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Ichikawa Danjūrō VIII
was a Japanese kabuki actor of the prestigious Ichikawa Danjūrō line. He was a ''tachiyaku'' (male roles) actor in the ''aragoto'' style, like all members of the lineage, but particularly specialized in the roles of young lovers, for which he was extremely popular. Names Like most kabuki actors, Danjūrō had a number of names over the course of his career. He was a member of the Naritaya guild, and could be called by this name (see ''yagō''). He began his career as Ichikawa Shinnosuke II and soon afterwards took on the name Ichikawa Ebizō VI before becoming the eighth Ichikawa Danjūrō at the young age of nine. He also used the name Ichikawa Hakuen III at times; his ''haimyō'', or poetry name, was Sanshō. Lineage Unlike many kabuki actors who are adopted into the various theatre families, Danjūrō VIII was directly descended from Ichikawa Danjūrō I. Danjūrō VIII was the son of Ichikawa Ebizō V, Ichikawa Danjūrō VII, and had a number of brothers who also performed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sukeroku
''Sukeroku'' (助六由縁江戸桜) is a play in the Kabuki repertoire, and one of the celebrated ''Kabuki Jūhachiban'' ("Eighteen Great Plays"). The play is known in English as ''The Flower of Edo''. The play is strongly associated with the Ichikawa Danjūrō family of actors. Plot Events take place in Yoshiwara, a pleasure district of present-day Tokyo. Agemaki is a courtesan who is frequented by Sukeroku (who turns out to be samurai Soga Gorō). Sukeroku is continually looking for fights. An old samurai called Ikyū arrives and tries to subtly persuade Agemaki away from Sukeroku. Sukeroku does not succeed in provoking Ikyū to draw his sword. A saké-seller named Shimbei shows up, and Sukeroku picks a fight with him, but Shimbei reveals himself to be Soga Jyūrō (Sukeroku's elder brother) in disguise. Sukeroku explains to his brother (and later his mother) that he tries to provoke people into drawing their sword. If the sword turns out to be Tomokirimaru (their fath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Ebizō VIII
may refer to: Places *Ichikawa, Chiba, a city in Chiba, Japan **Ichikawa Gakuen (Ichikawa Junior and Senior High School), a large private boys and girls school in Moto-kita-kata, Ichikawa, Chiba * Ichikawa, Hyogo, a town in Hyōgo, Japan *Ichikawamisato, frequently known simply as Ichikawa, a city in Yamanashi, Japan *Ichi River The is a river which flows through the southwest of Hyōgo Prefecture, Japan. The Ibo, Kako, Ichi, Yumesaki, and Chikusa rivers are collectively referred to as the Harima Gokawa, the five major rivers that flow into the Harima Sea. Geography ..., a river in Hyōgo Prefecture Other uses * Ichikawa (surname) {{disambiguation, geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ehon Taikōki
is the Japanese term for picture books. It may be applied in the general sense, or may refer specifically to a type of woodblock printed illustrated volume published in the Edo period (1603–1867). The first were religious items with images by Buddhist painters. Those from the Muromachi period are typically known as . In the early modern period (1600–1868) illustrated books exploded in popularity. They covered a diverse range of subjects with experimentation in production techniques. production was a significant part of the Japanese publishing industry (particularly) during the 19th century; most Japanese woodblock print artists of the period produced designs (often in large quantities), as commercial work. Toward the end of the 19th century, chapter-books were eclipsed in popularity by the new "Western" concept of literary magazines. These were larger books which contained more, and a wider range of material per-issue, but usually fewer pictures (measured on a text-to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katō Kiyomasa
was a Japanese ''daimyō'' of the Azuchi–Momoyama and Edo periods. His court title was Higo-no-kami. His name as a child was ''Yashamaru'', and first name was ''Toranosuke''. He was one of Hideyoshi's Seven Spears of Shizugatake. Biography Kiyomasa was born in what is now Nakamura-ku, Nagoya (situated in contemporary Aichi District, Owari Province) to Katō Kiyotada. Kiyotada's wife, Ito, was a cousin of Toyotomi Hideyoshi's mother. Kiyotada died while his son, Kiyomasa (then known as Toranosuke), was still young. Soon after, Toranosuke entered into Hideyoshi's service, and in 1576, at age 15, was granted a stipend of 170 ''koku''. In 1582, he fought in Hideyoshi's army at the Battle of Yamazaki, and later in 1583 at the Battle of Shizugatake. Owing to his achievement in that battle, he became known as one of the Seven Spears of Shizugatake and was rewarded with 3,000 additional ''koku''. In 1584, Kiyomasa took part in the Battle of Komaki and Nagakute against the Tokuga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kawarazaki-za
The was one of the major kabuki theatres in Edo (modern-day Tokyo) during the Edo period and into the Meiji period. Not being one of the four theatres formally licensed by the Tokugawa shogunate, the theatre was largely inactive for long stretches of time, operating only when the Morita-za, facing financial difficulties or physical destruction of its theatre building, temporarily lent its license to the Kawarazaki-za. It was established in 1656 and was managed by members of the Kawarazaki family of actors until 1875. History The Kawarazaki-za was opened in 1656 by Kawarazaki Gonnosuke I. In 1670, the shogunate issued licenses to four theatres in the city, forbidding the others, including the Kawarazaki-za, from operating. The Kawarazaki-za was, therefore, largely inactive until 1735, when it obtained the license from the bankrupt Morita-za, losing it once more in 1744. The theatre then reacquired the Morita-za's license from 1790 to 1797, producing a number of plays including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanjinchō
''Kanjinchō'' (勧進帳, ''The Subscription List'') is a kabuki dance-drama by Namiki Gohei III, based on the Noh play ''Ataka''. It is one of the most popular plays in the modern kabuki repertory. Belonging to the repertories of the Naritaya and Kōritaya guilds, the play was first performed in March 1840 at the Kawarazaki-za, in Edo. Ichikawa Ebizō V, Ichikawa Kuzō II, and Ichikawa Danjūrō VIII played the leading roles of Benkei, Togashi, and Yoshitsune, respectively. The lines of Ichikawa Danjūrō and Matsumoto Kōshirō have come to be particularly celebrated for playing the role of Benkei in ''Kanjinchō''. ''Kanjinchō'' was the first kabuki played adapted closely from the Noh theater. Though bearing the same name and general narrative concept as a 1702 play, one of the ''Kabuki Jūhachiban'', the modern version of ''Kanjinchō'', going back to 1840, is believed to not be directly derived from or connected to this earlier ''aragoto'' piece. Akira Kurosawa's f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minamoto No Yoshitsune
was a military commander of the Minamoto clan of Japan in the late Heian and early Kamakura periods. During the Genpei War, he led a series of battles which toppled the Ise-Heishi branch of the Taira clan, helping his half-brother Yoritomo consolidate power. He is considered one of the greatest and the most popular warriors of his era, and one of the most famous samurai in the history of Japan. Yoshitsune perished after being betrayed by the son of a trusted ally. Early life Yoshitsune was the ninth son of Minamoto no Yoshitomo, and the third and final son and child that Yoshitomo would father with Tokiwa Gozen. Yoshitsune's older half-brother Minamoto no Yoritomo (the third son of Yoshitomo) would go on to establish the Kamakura shogunate. Yoshitsune's name in childhood was Ushiwakamaru or ''young bull'' (). He was born just before the Heiji Rebellion in 1160 in which his father and two oldest brothers were killed. He survived this incident by fleeing the capital with his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shibaraku
''Shibaraku'' (暫, しばらく) is a play in the Kabuki repertoire, and one of the celebrated ''Kabuki Jūhachiban'' ("Eighteen Great Plays"). The play is noted for its flamboyantly dramatic costumes and makeup (''kumadori''). {{citation needed, date=May 2017 The English translation of the title is akin to "Stop a Moment!" Originally staged by Ichikawa Danjūrō I in 1697 at the Nakamura-za, it was very popular, and quickly began to be included at the annual '' kaomise'' celebrations of each theatre in Edo. For a time, the main role was frequently different, depending on the whims of the theatre and the troupe. The piece was standardized somewhat in the early 19th century by Danjūrō VII, and reworked again by Danjūrō IX at the end of that century. This version has been performed since then. A scene of roughly 50 minutes, ''Shibaraku'' is not a play unto itself, but a short drama inserted during interludes or in between full plays to provide variety and maintain a certa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shūmei
''Shūmei'' (, "name succession") are grand naming ceremonies held in kabuki theatre. Most often, a number of actors will participate in a single ceremony, taking on new stage-names. These stagenames, most often those of the actor's father, grandfather, or teacher, are passed down between generations of actors' lineages, and hold great honor and importance. Many names are associated with certain roles or acting styles, and the new possessor of each name must live up to these expectations; there is the feeling almost of the actor not only taking a name, but embodying the spirit, style, or skill of each actor to previously hold that name. Many actors will go through at least three names over the course of their career, their participation in a ''shūmei'' representing their passage into a new chapter of their performing career. The ''shūmei'' usually is followed by a performance significant to the actors' new names; these might involve larger parts, a new play, or roles traditiona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sukeroku Yukari No Edo Zakura
''Sukeroku'' (助六由縁江戸桜) is a play in the Kabuki repertoire, and one of the celebrated ''Kabuki Jūhachiban'' ("Eighteen Great Plays"). The play is known in English as ''The Flower of Edo''. The play is strongly associated with the Ichikawa Danjūrō family of actors. Plot Events take place in Yoshiwara, a pleasure district of present-day Tokyo. Agemaki is a courtesan who is frequented by Sukeroku (who turns out to be samurai Soga Gorō). Sukeroku is continually looking for fights. An old samurai called Ikyū arrives and tries to subtly persuade Agemaki away from Sukeroku. Sukeroku does not succeed in provoking Ikyū to draw his sword. A saké-seller named Shimbei shows up, and Sukeroku picks a fight with him, but Shimbei reveals himself to be Soga Jyūrō (Sukeroku's elder brother) in disguise. Sukeroku explains to his brother (and later his mother) that he tries to provoke people into drawing their sword. If the sword turns out to be Tomokirimaru (their fathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichimura-za
The was a major kabuki theatre in the Japanese capital of Edo (later, Tokyo), for much of the Edo period, and into the 20th century. It was first opened in 1634 and was run by members of the Ichimura family for much of the following nearly three centuries before it was destroyed by fire in 1932. It has not been rebuilt. History The theatre which would later be known as the Ichimura-za was founded as the Murayama-za, by Murayama Matasaburō I in March 1634.Shōriya, Asagoro. "Ichimuraza." Kabuki21.com Accessed 15 November 2008. After it was destroyed by fire in 1641 and rebuilt, the theatre, now controlled by Murayama's son-in-law Murata Kuroemon, with the help of Ichimura Uzaemon III, was renamed the Ichimura-za in 1643. Uzaemon became the official manager of the theatre in 1652, upon Kuroemon's death. The Ichimura-za was destroyed by fire and rebuilt numerous times over the years, including during the famous 1657 "Furisode Fire" or " Great Fire of Meireki". Ichimura Uzaemon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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