I Put A Spell On You (Sonique Song)
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I Put A Spell On You (Sonique Song)
"I Put a Spell on You" is a 1956 song written and composed by Jalacy "Screamin' Jay" Hawkins, whose own recording of it was selected as one of the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. It was also included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings—published in '' Christgau's Record Guide: Rock Albums of the Seventies'' (1981)—and ranked No. 313 on ''Rolling Stone'' magazine's list of The 500 Greatest Songs of All Time. The selection became a classic cult song covered by a variety of artists and was his greatest commercial success, reportedly surpassing a million copies in sales, even though it failed to make the ''Billboard'' pop or R&B charts. The original composition Hawkins had originally intended to record "I Put a Spell on You" as "a refined love song, a blues ballad". However, the producer Arnold Maxin "brought in ribs and chicken and got everybody drunk, and we came out with this weird version ... I ...
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Screamin' Jay Hawkins
Jalacy J. "Screamin' Jay" Hawkins (July 18, 1929 – February 12, 2000) was an American singer-songwriter, musician, actor, film producer, and boxer. Famed chiefly for his powerful, operatic vocal delivery and wildly theatrical performances of songs such as "I Put a Spell on You", he sometimes used macabre props onstage, making him an early pioneer of shock rock. He received a nomination for the Independent Spirit Award for Best Supporting Male for his performance in the 1989 indie film ''Mystery Train''. Early life Hawkins was born and raised in Cleveland, Ohio. At the age of 18 months, Hawkins was put up for adoption and shortly thereafter was adopted and raised by Blackfoot Indians. Hawkins studied classical piano as a child and learned guitar in his 20s. In a 1993 interview, Hawkins recounts telling his music tutor,...to leave before I make your life miserable ..because with the type of music I want to play. The things I want to do with music and don't want to do it the o ...
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Cleveland
Cleveland ( ), officially the City of Cleveland, is a city in the U.S. state of Ohio and the county seat of Cuyahoga County. Located in the northeastern part of the state, it is situated along the southern shore of Lake Erie, across the U.S. maritime border with Canada, northeast of Cincinnati, northeast of Columbus, and approximately west of Pennsylvania. The largest city on Lake Erie and one of the major cities of the Great Lakes region, Cleveland ranks as the 54th-largest city in the U.S. with a 2020 population of 372,624. The city anchors both the Greater Cleveland metropolitan statistical area (MSA) and the larger Cleveland–Akron–Canton combined statistical area (CSA). The CSA is the most populous in Ohio and the 17th largest in the country, with a population of 3.63 million in 2020, while the MSA ranks as 34th largest at 2.09 million. Cleveland was founded in 1796 near the mouth of the Cuyahoga River by General Moses Cleaveland, after whom the city was named ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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I Put A Spell On You (album)
''I Put a Spell on You'' is a studio album by American jazz singer, songwriter, and pianist Nina Simone. Recorded in 1964 and 1965 in New York City, it was released by Philips Records in 1965. It peaked at number 99 on the ''Billboard'' 200 chart and number 9 on the UK Albums Chart. The title track "I Put a Spell on You" peaked at number 23 on the Hot R&B/Hip-Hop Songs chart and number 28 on the UK Singles Chart. The album was re-issued in November 2020 by Verve and Universal Music Enterprises as part of their "audiophile-grade" Acoustic Sounds series. Critical reception AllMusic reviewer Richie Unterberger gave the album 3 stars out of 5, calling it "One of her most pop-oriented albums, but also one of her best and most consistent." He added, "There are really fine tunes and interpretations, on which Simone gives an edge to the potentially fey pop songs, taking a sudden (but not uncharacteristic) break for a straight jazz instrumental with 'Blues on Purpose.'" In 2017, NPR pla ...
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Nina Simone
Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), known professionally as Nina Simone (), was an American singer, songwriter, pianist, and civil rights activist. Her music spanned styles including classical, folk, gospel, blues, jazz, R&B, and pop. The sixth of eight children born from a poor family in Tryon, North Carolina, Simone initially aspired to be a concert pianist. With the help of a few supporters in her hometown, she enrolled in the Juilliard School of Music in New York City. She then applied for a scholarship to study at the Curtis Institute of Music in Philadelphia, where, despite a well received audition, she was denied admission,Liz Garbus, 2015 documentary film, ''What Happened, Miss Simone?'' which she attributed to racism. In 2003, just days before her death, the Institute awarded her an honorary degree. To make a living, Simone started playing piano at a nightclub in Atlantic City. She changed her name to "Nina Simone" to disguise herself ...
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Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ...
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Bravura
In classical music a bravura is a style of both music and its performance intended to show off the skill of a performer. John Alexander Fuller-Maitland, ''A dictionary of music and musicians (A.D. 1450-1889)'p. 271-272/ref> Commonly, it is a virtuosic passage performed as a solo, and often in a cadenza. The term implies "effect for effect's sake", therefore, while many pieces of Beethoven do require a high skill, they are not described as "bravura". Fuller-Maitland suggests the following arias as examples of bravura: "Let the bright Seraphim" from ''Samson'', "Der Hölle Rache kocht in meinem Herzen" (Act II of ''The Magic Flute'') and "Non più mesta" from ''La Cenerentola''. Musical terms "allegro di bravura" and "con bravura" indicate boldness, fire and brilliance. The term "bravura" also refers to daring performance in ballet, e.g., in reference of the ''pas de deux'' from '' Le Corsaire''. Lynn Garafola describes the Russian ballet school of Marius Petipa Marius Ivanov ...
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Leroy Kirkland
Leroy E. Kirkland (February 10, 1904 or 1906 – April 6, 1988) was an American arranger, bandleader, guitarist and songwriter whose career spanned the eras of big band jazz, R&B, rock and roll and soul. Life and career Born in Columbia, South Carolina, in either 1904 or 1906 (sources differ), Kirkland played guitar in southern jazz bands in the 1920s, and after a spell in the army worked as arranger and songwriter for Erskine Hawkins. He joined Tommy and Jimmy Dorsey in the 1940s, and in 1951 began arranging music at Savoy Records in New York. He continued to arrange R&B artists for OKeh Records, Mercury Records and other companies, and worked on rock and roll shows with Alan Freed. Two of his compositions became popular with jazz musicians: "Charleston Alley" (recorded by Lambert, Hendricks & Ross, Charlie Barnet, and others) and "Cloudburst" (recorded by Count Basie, The Pointer Sisters, and others). Although behind the scenes for most of his career, Kirkland contributed to ...
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Panama Francis
David Albert "Panama" Francis (December 21, 1918 – November 13, 2001) was an American swing jazz drummer who played on numerous hit recordings in the 1950s. Early life Francis was born in Miami, Florida, on December 21, 1918. His father was Haitian, and "his mother came from an English property-owning background in the Bahamas". His father collected records. The young David was enthusiastic about music and playing the drums even before attending school. He initially played in marching bands and local drum and bugle corps. Career Francis first played professionally in the 1930s. He was part of George Kelly's band from 1934 to 1938, and was then with the Florida Collegians in 1938. After moving to New York that year, he worked with Tab Smith, Billy Hicks, and Roy Eldridge before the 1940s. Francis acquired his nickname from Eldridge "at a moment when ranciswas wearing a panama hat and Eldridge could not remember his new drummer's name". Francis joined Lucky Millinder's bi ...
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Al Lucas (musician)
Albert Bennington Lucas (November 16, 1916June 19, 1983) was a Canadian jazz double-bassist. Lucas took piano lessons as a child from his mother, Francis Bradley Lucas, a concert pianist, eventually switching to bass and tuba at age 12. After moving to New York City in 1933, Lucas played with Kaiser Marshall, then joined the Royal Sunset Orchestra, where he played from 1933 to 1942. During the 1940s, Lucas appeared on record with Hot Lips Page, Coleman Hawkins, Eddie Heywood (1944–45), Duke Ellington (1945), Mary Lou Williams (1946), James P. Johnson, J.J. Johnson, Ben Webster, Erroll Garner, and Eddie South. He toured and recorded with Illinois Jacquet from 1947 to 1953, recording in Detroit with Jacquet's all-star band which included Sonny Stitt, Leo Parker, Sir Charles Thompson, Maurice Simon and Shadow Wilson before returning to play with Heywood again from 1954 to 1956. He also recorded in the 1950s with Ruby Braff, Charlie Byrd, and Teddy Wilson. He worked primarily as ...
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Sam Taylor (saxophonist)
Samuel Leroy Taylor, Jr. (July 12, 1916 – October 5, 1990), Sam Taylor Biography ''AllMusic'' known as Sam "The Man" Taylor, was an American jazz, rhythm and blues, and blues tenor saxophonist. Taylor was born in Lexington, Tennessee, United States. He attended Alabama State University, where he played with the Bama State Collegians. He later worked with Scatman Crothers, Cootie Williams, Lucky Millinder, Cab Calloway, Ray Charles, Buddy Johnson, Louis Jordan and Big Joe Turner. Taylor was one of the most requested session saxophone players in New York recording studios in the 1950s. He also replaced Count Basie as the house bandleader on Alan Freed's radio series, ''Camel Rock 'n Roll Dance Party'', on CBS. Taylor played the saxophone solo on Turner's "Shake, Rattle and Roll". He also played on "Harlem Nocturne"; on " Money Honey", recorded by Clyde McPhatter and the Drifters in 1953; and on "Sh-Boom" by the Chords. During the 1960s, he led a five-piece band, the Blues Cha ...
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Mickey Baker
MacHouston "Mickey" Baker (October 15, 1925 – November 27, 2012) was an American guitarist, best known for his work as a studio musician and as part of the recording duo Mickey & Sylvia. Early life Baker was born in Louisville, Kentucky. His mother was black, and his father, whom he never met, was believed to be white. In 1936, at the age of 11, Baker was put into an orphanage. He ran away frequently, and had to be retrieved by the staff from St. Louis, New York City, Chicago, and Pittsburgh. Eventually the orphanage quit looking for him, and at the age of 16 he stayed in New York City. He found work as a laborer and then a dishwasher. But after hanging out in the pool halls of 26th Street, he gave up work to become a full-time pool shark. At 19, Baker decided to make a change in his life. He went back to dishwashing, and was determined to become a jazz musician. The trumpet was his first choice for an instrument, but with only $14 saved up, he could not find a pawnshop with ...
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