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Sam Taylor (saxophonist)
Samuel Leroy Taylor, Jr. (July 12, 1916 – October 5, 1990), Sam Taylor Biography ''AllMusic'' known as Sam "The Man" Taylor, was an American jazz, rhythm and blues, and blues tenor saxophonist. Taylor was born in Lexington, Tennessee, United States. He attended Alabama State University, where he played with the Bama State Collegians. He later worked with Scatman Crothers, Cootie Williams, Lucky Millinder, Cab Calloway, Ray Charles, Buddy Johnson, Louis Jordan and Big Joe Turner. Taylor was one of the most requested session saxophone players in New York recording studios in the 1950s. He also replaced Count Basie as the house bandleader on Alan Freed's radio series, ''Camel Rock 'n Roll Dance Party'', on CBS. Taylor played the saxophone solo on Turner's "Shake, Rattle and Roll". He also played on "Harlem Nocturne"; on " Money Honey", recorded by Clyde McPhatter and the Drifters in 1953; and on "Sh-Boom" by the Chords. During the 1960s, he led a five-piece band, the Blues Cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colin Larkin (writer)
Colin Larkin (born 1949) is a British writer and entrepreneur. He founded, and was the editor-in-chief of, the ''Encyclopedia of Popular Music'', described by ''The Times'' as "the standard against which all others must be judged". Along with the ten-volume encyclopedia, Larkin also wrote the book ''All Time Top 1000 Albums'', and edited the ''Guinness Who's Who of Jazz'', the ''Guinness Who's Who of Blues'', and the ''Virgin Encyclopedia Of Heavy Rock''. He has over 650,000 copies in print to date. Background and education Larkin was born in Dagenham, Essex. Larkin spent much of his early childhood attending the travelling fair where his father, who worked by day as a plumber for the council, moonlighted on the waltzers to make ends meet. It was in the fairground, against a background of Little Richard on the wind-up 78 rpm turntables, that Larkin acquired his passion for the world of popular music. He studied at the South East Essex County Technical High School and at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Chords (American Band)
The Chords were an American doo-wop vocal group formed in 1951 in The Bronx, New York, known for their 1954 hit "Sh-Boom", which they wrote. It was the only song they had created that had reached mainstream popularity. Career The group was formed by friends from a high school based in the Bronx, New York, United States. The initial members were the brothers Carl and Claude Feaster, plus Jimmy Keyes, Floyd McRae, William Edwards, with support from the pianist Rupert Branker. The Chords were one of the first acts to be signed to the Atlantic Records subsidiary label, Cat Records. Their debut single was a doo-wop version of a Patti Page song, " Cross Over the Bridge", whilst the record label reluctantly allowed a number penned by the Chords on the B-side. That track was "Sh-Boom", which quickly turned out to be the more popular side. The record reached the top 10 of the US pop chart, which was then a unique occurrence for a R&B number. The track was covered by The Crew-Cuts who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sh-Boom
"Sh-Boom" (sometimes referred to as "Life Could Be a Dream") is an early doo-wop song by the R&B vocal group The Chords (US band), The Chords. It was written by James Keyes, Claude Feaster, Carl Feaster, Floyd F. McRae, and William Edwards, members of The Chords, and published in 1954 in music, 1954. It is sometimes considered the first doo-wop or rock 'n' roll record to reach the top ten on the pop charts (as opposed to the R&B charts), as it was a top-10 hit that year for both the Chords (who first recorded the song) and The Crew-Cuts. In 2004, it was ranked No. 215 on Rolling Stone's "Top 500 Best Songs of All Time". History The song was first recorded on Atlantic Records' subsidiary label Cat Records by the The Chords (US band), Chords on March 15, 1954,Cat catalogue #104, "B" Side: ''Cross Over The Bridge'' on the first issue, on the later issues the "B" Side is ''Little Maiden''. and would be their only hit song. The group reportedly auditioned the song for famed record pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Drifters
The Drifters are several American doo-wop and R&B/Soul music, soul vocal groups. They were originally formed as a backing group for Clyde McPhatter, formerly the lead tenor of Billy Ward and his Dominoes in 1953. The second group of Drifters, formed in 1959 and led by Ben E. King, were originally an up-and-coming group named The Five Crowns. After 1965 members drifted in and out of both groups and many of these formed other groups of Drifters as well. Several groups of Drifters can trace roots back to these original groups, but contain few if any original members. According to ''Rolling Stone'', the Drifters were the least stable of the great vocal groups, as they were low-paid musicians hired by George Treadwell, who owned the Drifters' name from 1955, after McPhatter left. The Treadwell Drifters line has had 60 musicians, including several splinter groups by former Drifters members (not under Treadwell's management). These groups are usually identified with a possessive credit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clyde McPhatter
Clyde Lensley McPhatter (November 15, 1932 – June 13, 1972) was an American rhythm and blues, soul, and rock and roll singer. He was one of the most widely imitated R&B singers of the 1950s and early 1960sPalmer, Robert (1981)"Roy Brown, a Pioneer Rock Singer" ''The New York Times'', May 26, 1981. and was a key figure in the shaping of doo-wop and R&B. McPhatter's high-pitched tenor voice was steeped in the gospel music he sang in much of his early life. He was the lead tenor of the Mount Lebanon Singers, a gospel group he formed as a teenager.Shaw, Arnold (1978). ''Honkers and Shouters: The Golden Years of Rhythm and Blues''. Reprint edition (March 1, 1986); / New York: Crowell-Collier Press. pg. 381. He was later the lead tenor of Billy Ward and his Dominoes and was largely responsible for the initial success of the group. After his tenure with the Dominoes, McPhatter formed his own group, the Drifters, and later worked as a solo performer. Only 39 at the time of his death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shake, Rattle And Roll
"Shake, Rattle and Roll" is a song, written in 1954 by Jesse Stone (usually credited as Charles Calhoun, his songwriting name). The original recording by Big Joe Turner is ranked number 127 on the ''Rolling Stone'' magazine's list of The 500 Greatest Songs of All Time. Background In early 1954, Ahmet Ertegun of Atlantic Records suggested to Jesse Stone that he write an up-tempo blues for Big Joe Turner, a blues shouter whose career had begun in Kansas City before World War II. Stone played around with various phrases before coming up with "shake, rattle and roll".Nick Tosches, ''Unsung Heroes of Rock 'n' Roll'' (2nd ed. 1991), page 12-21. (Stone used his real name for ASCAP songs, while using the pseudonym "Charles Calhoun" for BMI-registered songs, such as "Shake, Rattle and Roll"). However, the phrase had been used in earlier songs. In 1910, vaudeville performer "Baby" Franklin Seals published "You Got to Shake, Rattle and Roll", a ragtime tune about gambling with dice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbia Broadcasting System
CBS Broadcasting Inc., commonly shortened to CBS, the abbreviation of its former legal name Columbia Broadcasting System, is an American commercial broadcast television and radio network serving as the flagship property of the CBS Entertainment Group division of Paramount Global. Its headquarters is at the CBS Building in New York City. It has major production facilities and operations at the CBS Broadcast Center and the headquarters of owner Paramount Global at One Astor Plaza (both also in that city) and Television City and the CBS Studio Center in Los Angeles. It is also sometimes referred to as the Eye Network in reference to the company's trademark symbol which has been in use since 1951. It has also been called the Tiffany Network which alludes to the perceived high quality of its programming during the tenure of William S. Paley. It can also refer to some of CBS's first demonstrations of color television, which were held in the former Tiffany and Company Building in Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Freed
Albert James "Alan" Freed (December 15, 1921 – January 20, 1965) was an American disc jockey. He also produced and promoted large traveling concerts with various acts, helping to spread the importance of rock and roll music throughout North America. In 1986, Freed was inducted into the Rock and Roll Hall of Fame. His "role in breaking down racial barriers in U.S. pop culture in the 1950s, by leading white and black kids to listen to the same music, put the radio personality 'at the vanguard' and made him 'a really important figure'", according to the executive director. Freed was honored with a star on the Hollywood Walk of Fame in 1991. The organization's website posted this note: "He became internationally known for promoting African-American rhythm and blues music on the radio in the United States and Europe under the name of rock and roll". In the early 1960s, Freed's career was destroyed by the payola scandal that hit the broadcasting industry, as well as by alleg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Studio
A recording studio is a specialized facility for sound recording, mixing, and audio production of instrumental or vocal musical performances, spoken words, and other sounds. They range in size from a small in-home project studio large enough to record a single singer-guitarist, to a large building with space for a full orchestra of 100 or more musicians. Ideally, both the recording and monitoring (listening and mixing) spaces are specially designed by an acoustician or audio engineer to achieve optimum acoustic properties (acoustic isolation or diffusion or absorption of reflected sound echoes that could otherwise interfere with the sound heard by the listener). Recording studios may be used to record singers, instrumental musicians (e.g., electric guitar, piano, saxophone, or ensembles such as orchestras), voice-over artists for advertisements or dialogue replacement in film, television, or animation, foley, or to record their accompanying musical soundtracks. The typical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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