratext (A term from narratology) Q R * Receiver (mathematical/transmission theory of communication) S *Semeiotic *Semiosis * ...
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Semiosis
Semiosis (, ), or sign process, is any form of activity, conduct, or process that involves signs, including the production of meaning. A sign is anything that communicates a meaning, that is not the sign itself, to the interpreter of the sign. The meaning can be intentional such as a word uttered with a specific meaning, or unintentional, such as a symptom being a sign of a particular medical condition. Signs can communicate through any of the senses, visual, auditory, tactile, olfactory, or taste. The term was introduced by Charles Sanders Peirce (1839–1914) to describe a process that interprets signs as referring to their objects, as described in his theory of sign relations, or semiotics. Other theories of sign processes are sometimes carried out under the heading of semiology, following on the work of Ferdinand de Saussure (1857–1913). Overview Peirce was interested primarily in logic, while Saussure was interested primarily in linguistics, which examines the functio ...
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Meaning (semiotics)
In semiotics, the study of sign processes (semiosis), the meaning of a sign is its place in a sign relation, in other words, the set of roles that the sign occupies within a given sign relation. This statement holds whether ''sign'' is taken to mean a ''sign type'' or a ''sign token''. Defined in these global terms, the meaning of a sign is not in general analyzable with full exactness into completely localized terms, but aspects of its meaning can be given approximate analyses, and special cases of sign relations frequently admit of more local analyses. Two aspects of meaning that may be given approximate analyses are the ''connotative relation'' and the ''denotative relation''. The connotative relation is the relation between signs and their interpretant signs. The denotative relation is the relation between signs and objects. An arbitrary association exists between the ''signified'' and the ''signifier.'' For example, a US salesperson doing business in Japan might interpret ...
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Semiotics Of Dress
The semiotics of dress is a term used to refer to the design and customs associated with dress (clothing), as patterned to a kind of symbolism that has rules and norms. It is the study of how people use clothing and adornments to signify various cultural and societal positions. "Semiotics" is defined as the philosophical study and interpretation of signs. The semiotic system is not limited to just verbal communication. Therefore, the term "semiotics of dress" can be further referred to as a non-linguistic semiotic resource which interrelates with facial expressions, gestures and body semiotics in an effort to develop and communicate meaning. People develop meaning of signs and signals based on an individual and personal ideology. It is important to note that clothing and fashion, by definition, are not the same. While clothing is defined as "any covering of the human body", fashion is defined as the style of dress accepted by members of a society as being appropriate for specific t ...
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Semiotics Of Music Videos
Semiotics of music videos is the observation of symbolism used within music videos. Overview Semiotics in popular music, or mesomusica, is different from semiotics in other musical forms, because pop music denotes a cultural object (Matusitz, 2004). Popular music has many signs in itself because it has many components and uses, but it also appeals to the emotions of a generation. Music is the “logical expression” of feelings, a "symbolic form". Music videos are an example of syntagm, wherein interacting signifiers form a meaningful whole. Music videos are also considered a multimodal genre because one semiotic system is joined syntagmatically to another semiotic system, which results in a signified indexical meaning. The process of music correlated with visuals can be described in terms of two basic mechanisms: temporal synchronicity and cross-modal homology. By incorporating the two modalities, sound and image, we can interpret a unified syntagm. Music videos are known to be v ...
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Semiotics Of Agriculture
The semiotics of agriculture are the observations of the images, namely photographs, surrounding agriculture and the meaning communicated by those images. Images as signs of agriculture Images of agriculture were examined in Sara King’s thesis work in conjunction with Dr. Emily Rhodes, titled Impressions of Agriculture: Using Semiotics to Decode Agricultural Images. Jennifer Norwood observed similar patterns in her work: A semiotic analysis of biotechnology and food safety photographs, and used these to discuses images associated with agriculture. Agricultural images, according to King and Rhodes, when viewed as semiotic signs of agriculture are viewed on a scale. People with high exposure to agriculture (those with agricultural backgrounds such as FFA, family farms, etc.) tend to associate agricultural images with day-to-day tasks, such as operating farm equipment or getting things ready to plan and objects such as muddy boots or farm tools. Those with low exposure to agri ...
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Semiosphere
The semiosphere is an idea in biosemiotic theory proposing that, contrary to ideas of nature determining sense and experience, the phenomenal world is a creative and logical structure of processes of semiosis where signs operate together to produce sense and experience. Overview Biosemiotic theorists regard the idea of the semiosphere as beginning with continental philosophers' recognition of an epistemological gap between the ontological and the ontic, where it is initially difficult to conceptualize the way that subjectivity is created in between them. The study of the semiosphere has often overlapped into research made by symbolic interactionists and field theorists. The subject's narrative boundary-understanding of its environment—the lifeworld as proposed by Edmund Husserl, or ''umwelt'' as proposed by Jakob Johann von Uexküll—is derived through abstract processes of making a phenomenal world of symptoms, signals, icons, indexes, symbols and names—as proposed ...
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Semiosis
Semiosis (, ), or sign process, is any form of activity, conduct, or process that involves signs, including the production of meaning. A sign is anything that communicates a meaning, that is not the sign itself, to the interpreter of the sign. The meaning can be intentional such as a word uttered with a specific meaning, or unintentional, such as a symptom being a sign of a particular medical condition. Signs can communicate through any of the senses, visual, auditory, tactile, olfactory, or taste. The term was introduced by Charles Sanders Peirce (1839–1914) to describe a process that interprets signs as referring to their objects, as described in his theory of sign relations, or semiotics. Other theories of sign processes are sometimes carried out under the heading of semiology, following on the work of Ferdinand de Saussure (1857–1913). Overview Peirce was interested primarily in logic, while Saussure was interested primarily in linguistics, which examines the functio ...
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Semeiotic
Semiotics (also called semiotic studies) is the systematic study of sign processes (semiosis) and meaning making. Semiosis is any activity, conduct, or process that involves signs, where a sign is defined as anything that communicates something, usually called a meaning, to the sign's interpreter. The meaning can be intentional such as a word uttered with a specific meaning, or unintentional, such as a symptom being a sign of a particular medical condition. Signs can also communicate feelings (which are usually not considered meanings) and may communicate internally (through thought itself) or through any of the senses: visual, auditory, tactile, olfactory, or gustatory (taste). Contemporary semiotics is a branch of science that studies meaning-making and various types of knowledge. The semiotic tradition explores the study of signs and symbols as a significant part of communications. Unlike linguistics, semiotics also studies non-linguistic sign systems. Semiotics includes the ...
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Receiver (information Theory)
The receiver in information theory is the receiving end of a communication channel. It receives decoded messages/information from the sender, who first encoded them. Sometimes the receiver is modeled so as to include the decoder. Real-world receivers like radio receivers or telephones can not be expected to receive as much information as predicted by the noisy channel coding theorem In information theory, the noisy-channel coding theorem (sometimes Shannon's theorem or Shannon's limit), establishes that for any given degree of noise contamination of a communication channel, it is possible to communicate discrete data (di .... References {{Authority control Information theory ...
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Paratext
In literary interpretation, paratext is material that surrounds a published main text (e.g., the story, non-fiction description, poems, etc.) supplied by the authors, editors, printers, and publishers. These added elements form a frame for the main text, and can change the reception of a text or its interpretation by the public. Paratext is most often associated with books, as they typically include a cover (with associated cover art), title, front matter (dedication, opening information, foreword), back matter (endpapers, colophon) footnotes, and many other materials not crafted by the author. Other editorial decisions can also fall into the category of paratext, such as the formatting or typography. Because of their close association with the text, it may seem that authors should be given the final say about paratextual materials, but often that is not the case. One example of controversy surrounding paratext is the case of the 2009 young adult novel '' Liar'', which was initial ...
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Paradigm
In science and philosophy, a paradigm () is a distinct set of concepts or thought patterns, including theories, research methods, postulates, and standards for what constitute legitimate contributions to a field. Etymology ''Paradigm'' comes from Greek παράδειγμα (''paradeigma''), "pattern, example, sample" from the verb παραδείκνυμι (''paradeiknumi''), "exhibit, represent, expose" and that from παρά (''para''), "beside, beyond" and δείκνυμι (''deiknumi''), "to show, to point out". In classical (Greek-based) rhetoric, a paradeigma aims to provide an audience with an illustration of a similar occurrence. This illustration is not meant to take the audience to a conclusion, however it is used to help guide them get there. One way of how a ''paradeigma'' is meant to guide an audience would be exemplified by the role of a personal accountant. It is not the job of a personal accountant to tell a client exactly what (and what not) to spend money on ...
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Paradigmatic Analysis
Paradigmatic analysis is the analysis of paradigms embedded in the text rather than of the surface structure (syntax) of the text which is termed syntagmatic analysis. Paradigmatic analysis often uses commutation tests, i.e. analysis by substituting words of the same type or class to calibrate shifts in connotation. Definition of terms In Semiotic literary criticism, a syntagm (or syntagma) is a building block of a text into which meaning is encoded by the writer and decoded by the reader, recalling past experience and placing the message in its appropriate cultural context. Individual syntagms can be arranged together to form more complex syntagms: groups of sounds (and the letters to represent them) form words, groups of words form sentences, sentences form narratives, and so on. A list of syntagms of the same type is called a ''paradigm''. So, in English, the alphabet is the paradigm from which the syntagms of words are formed. The set of words collected together in a lexi ...
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