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Il Paradiso
''Il Paradiso'' is a massive (22 x 9 meters) oil painting on canvas that dominates the main hall of the Doge's Palace, which hosted the ''Great Council of Venice''. It is one of the largest paintings on canvas in the world and was painted by Jacopo Robusti, known more commonly as Tintoretto, son of a Venetian dyer (''tintore'' means dyer, and ''tintoretto'' little dyer, in Italian). The painting features a heavenly scene with depictions of various religious figures such as the portrayal of Justina, patron saint of Padua (whose celebration day is October 7, the date of the Battle of Lepanto). From the center of the stage a path of light opens up towards the Empyrean, allowing the souls of the Just to ascend (with the assistance of angels) and God's Grace to descend upon the Doge. At the center of this path is the radiant figure of a semi-veiled Archangel. The composition is crowded with around 500 figures, depicted in detail. Of it, John Ruskin said, "I have no hesitation in ass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archangel Gabriel
In Abrahamic religions (Judaism, Christianity and Islam), Gabriel (); Greek: grc, Γαβριήλ, translit=Gabriḗl, label=none; Latin: ''Gabriel''; Coptic: cop, Ⲅⲁⲃⲣⲓⲏⲗ, translit=Gabriêl, label=none; Amharic: am, ገብርኤል, translit=Gabrəʾel, label=none; arc, ܓ݁ܰܒ݂ܪܺܝܐܝܶܠ, translit=Gaḇrīʾēl; ar, جِبْرِيل, Jibrīl, also ar, جبرائيل, Jibrāʾīl or ''Jabrāʾīl'', group="N" is an archangel with power to announce God's will to men. He is mentioned in the Hebrew Bible, the New Testament, and the Quran. Many Christian traditions — including Anglicanism, Eastern Orthodoxy, and Roman Catholicism — revere Gabriel as a saint. In the Hebrew Bible, Gabriel appears to the prophet Daniel to explain his visions (Daniel 8:15–26, 9:21–27). The archangel also appears in the Book of Enoch and other ancient Jewish writings not preserved in Hebrew. Alongside the archangel Michael, Gabriel is described as the guardian angel of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Veronese
Paolo Caliari (152819 April 1588), known as Paolo Veronese ( , also , ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as ''The Wedding at Cana'' (1563) and ''The Feast in the House of Levi'' (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the ''cinquecento''" and the Late Renaissance in the 16th century.Rosand, 107 Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian. His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous, and he was also the leadi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coronation Of The Virgin
The Coronation of the Virgin or Coronation of Mary is a subject in Christian art, especially popular in Italy in the 13th to 15th centuries, but continuing in popularity until the 18th century and beyond. Christ, sometimes accompanied by God the Father and the Holy Spirit in the form of a dove, places a crown on the head of Mary as Queen of Heaven. In early versions the setting is a Heaven imagined as an earthly court, staffed by saints and angels; in later versions Heaven is more often seen as in the sky, with the figures seated on clouds. The subject is also notable as one where the whole Christian Trinity is often shown together, sometimes in unusual ways. Crowned Virgins are also seen in Eastern Orthodox Christian icons, specifically in the Russian Orthodox church after the 18th century. Mary is sometimes shown, in both Eastern and Western Christian art, being crowned by one or two angels, but this is considered a different subject. The subject became common as part of a ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guariento
Guariento di Arpo (13101370), sometimes incorrectly referred to as Guerriero, was a 14th-century painter whose career was centered in Padua. The painter is buried in the church of San Bernardino, Padua. Guariento's major commissions in Padua include the choir frescoes for the Augustinian hermits' church of the Eremitani, which depict scenes from the life of St. Augustine, the order's founder. Painted in 1338, the cycle was severely damaged by the bombardment of 1944. Guariento also decorated the chapel of the Palazzo Carrara in Padua with panel paintings of the Madonna, St Matthew Evangelist and 25 angels. After the reconstruction of the palace in 1779 the panels were transferred to the Museo Civico of Padua. The decoration of the chapel is the subject of a recent study by Kornelia Mohl. In 1365, having already acquired high renown in his native city, he was invited by the Venetian republic to paint a representation of the Coronation of the Virgin in the Palazzo Ducale, which s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Ridolfi
Carlo Ridolfi (1594–1658) was an Italian art biographer and painter of the Baroque period. Biography Ridolfi was born in Lonigo near Vicenza. He was a pupil of the painter Antonio Vassilacchi (Aliense). He painted a ''Visitation'' for the Ognissanti and an ''Adoration of the Magi'' for San Giovanni Elemosinario in Venice. He copied Tintoretto's ''Christ Washing the Disciples' Feet'' in San Marcuola, before it came to the collection of King Charles I of England. Ridolfi's copy still remains in San Marcuola. He was certainly best known, in his own day and ever since, as an author on art. Carlo Ridolfi was also an important collector of drawings, such as Giorgio Vasari. Many of these drawings are conserved in the ''Christ Church Library'' (Oxford). Ridolfi wrote a biography of the Venetian painters in 1648 titled ''Le maraviglie dell'Arte ovvero, Le vite degli Illustri Pittori Veneti e dello Stato''. He also wrote ''La vita di Giacopo Robusti'' (a biography of Tintoretto) in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Robusti
Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed Il Furioso ("The Furious"). His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style. Life The years of apprenticeship Tintoretto was born in Venice in 1518. His father, Battista, was a dyer, or ''tintore''; hence the son got the nickname of Tintoretto, "little dyer", or "dyer's boy". Tintoretto is known to have had at least one sibling, a brother named Domenico, although an unreliable 17th-century account says his siblings numbered 22. The family was believed to have originated from Brescia, in Lombardy, then part of the Republic of Venice. Older studies ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battista Robusti
Battista is a given name and surname which means Baptist in Italian. Given named * Battista Agnese (died 1564), cartographer from the Republic of Genoa, who worked in the Venetian Republic * Battista Dossi, also known as Battista de Luteri, Italian painter * Battista Farina (1893-1966), later Battista Pininfarina, Italian automobile designer and the founder of the Carrozzeria Pininfarina. * Battista Sforza (1446-1472), Duchess of Urbino and second wife of Federico da Montefeltro Surnamed * Bobbie Battista (1952-2020), American journalist * Giovanni Battista, multiple people * Miriam Battista (1912-1980), American actress * Orlando Aloysius Battista (1917-1995), Canadian chemist and author. Others * Battista, a Disney character who is Scrooge McDuck's butler. *Pininfarina Battista, the first car from Automobili Pininfarina See also * Baptist (other) * Batista (Portuguese/Spanish surname) * Bautista (Spanish surname) meaning "Baptist" * Baptista (Portuguese surname) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint
In religious belief, a saint is a person who is recognized as having an exceptional degree of Q-D-Š, holiness, likeness, or closeness to God. However, the use of the term ''saint'' depends on the context and Christian denomination, denomination. In Catholic Church, Catholic, Eastern Orthodox Church, Eastern Orthodox, Anglican Communion, Anglican, Oriental Orthodox, and Lutheranism, Lutheran doctrine, all of their faithful deceased in Heaven are considered to be saints, but some are considered worthy of greater honor or emulation. Official ecclesiastical recognition, and consequently a public cult of veneration, is conferred on some denominational saints through the process of canonization in the Catholic Church or glorification in the Eastern Orthodox Church after their approval. While the English word ''saint'' originated in Christianity, History of religion, historians of religion tend to use the appellation "in a more general way to refer to the state of special holiness t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archangel Michael
Michael (; he, מִיכָאֵל, lit=Who is like El od, translit=Mīḵāʾēl; el, Μιχαήλ, translit=Mikhaḗl; la, Michahel; ar, ميخائيل ، مِيكَالَ ، ميكائيل, translit=Mīkāʾīl, Mīkāl, Mīkhāʾīl), also called Saint Michael the Archangel, Saint Michael the Taxiarch in Orthodoxy and Archangel Michael is an archangel in Judaism, Christianity, Islam and the Baha'i faith. The earliest surviving mentions of his name are in 3rd- and 2nd-century BC Jewish works, often but not always apocalyptic, where he is the chief of the angels and archangels and responsible for the care of Israel. Christianity adopted nearly all the Jewish traditions concerning him, and he is mentioned explicitly in Revelation 12:7–12, where he does battle with Satan, and in the Epistle of Jude, where the author denounces heretics by contrasting them with Michael. Second Temple Jewish writings The earliest surviving mention of Michael is in a 3rd century BC Jewish a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross
A cross is a geometrical figure consisting of two intersecting lines or bars, usually perpendicular to each other. The lines usually run vertically and horizontally. A cross of oblique lines, in the shape of the Latin letter X, is termed a saltire in heraldic terminology. The cross has been widely recognized as a symbol of Christianity from an early period.''Christianity: an introduction'' by Alister E. McGrath 2006 pages 321-323 However, the use of the cross as a religious symbol predates Christianity; in the ancient times it was a pagan religious symbol throughout Europe and western Asia. The effigy of a man hanging on a cross was set up in the fields to protect the crops. It often appeared in conjunction with the female-genital circle or oval, to signify the sacred marriage, as in Egyptian amule ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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