Ichneutae
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Ichneutae
The ''Ichneutae'' ( grc, Ἰχνευταί, ''Ichneutai'', "trackers"), also known as the ''Searchers'', ''Trackers'' or ''Tracking Satyrs'', is a fragmentary satyr play by the fifth-century BC Athenian dramatist Sophocles. Three nondescript quotations in ancient authors were all that was known of the play until 1912,Hunt (1912) 31. when the extensive remains of a second-century CE papyrus roll of the ''Ichneutae'' were published among the Oxyrhynchus Papyri. With more than four hundred lines surviving in their entirety or in part, the ''Ichneutae'' is now the best preserved ancient satyr play after Euripides' ''Cyclops'', the only fully extant example of the genre. Plot The plot of the play was derived from the inset myth of the ''Homeric Hymn to Hermes''. A newborn Hermes has stolen Apollo's cattle, and the older god sends a chorus of satyrs to retrieve the animals, promising them the dual rewards of freedom and gold should they be successful. The satyrs set out to find the catt ...
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Oxyrhynchus Papyri
The Oxyrhynchus Papyri are a group of manuscripts discovered during the late nineteenth and early twentieth centuries by papyrologists Bernard Pyne Grenfell and Arthur Surridge Hunt at an ancient rubbish dump near Oxyrhynchus in Egypt (, modern ''el-Bahnasa''). The manuscripts date from the time of the Ptolemaic (3rd century BC) and Roman periods of Egyptian history (from 32 BC to the Muslim conquest of Egypt in 640 AD). Only an estimated 10% are literary in nature. Most of the papyri found seem to consist mainly of public and private documents: codes, edicts, registers, official correspondence, census-returns, tax-assessments, petitions, court-records, sales, leases, wills, bills, accounts, inventories, horoscopes, and private letters. Although most of the papyri were written in Greek, some texts written in Egyptian ( Egyptian hieroglyphics, Hieratic, Demotic, mostly Coptic), Latin and Arabic were also found. Texts in Hebrew, Aramaic, Syriac and Pahlavi have so far ...
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The Trackers Of Oxyrhynchus
''The Trackers of Oxyrhynchus'' is a 1990 play by English poet and playwright Tony Harrison. It is partially based on ''Ichneutae'', a satyr play by the fifth-century BC Athenian dramatist Sophocles, which was found in fragments at the Egyptian city of Oxyrhynchus. In addition to its classical content, Harrison's play is also a dramatised account of the discovery of the papyrus fragments containing Sophocles' play by Bernard Grenfell and Arthur Hunt. The play had a one-performance première on 12 July 1988 in the ancient stadium of Delphi, Greece with a follow-up performance at the Royal National Theatre two years later on 27 March 1990. The 1988 premiere at Delphi starred Jack Shepherd as Grenfell, Barrie Rutter as Hunt and Juliet Stevenson in the role of the mountain nymph Kyllene. No filming was allowed during the 1988 performance. Before appearing on the stage in London the play also had a "homecoming" performance at Salt's Mill, a former textile mill, at Saltaire, ...
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Oxyrhynchus Papyri
The Oxyrhynchus Papyri are a group of manuscripts discovered during the late nineteenth and early twentieth centuries by papyrologists Bernard Pyne Grenfell and Arthur Surridge Hunt at an ancient rubbish dump near Oxyrhynchus in Egypt (, modern ''el-Bahnasa''). The manuscripts date from the time of the Ptolemaic (3rd century BC) and Roman periods of Egyptian history (from 32 BC to the Muslim conquest of Egypt in 640 AD). Only an estimated 10% are literary in nature. Most of the papyri found seem to consist mainly of public and private documents: codes, edicts, registers, official correspondence, census-returns, tax-assessments, petitions, court-records, sales, leases, wills, bills, accounts, inventories, horoscopes, and private letters. Although most of the papyri were written in Greek, some texts written in Egyptian ( Egyptian hieroglyphics, Hieratic, Demotic, mostly Coptic), Latin and Arabic were also found. Texts in Hebrew, Aramaic, Syriac and Pahlavi have so far ...
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Satyrs
In Greek mythology, a satyr ( grc-gre, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, σειληνός ), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbation, masturbating or engaging in bestiality. In classical Athens, satyrs made up the Greek chorus, chorus in a gen ...
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Cyllene (nymph)
In Greek mythology, Cyllene (; grc-gre, Κυλλήνη, Kullḗnē ), also spelled Kyllene (), is the Naiad or Oread nymph and the personification of Mount Cyllene in Arcadia, the region in Greece where the god of travelers and shepherds Hermes was born and brought up.Smith, s.vCyllene/ref> Cyllene is said to have been Hermes' nurse while he was growing up. Family According to Pseudo-Apollodorus, Cyllene and Pelasgus had a son named Lycaon, a king of the Arcadians. Otherwise, the latter's mother was either the Oceanid Meliboea or Deianira, daughter of another Lycaon. According to others she was Lycaon's wife instead, but in others versions of the myth, his wife was called Nonacris.Pausanias8.17.6/ref> Mythology In the ''Homeric Hymn 4 to Hermes'', Hermes stayed in cave with his mother Maia, but in Sophocles's lost satyr play ''Ichneutae'' ("trackers") it was Cyllene who nurtured the infant god. The titular satyrs, who are looking for Apollo's missing cattle (that Hermes ...
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Satyr Play
The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is strong; satyr plays were written by tragedians, and satyr plays were performed in the Dionysian festival following the performance of a group of three tragedies. The satyr play’s mythological-heroic stories and the style of language are similar to that of the tragedies. Its connection with comedy is also significant – it has similar plots, titles, themes, characters, and happy endings. The remarkable feature of the satyr play is the chorus of satyrs, with their costumes that focus on the phallus, and with their language, which uses wordplay, sexual innuendos, references to breasts, farting, erections, and other references that do not occur in tragedy. As Mark Griffith points out, the satyr play was "not merely a deeply traditional Dionysi ...
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Cyclops (play)
''Cyclops'' ( grc, Κύκλωψ, ''Kyklōps'') is an ancient Greek satyr play by Euripides, based closely on an episode from the ''Odyssey''. It would have been the fourth part of a tetralogy presented by Euripides in a dramatic festival in Fifth-century Athens, 5th Century BC Athens. The date of its composition is unknown, but it was probably written late in Euripides' career. It is the only complete satyr play extant. It is one of a double bill in the 2022 Cambridge Greek Play. Plot The play is set in Sicily at Mount Etna, Mount Aetna. Silenus explains that he and his sons, the chorus, are slaves to a Cyclops, Polyphemus. The chorus enter with singing and sheep. Silenus tells them to stop singing and send the sheep into the cave because he can see a Greek ship by the coast and men coming to the cave. Odysseus enters with his men and asks where they can find water and if anyone will sell them food. Silenus questions Odysseus and Odysseus questions Silenus. On learning that he ...
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Satyr Play
The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is strong; satyr plays were written by tragedians, and satyr plays were performed in the Dionysian festival following the performance of a group of three tragedies. The satyr play’s mythological-heroic stories and the style of language are similar to that of the tragedies. Its connection with comedy is also significant – it has similar plots, titles, themes, characters, and happy endings. The remarkable feature of the satyr play is the chorus of satyrs, with their costumes that focus on the phallus, and with their language, which uses wordplay, sexual innuendos, references to breasts, farting, erections, and other references that do not occur in tragedy. As Mark Griffith points out, the satyr play was "not merely a deeply traditional Dionysi ...
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Satyr Plays
The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is strong; satyr plays were written by tragedians, and satyr plays were performed in the Dionysian festival following the performance of a group of three tragedies. The satyr play’s mythological-heroic stories and the style of language are similar to that of the tragedies. Its connection with comedy is also significant – it has similar plots, titles, themes, characters, and happy endings. The remarkable feature of the satyr play is the chorus of satyrs, with their costumes that focus on the phallus, and with their language, which uses wordplay, sexual innuendos, references to breasts, farting, erections, and other references that do not occur in tragedy. As Mark Griffith points out, the satyr play was "not merely a deeply traditional Dionysi ...
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Silenus
In Greek mythology, Silenus (; grc, Σειληνός, Seilēnós, ) was a companion and tutor to the wine Greek god, god Dionysus. He is typically older than the satyrs of the Dionysian retinue (''thiasos''), and sometimes considerably older, in which case he may be referred to as a Papposilenus. The plural ''sileni'' refers to the mythological figure as a type that is sometimes thought to be differentiated from a satyr by having the attributes of a horse rather than a goat, though usage of the two words is not consistent enough to permit a sharp distinction. Silenus presides over other Daimon, daemones and is related to musical creativity, prophetic ecstasy, drunken joy, drunken dances and gestures. Evolution The original Silenus resembled a folkloric man of the forest, with the ears of a horse and sometimes also the tail and legs of a horse. The later sileni were drunken followers of Dionysus, usually bald and fat with thick lips and squat noses, and having the legs of a huma ...
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Sophocles
Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus; and earlier than, or contemporary with, those of Euripides. Sophocles wrote over 120 plays, but only seven have survived in a complete form: ''Ajax'', ''Antigone'', ''Women of Trachis'', ''Oedipus Rex'', '' Electra'', '' Philoctetes'' and ''Oedipus at Colonus''. For almost fifty years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens which took place during the religious festivals of the Lenaea and the Dionysia. He competed in thirty competitions, won twenty-four, and was never judged lower than second place. Aeschylus won thirteen competitions, and was sometimes defeated by Sophocles; Euripides won four. The most famous tragedies of Sophocles feature ...
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Mount Kyllini
Mount Kyllini or Mount Cyllene (; grc, Κυλλήνη , ; sometimes , ), is a mountain on the Peloponnese in Greece famous for its association with the god Hermes. It rises to above sea level, making it the second highest point on the peninsula. It is located near the border between the historic regions of Arcadia (ancient region), Arcadia and Achaea—in the northeast of Arcadia, and entirely within modern Corinthia. It is located west of Corinth, northwest of Stymfalia, north of Tripoli, Greece, Tripoli, and south of Derveni, Corinthia, Derveni. Several modern places are also named ''Kyllini (other), Kyllini''. Description Much of the mountain is barren and rocky, although the area below is largely forested. There is an observatory at , at 22.67 east longitude and 37.97 north latitude. From the top a large portion of northeastern Peloponnesus is visible, including the eastern part of Achaia and Chelmos, the Gulf of Corinth and most of Corinthia, the southern par ...
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