Semiotics Of Dress
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The semiotics of dress is a term used to refer to the
design A design is a plan or specification for the construction of an object or system or for the implementation of an activity or process or the result of that plan or specification in the form of a prototype, product, or process. The verb ''to design'' ...
and customs associated with
dress A dress (also known as a frock or a gown) is a garment traditionally worn by women or girls consisting of a skirt with an attached bodice (or a matching bodice giving the effect of a one-piece garment). It consists of a top piece that covers ...
(
clothing Clothing (also known as clothes, apparel, and attire) are items worn on the body. Typically, clothing is made of fabrics or textiles, but over time it has included garments made from animal skin and other thin sheets of materials and natural ...
), as patterned to a kind of
symbol A symbol is a mark, sign, or word that indicates, signifies, or is understood as representing an idea, object, or relationship. Symbols allow people to go beyond what is known or seen by creating linkages between otherwise very different conc ...
ism that has rules and norms. It is the study of how people use clothing and
adornment An adornment is generally an accessory or ornament worn to enhance the beauty or status of the wearer. They are often worn to embellish, enhance, or distinguish the wearer, and to define cultural, social, or religious status within a specific com ...
s to signify various cultural and societal positions. "
Semiotics Semiotics (also called semiotic studies) is the systematic study of sign processes ( semiosis) and meaning making. Semiosis is any activity, conduct, or process that involves signs, where a sign is defined as anything that communicates something ...
" is defined as the
philosophical Philosophy (from , ) is the systematized study of general and fundamental questions, such as those about existence, reason, knowledge, values, mind, and language. Such questions are often posed as problems to be studied or resolved. Some ...
study and interpretation of signs. The semiotic system is not limited to just verbal communication. Therefore, the term "semiotics of dress" can be further referred to as a non-linguistic semiotic resource which interrelates with
facial expression A facial expression is one or more motions or positions of the muscles beneath the skin of the face. According to one set of controversial theories, these movements convey the emotional state of an individual to observers. Facial expressions are a ...
s,
gesture A gesture is a form of non-verbal communication or non-vocal communication in which visible bodily actions communicate particular messages, either in place of, or in conjunction with, speech. Gestures include movement of the hands, face, or ot ...
s and body semiotics in an effort to develop and communicate meaning. People develop meaning of signs and signals based on an individual and personal
ideology An ideology is a set of beliefs or philosophies attributed to a person or group of persons, especially those held for reasons that are not purely epistemic, in which "practical elements are as prominent as theoretical ones." Formerly applied pri ...
. It is important to note that clothing and fashion, by definition, are not the same. While
clothing Clothing (also known as clothes, apparel, and attire) are items worn on the body. Typically, clothing is made of fabrics or textiles, but over time it has included garments made from animal skin and other thin sheets of materials and natural ...
is defined as "any covering of the human body",
fashion Fashion is a form of self-expression and autonomy at a particular period and place and in a specific context, of clothing, footwear, lifestyle, accessories, makeup, hairstyle, and body posture. The term implies a look defined by the fashion in ...
is defined as the style of dress accepted by members of a society as being appropriate for specific times and occasions. The
human body The human body is the structure of a Human, human being. It is composed of many different types of Cell (biology), cells that together create Tissue (biology), tissues and subsequently organ systems. They ensure homeostasis and the life, viabi ...
is the key element of this non-linguistic semiotic resource. The way one dresses is informed by the biological and social needs of the individual. Central to the semiotics of dress is the psychology of self-perception and self-presentation, both as
individual An individual is that which exists as a distinct entity. Individuality (or self-hood) is the state or quality of being an individual; particularly (in the case of humans) of being a person unique from other people and possessing one's own Maslow ...
s who see themselves, as well as how individuals are seen within a greater group,
society A society is a group of individuals involved in persistent social interaction, or a large social group sharing the same spatial or social territory, typically subject to the same political authority and dominant cultural expectations. Socie ...
,
culture Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tyl ...
or
subculture A subculture is a group of people within a culture that differentiates itself from the parent culture to which it belongs, often maintaining some of its founding principles. Subcultures develop their own norms and values regarding cultural, poli ...
.


Social views

When the term semiotics is applied to dress, it refers to the words and symbols used to describe the images supporting "the structure of social interaction". Examples of these social interactions include: the system of statuses and roles. Therefore, the way one dresses can be analyzed as a symbol mechanism to communicate ideas and values with other members in a society, as sociologists
Erving Goffman Erving Goffman (11 June 1922 – 19 November 1982) was a Canadian-born sociology, sociologist, Social psychology (sociology), social psychologist, and writer, considered by some "the most influential American sociologist of the twentieth ...
and Gregory P. Stone have suggested. Clothing is a visual signifier that can be interpreted differently based especially on context and culture. Fred Davis expressed the difficulty of understanding and interpreting clothing and fashion. Davis explained that the difficulty is increased because similar expressive elements frequently have substantial differences in symbolic influence based on
geographic Geography (from Greek: , ''geographia''. Combination of Greek words ‘Geo’ (The Earth) and ‘Graphien’ (to describe), literally "earth description") is a field of science devoted to the study of the lands, features, inhabitants, and ...
and
demographic Demography () is the statistical study of populations, especially human beings. Demographic analysis examines and measures the dimensions and dynamics of populations; it can cover whole societies or groups defined by criteria such as edu ...
differences."


Symbolism/ideals/values of dress

Ruth Rubinstein, a sociologist and author, identified six distinct categories of dress. #"Clothing symbols," have several meanings and involve individual choice and preference. Name brand athletic wear is an example. #"Clothing tie-signs," are specific types of clothing that indicate membership in a community outside of mainstream culture.
Amish The Amish (; pdc, Amisch; german: link=no, Amische), formally the Old Order Amish, are a group of traditionalist Anabaptist Christian church fellowships with Swiss German and Alsatian origins. They are closely related to Mennonite churches ...
and
Hutterite Hutterites (german: link=no, Hutterer), also called Hutterian Brethren (German: ), are a communal ethnoreligious group, ethnoreligious branch of Anabaptism, Anabaptists, who, like the Amish and Mennonites, trace their roots to the Radical Refor ...
attire are examples. #"Clothing tie-symbols," act as a means of broader social affiliation emanating especially from fears, hopes, and dreams. This can include Save the Earth clothing,
Pro-Choice Abortion-rights movements, also referred to as pro-choice movements, advocate for the right to have legal access to induced abortion services including elective abortion. They seek to represent and support women who wish to terminate their pre ...
T-shirts, and religious crosses. #"Personal dress," refers to the "I" component we bring in when dressing the public self. This category allows for individuality in the
public sphere The public sphere (german: Öffentlichkeit) is an area in social life where individuals can come together to freely discuss and identify societal problems, and through that discussion influence political action. A "Public" is "of or concerning th ...
. #"Contemporary fashion," is the interaction between political and economic events and consumer sentiments, involving public memory. #"Clothing signs," is the sixth category, and is made up of three sub-categories. The first, is task oriented or instrumental in nature; the second, is having one primary meaning; and the third, is being recognized as a sign for those who wear it. Clothing that shows or portrays some kind of authority in society would fall in the first category. An example would be military uniforms, wigs used in English courts, law enforcement uniforms, clerical collars, or the trademark white labcoat of a medical doctor. People who wear these kinds of clothing are expected by society to behave in certain ways. Not only that, but it is assumed that they possess certain economic, educational and social statuses. Clothing that separates the sexes, and creates differences between a male and a female, would fall into the second category of clothing signs according to Rubinstin. Sex differences in clothing are due to "Social judgments, personal evaluation and appropriate expectations of dress". Because of these, society has coercive power upon colors, shapes and fabrics in the clothes that men and women should wear. Men would wear pants while women would wear skirts, for example. Within the third category one may find "seductive attire" as it was labeled by Flugel. However, wearing sex-specific clothing doesn't necessarily mean one will feel sensual or inclined to have sexual intercourse. Perhaps a better understanding of this could be derived from the church fathers, who said that seductive attire is a mixture of exposure and coverage of the body. A clothing piece one may use for reference is the ''décolletage'', which was "first in use during the end of the
Middle Ages In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire a ...
". ''Symbolism'' in clothing or dress is very much subjective, unlike clothing signs. Symbols in clothing don't represent one's level in a social institution. Therefore, they are not governed by any kind of rules or regulations. Clothing symbols are a reflection of what a specific society believes is valuable at a given time. Clothing symbols do not offer implications about a person's rights, duties or obligations, and they should not be used to judge or predict one's behavior. Therefore, an intimate comprehension of an individual's history as well as time investment is required to understand and comprehend an individual through clothing symbols. ''Cultural values'' in dress can easily increase an individual's self-significance by portraying those good, desirable values in accordance with one's society. This can be further explained by looking at or taking members of the
European aristocracy The aristocracy is historically associated with "hereditary" or "ruling" social class. In many states, the aristocracy included the upper class of people (aristocrats) with hereditary rank and titles. In some, such as ancient Greece, ancient ...
as an example. They would wear clothes made with expensive fabrics and ornaments, which would differentiate them from the rest. All in efforts to show others that they possess a privileged place in a social class, where they could not be seen working in a field. Therefore, giving the impression of freedom and relaxation from harsh labor, unlike their servants. Cultural dress has the ability to disclose information about intimate aspects of our lives and relationships.It also projects perceptions about class.


Men v. women

Throughout history there has been a separation between the roles and relationships that
men A man is an adult male human. Prior to adulthood, a male human is referred to as a boy (a male child or adolescent). Like most other male mammals, a man's genome usually inherits an X chromosome from the mother and a Y chrom ...
and
women A woman is an adult female human. Prior to adulthood, a female human is referred to as a girl (a female child or Adolescence, adolescent). The plural ''women'' is sometimes used in certain phrases such as "women's rights" to denote female hum ...
play. These socially structured differences between men and women have contradicted each other at times.
Fashion Fashion is a form of self-expression and autonomy at a particular period and place and in a specific context, of clothing, footwear, lifestyle, accessories, makeup, hairstyle, and body posture. The term implies a look defined by the fashion in ...
has picked up on the tensions left by these contradictions as well. The symbolic separation of men and women is fundamental to the history of dress. As time has gone by, the forms of clothing (colors, fabrics and shapes) have changed, but the idea of gender difference has survived. From an early point in life, children learn to differentiate between a male and a female based on clothing and hairstyles. An example this may be attributed to is television cartoons where superheroines are pictured with strong and muscular bodies. However; due to their clothing, they portray an image or an idea to the viewer of being sexy or attractive, therefore putting her physical strength as a secondary attribute.


Psychology in dress

Psychologist J. C. Flugel concluded that styles of dress affect one's appearance, yet triggering feelings that enable role performance. This means that when an individual's body and clothes fuse together to form one, the individual's sense of importance increases. Increments in one's sense of importance yields to feelings and behaviors of being able to control the environment in which one is in. At the same time, this may work backwards. In other words, if one's body and clothes don't come together as a whole, then one may feel embarrassed, and therefore belittle its sense of importance. Flugel called this idea ''Image Contrast''. Clothing can be perceived as one's medium or channel for self-expression. Every day people communicate ideas and express feelings about them to others through the use of clothing, and vice versa. This way of thinking leads to the idea of the ''social self'', which is that the idea of ''self-reflection'' is a social construction.


Self-perception

The term ''self-schema'' could be used to defined thought processes that modify, organize and integrate qualities assigned to the self. This idea may include visual images or verbal descriptions that people may use to describe which "look" suits them best and which "look" doesn't. Teen boys see themselves as more physically effective than teen girls. While at the same time, teen girls perceive themselves as being more effective by means of attractiveness. Recently these perceptions among men and women have changed. Women are increasingly concerned with their physical effectiveness, while men have become more interested in their physical attractiveness. Today, unlike men, women are more critical when assessing their bodies in terms of physical fitness, appearance, health and sexuality. However, both men and women tend to be equally satisfied when it comes to their bodies and their self-perceptions.


See also


References


Further reading

*R. Broby-Johansen, ''Body and Clothes'' (1968) *J. C. Flugel, ''The Psychology of Clothes'' (1930) * * * {{cite journal, last1=Roach-Higgins, first1=Mary Ellen, last2=Eicher, first2=Joanne B., title=Dress and Identity, journal=Clothing and Textiles Research Journal, date=1992, volume=10, issue=4, pages=1–8, doi=10.1177/0887302X9201000401 Clothing Semiotics