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I Wish You Would (album)
Jack-Knife's ''I Wish You Would'' was a 1979 one-off recording project of John Wetton (lead vocals, bass guitar, keyboards), Richard Palmer-James (guitars), John Hutcheson (Hammond organ, piano, backing vocals) and Curt Cress (drums and percussion). Palmer-James had previously written lyrics for the band King Crimson, of which Wetton was a member. It was released on E.G. Records 2302 094 (vinyl). Track listing ;Side One # " I Wish You Would" - ( Billy Boy Arnold) - 4:48 # " Good Morning Little Schoolgirl" - ( Sonny Boy Williamson I) - 2:46 # " You Can't Judge a Book" - (Willie Dixon) - 3:28 # "Confessions" - ( Richard Palmer-James) - 4:53 # " Eyesight to the Blind" - ( Sonny Boy Williamson II) - 3:39 ;Side Two # "Walk on Heaven's Ground" - ( John Wetton, Richard Palmer-James) - 5:52 # " Dimples" - ( James Bracken, John Lee Hooker John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharec ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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You Can't Judge A Book By The Cover
"You Can't Judge a Book by the Cover" (alternatively "You Can't Judge a Book by Its Cover") is a 1962 song by rock and roll pioneer Bo Diddley. Written by Willie Dixon, the song was one of Diddley's last record chart hits. Unlike many of his well-known songs, "You Can't Judge a Book by the Cover" does not rely on the Bo Diddley beat. A variety of rock and other performers have recorded renditions of the song. Composition and lyrics "You Can't Judge a Book by the Cover" is based on a sixteen-bar blues structure that "boasts a beat that's utterly compulsive and primordial, but closer to a way-speeded up walking rhythm than to the standard Diddley pattern", according to Richie Unterberger in a song review. Percussionist Jerome Green added maracas to the recording, which Unterberger calls "an utterly entrancing rhythm that does much to add to the power of the song". While noting Diddley's rhythm guitar contribution, Dixon biographer Mitsutoshi Inaba comments on Diddley's "uniqu ...
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1979 Albums
Events January * January 1 ** United Nations Secretary-General Kurt Waldheim heralds the start of the ''International Year of the Child''. Many musicians donate to the ''Music for UNICEF Concert'' fund, among them ABBA, who write the song ''Chiquitita'' to commemorate the event. ** The United States and the People's Republic of China establish full diplomatic relations. ** Following a deal agreed during 1978, French carmaker Peugeot completes a takeover of American manufacturer Chrysler's European operations, which are based in Britain's former Rootes Group factories, as well as the former Simca factories in France. * January 7 – Cambodian–Vietnamese War: The People's Army of Vietnam and Vietnamese-backed Cambodian insurgents announce the fall of Phnom Penh, Cambodia, and the collapse of the Pol Pot regime. Pol Pot and the Khmer Rouge retreat west to an area along the Thai border, ending large-scale fighting. * January 8 – Whiddy Island Disaster: The Fren ...
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John Lee Hooker
John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often incorporated other elements, including talking blues and early North Mississippi hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in ''Rolling Stone''s 2015 list of 100 greatest guitarists. Some of his best known songs include "Boogie Chillen'" (1948), "Crawling King Snake" (1949), "Dimples" (1956), " Boom Boom" (1962), and "One Bourbon, One Scotch, One Beer" (1966). Several of his later albums, including '' The Healer'' (1989), '' Mr. Lucky'' (1991), ''Chill Out'' (1995), and '' Don't Look Back'' (1997), were album chart successes in the U.S. and UK. ''The Healer'' (for the song "I'm In The Mood") and ''Chill Out'' (for the album) both e ...
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James Bracken
James C. Bracken (May 23, 1909 – February 20, 1972) was an American songwriter and the co-founder and co-owner of Vee-Jay Records with his wife Vivian and her brother, Calvin Carter. Life Bracken was born in Oklahoma and grew up in Kansas City. He was living in Chicago when he met Vivian Carter in 1944. In 1950 they founded Vivian's Record Shop in Gary, Indiana, and three years later decided to start their own record company, which they named Vee-Jay from their initials. As well as producing and releasing records through his label, Bracken also wrote some of the songs recorded. During the 1950s and early 1960s Vee-Jay became a major independent record label with acts including Jimmy Reed, John Lee Hooker, Gene Chandler, Jerry Butler, The Four Seasons and, for a time, The Beatles. The company folded in 1966. Bracken died in Los Angeles in 1972. Songwriting credits Bracken is sometimes credited with songs recorded by Vee-Jay artists, such as John Lee Hooker ("Baby Lee", "Dimpl ...
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Dimples (song)
"Dimples" is a song written and recorded by blues singer-songwriter John Lee Hooker in 1956. It is an ensemble piece, with Hooker accompanied by Jimmy Reed's backup band. Eight years after its first release, it became Hooker's first record to appear in the British record charts. Called a "genuine Hooker classic" by music critic Bill Dahl, it is one of his best-known songs, with interpretations by several artists. Recording and composition "Dimples" was one of the first songs recorded by John Lee Hooker for Vee-Jay Records. Unlike his previous record labels, Vee-Jay producers saw Hooker as a Jimmy Reed-style performer and in fact provided him with Reed's backup band for two recording sessions in 1955 and 1956. However, when the recording commenced, it became apparent that Hooker's sense of rhythm and timing was uniquely his. The backing musicians – guitarist Eddie Taylor, bassist George Washington, and drummer Tom Whitehead – adapted to his style and by the time "Dimples" w ...
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Sonny Boy Williamson II
Alex or Aleck Miller (originally Ford, possibly December 5, 1912 – May 24, 1965), known later in his career as Sonny Boy Williamson, was an American blues harmonica player, singer and songwriter. He was an early and influential blues harp stylist who recorded successfully in the 1950s and 1960s. Miller used various names, including Rice Miller and Little Boy Blue, before calling himself Sonny Boy Williamson, which was also the name of a popular Chicago blues singer and harmonica player. To distinguish the two, Miller has been referred to as Sonny Boy Williamson II. He first recorded with Elmore James on "Dust My Broom". Some of his popular songs include " Don't Start Me Talkin'", " Help Me", "Checkin' Up on My Baby", and " Bring It On Home". He toured Europe with the American Folk Blues Festival and recorded with English rock musicians, including the Yardbirds, the Animals. "Help Me" became a blues standard, and many blues and rock artists have recorded his songs. Bi ...
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Eyesight To The Blind
"Eyesight to the Blind" is a 12-bar blues song written and recorded in 1951 by Sonny Boy Williamson II (Aleck "Rice" Miller). He also recorded the related songs "Born Blind", "Unseeing Eye", "Don't Lose Your Eye", and "Unseen Eye" during his career. The Larks, an American rhythm and blues group, recorded the song, which reached number five on the R&B charts in 1951. Several musicians subsequently recorded it in a variety of styles. The Who adapted Williamson's song for their rock opera ''Tommy''. In 2022, Williamson's recording was inducted into the Blues Hall of Fame in the 'Classics of Blues Recording – Singles' category. Sonny Boy Williamson versions The song was recorded by Sonny Boy Williamson in 1951 as his first single release on Trumpet Records. Three versions of the song were released as 78 rpm singles. The first version featured Sonny Boy Williamson II on vocals and harmonica, Willie Love on piano, Joe Willie Wilkins on guitar, Elmore James on guitar, and Joe Dyso ...
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Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ...
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Sonny Boy Williamson I
John Lee Curtis "Sonny Boy" Williamson (March 30, 1914 – June 1, 1948) was an American blues harmonica player, singer and songwriter. He is often regarded as the pioneer of the blues harp as a solo instrument. He played on hundreds of recordings by many pre–World War II blues artists. Under his own name, he was one of the most recorded blues musicians of the 1930s and 1940s and is closely associated with Chicago producer Lester Melrose and Bluebird Records. His popular songs, original or adapted, include "Good Morning, School Girl", " Sugar Mama", " Early in the Morning", and " Stop Breaking Down". Williamson's harmonica style was a great influence on postwar performers. Later in his career, he was a mentor to many up-and-coming blues musicians who moved to Chicago, including Muddy Waters. In an attempt to capitalize on Williamson's fame, Aleck "Rice" Miller began recording and performing as Sonny Boy Williamson in the early 1940s, and later, to distinguish the two, Joh ...
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Polydor Records
Polydor Records Ltd. is a German-British record label that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in the United States. In turn, Polydor distributes Interscope releases in the United Kingdom. Polydor Records Ltd. was established in London in 1954 as a British subsidiary of German company Deutsche Grammophon/Schallplatte Grammophon GmbH. It was renamed Polydor Ltd. in 1972. Notable current and past artists signed to the label include ABBA, Cream, The Moody Blues, The Who, Ringo Starr, Bee Gees, The Jam, Bing Crosby, The Shadows, James Brown, Level 42, Ellie Goulding, Juice WRLD, Piri & Tommy, James Last, Eric Clapton, Marie Osmond, Keith O'Conner Murphy, Yngwie Malmsteen, Lana Del Rey, Haim, and Buckingham Nicks. Label history Beginnings Polydor Records was founded on 2 April 1913 by German Polyphon-Musikwerke AG in Leipzig and registered on 25 July 19 ...
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Good Morning Little Schoolgirl
"Good Morning, School Girl" is a blues standard that has been identified as an influential part of the blues canon. Pre-war Chicago blues vocalist and harmonica pioneer John Lee "Sonny Boy" Williamson first recorded it in 1937. Subsequently, a variety of artists have recorded versions of the song, usually calling it "Good Morning Little Schoolgirl". Original song Sonny Boy Williamson I recorded "Good Morning, School Girl" in 1937 during his first recording session for Bluebird Records. The song is an uptempo blues with an irregular number of bars. Although identified with Chicago blues, a write-up in the Blues Hall of Fame notes "it was a product of Sonny Boy’s west Tennessee roots and his pre-Chicago ensemble work". The melody has been traced to “Back and Side Blues”, a 1934 blues song recorded by Son Bonds. "Good Morning, School Girl" features Williamson's vocal and harmonica with accompaniment by Big Joe Williams and Robert Lee McCoy (also known as Robert Nightha ...
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