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Ilioupersis Painter
The Ilioupersis Painter (also spelled ''Iliupersis'') was an Apulian vase painter. His works are dated to the second quarter of the 4th century BC. The Ilioupersis Painter begins to the beginning of the middle phase of Apulian vase painting, and the start of the so-called Ornate Style. His conventional name is derived from his name vase, a volute ''krater'' in the British Museum with depictions of the ''iloupersis'' (the sack of Troy). He followed the tradition of the Dijon Painter, but was an innovative artist who introduced significant aspects to Apulian vase painting. Thus, he introduced the depictions of grave scenes ( ''naiskos'' vases) into the repertoire of motifs, started the habit of rippling the lower parts of vessel surfaces, and invented the decoration of the handles of volute ''kraters'' with circular medaillons depicting faces. The motif of a female head rising between tendrils from a flower was also first painted by him. His motifs include mythological and diony ...
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Diomedes Odysseus Palladion Louvre K36
Diomedes (Jones, Daniel; Roach, Peter, James Hartman and Jane Setter, eds. ''Cambridge English Pronouncing Dictionary''. 17th edition. Cambridge UP, 2006.) or Diomede (; grc-gre, Διομήδης, Diomēdēs, "god-like cunning" or "advised by Zeus") is a hero in Greek mythology, known for his participation in the Trojan War. He was born to Tydeus and Deipyle and later became King of Argos, Peloponnese, Argos, succeeding his maternal grandfather, Adrastus. In Homer's ''Iliad'' Diomedes is regarded alongside Ajax the Great and Agamemnon, after Achilles, as one of the best warriors of all the Achaeans (Homer), Achaeans in prowess (which is especially made clear in Book 7 of the ''Iliad'' when Ajax the Greater, Diomedes, and Agamemnon are the most wished for by the Achaeans to fight Hector out of nine volunteers, who included Odysseus and Ajax the Lesser). Subsequently, Diomedes founded ten or more Italian cities and, after his death, was worshipped as a divine being under various ...
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Eros
In Greek mythology, Eros (, ; grc, Ἔρως, Érōs, Love, Desire) is the Greek god of love and sex. His Roman counterpart was Cupid ("desire").''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the earliest account, he is a primordial god, while in later accounts he is described as one of the children of Aphrodite and Ares and, with some of his siblings, was one of the Erotes, a group of winged love gods. Etymology The Greek , meaning 'desire', comes from 'to desire, love', of uncertain etymology. R. S. P. Beekes has suggested a Pre-Greek origin. Cult and depiction Eros appears in ancient Greek sources under several different guises. In the earliest sources (the cosmogonies, the earliest philosophers, and texts referring to the mystery religions), he is one of the primordial gods involved in the coming into being of the cosmos. In later sources, however, Eros is represented as the son of Aphrodite, whose mischievous interventions ...
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Anonymous Artists Of Antiquity
Anonymous may refer to: * Anonymity, the state of an individual's identity, or personally identifiable information, being publicly unknown ** Anonymous work, a work of art or literature that has an unnamed or unknown creator or author * Anonymity (social choice), a property of a voting rule, saying that it does not discriminate apriori between voters Organizations * Anonymous (hacker group), the collective name of loosely affiliated individuals who participate in hacktivism Film and television * Anonymous (Australian Playhouse), "Anonymous" (''Australian Playhouse''), an Australian television play * Anonymous (2011 film), ''Anonymous'' (2011 film), a 2011 film * Anonymous (TV series), ''Anonymous'' (TV series), a 2006 Irish television show * Anonymous (CSI), "Anonymous" (''CSI''), a 2000 episode of ''CSI: Crime Scene Investigation'' * Anonymous (NCIS: Los Angeles), "Anonymous" (''NCIS: Los Angeles''), a 2010 episode of ''NCIS: Los Angeles'' Music * Anonymous (band), ...
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Ancient Greek Vase Painters
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ...
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4th-century BC Deaths
The 4th century (per the Julian calendar and Anno Domini/Common era) was the time period which lasted from 301 ( CCCI) through 400 ( CD). In the West, the early part of the century was shaped by Constantine the Great, who became the first Roman emperor to adopt Christianity. Gaining sole reign of the empire, he is also noted for re-establishing a single imperial capital, choosing the site of ancient Byzantium in 330 (over the current capitals, which had effectively been changed by Diocletian's reforms to Milan in the West, and Nicomedeia in the East) to build the city soon called Nova Roma (New Rome); it was later renamed Constantinople in his honor. The last emperor to control both the eastern and western halves of the empire was Theodosius I. As the century progressed after his death, it became increasingly apparent that the empire had changed in many ways since the time of Augustus. The two emperor system originally established by Diocletian in the previous century fell int ...
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Arthur Dale Trendall
Arthur Dale Trendall, (28 March 1909 – 13 November 1995) was a New Zealand art historian and classical archaeologist whose work on identifying the work of individual artists on Greek ceramic vessels at Apulia and other sites earned him international prizes and a papal knighthood. Life Educated at the University of Otago (1926–29) and the University of Cambridge (1931–33), Trendall was professionally associated with the University of Sydney and Australian National University. He was Deputy Vice-Chancellor and Master of University House at the latter institution. From 1969 until his death he was Resident Fellow at La Trobe University in Melbourne. Wartime service In January 1940, with the encouragement of the Australian Army, Trendall, together with some colleagues at the University of Sydney, began to study Japanese codes. The others were the mathematicians Thomas Gerald Room and Richard Lyons and the classicist Athanasius Treweek. In May 1941 Room and Treweek att ...
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Painter Of The Dublin Situlae
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract ...
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Painter Of Athens 1714
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract ...
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Dionysos
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he was ...
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Apulia
it, Pugliese , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +01:00 , timezone1_DST = CEST , utc_offset1_DST = +02:00 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-75 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €76.6 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 = €19,000 (2018) , blank2_name_sec1 = HDI (2018) , blank2_info_sec1 = 0.845 · 18th of 21 , blank_name_sec2 = NUTS Region , blank_info_sec2 = ...
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Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world, the lives and activities of List of Greek mythological figures, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures, and the origins and significance of the ancient Greeks' own cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its after ...
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